Estudios Románicos最新文献

{"title":"Identificación tipográfica, adscripción cronológica y relaciones editoriales de una edición sine notis de la Historia de la Doncella Teodor","authors":"Marta Haro Cortés","doi":"10.6018/er.585371","DOIUrl":"https://doi.org/10.6018/er.585371","url":null,"abstract":"Typographical and chronological attribution of a sine notis edition of the Historia de la doncella Teodor, traditionally considered to have been printed in Segovia. A material examination is made of the only copy preserved in the Österreichische Nationalbibliothek (Austrian National Library), with the number 67451-B. The second part of the work traces, on the basis of the surviving documentation, the trajectory and printing activity of the saga of the homonymous printers Andrés de Burgos, with special attention to the activity of the printer in Granada, in whose workshop the edition of the Teodor was printed. Finally, it establishes the date of printing and the relationship with other publishing products from the Burgos workshop of Juan de Burgos, specifically with the lost edition of the Repertorio de los tiempos, printed in 1495.\u0000 Adscripción tipográfica y cronológica de una edición sine notis de la Historia de la doncella Teodor considerada tradicionalmente impresa en Segovia. Se lleva a cabo, el estudio material del único ejemplar conservado en la Österreichische Nationalbibliothek (Biblioteca Nacional de Austria), con la signatura 67451-B. En la segunda parte del trabajo, se traza, a partir de la documentación conservada, la trayectoria de la saga de impresores homónimos Andrés de Burgos, prestando especial atención a la actividad del impresor en Granada, en cuyo taller vio la luz la Teodor. Y, por último, se establece la fecha de la edición y las relaciones con otros productos editoriales del taller burgalés de Juan de Burgos, en concreto, con la edición perdida del Repertorio de los tiempos, impresa en 1495.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"70 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140444276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"¿Una Odisea antes de Homero? El Ulises de Álvaro Cunqueiro","authors":"Alicia Morales Ortiz","doi":"10.6018/er.585411","DOIUrl":"https://doi.org/10.6018/er.585411","url":null,"abstract":"In 1960, Álvaro Cunqueiro published Las Mocedades de Ulises, a ‘no novel’ of the so-called mythological type in which, following the outline of a Bildungsroman, the author fables the birth and youth of Ulysses and the process of his configuration as a hero, in a sort of 'Odyssey before Homer'. This paper studies the Galician writer's approach to Homer's hero, both in The Mocedades and in other texts, and analyses how much of Homer's Odysseus there is in Cunqueiro's Ulysses.\u0000 Álvaro Cunqueiro publicó en 1960 Las Mocedades de Ulises, una ‘no novela’ de las denominadas mitológicas en la que, con el esquema de un Bildungsroman, fabula el nacimiento y juventud de Ulises y el proceso de su configuración como héroe, en una suerte de 'Odisea ante de Homero'. Este artículo estudia el acercamiento del escritor gallego al héroe de Homero, tanto en Las Mocedades como en otros textos, y analiza cuánto hay del Odiseo homérico en el Ulises cunqueiriano.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"41 24","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140449017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Derrida et Khatibi: une amitié interstitielle. Entre pensée critique et relation culturelle","authors":"Abdelouahed Hanae","doi":"10.6018/er.578951","DOIUrl":"https://doi.org/10.6018/er.578951","url":null,"abstract":"This article explores the friendship between two North African writers, Abdelkebir Khatibi and Jacques Derrida, examining both the cultural and intellectual aspects of their relationship, which lasted until Khatibi's death in 2009. \u0000The article questions the friendship that enabled the two to overcome their differences and create a space for dialogue and mutual understanding. L'aimance, as a feeling that combines love and friendship, will enable differences to be deployed in a different way of thinking.\u0000 L'article explore l'amitié entre deux écrivains maghrébins Abdelkebir Khatibi et Jacques Derrida, tout en examinant les aspects à la fois culturels et intellectuels de leur relation qui a duré jusqu'à la mort de Khatibi en 2009.\u0000L'article interroge l’amitié a permis de dépasser les différences entre les deux et de créer un espace de dialogue et de compréhension mutuelle. L'aimance comme un sentiment qui associe amour et amitié permettra de déployer des différences dans une pensée autre. l’article tente de montrer l’impact de l’amitié sur la réflexion critique.\u0000 L'article explore l'amitié entre deux écrivains maghrébins Abdelkebir Khatibi et Jacques Derrida, tout en examinant les aspects à la fois culturels et intellectuels de leur relation qui a duré jusqu'à la mort de Khatibi en 2009. \u0000L'article interroge l’amitié a permis de dépasser les différences entre les deux et de créer un espace de dialogue et de compréhension mutuelle. L'aimance comme un sentiment qui associe amour et amitié permettra de déployer des différences dans une pensée autre. l’article tente de montrer l’impact de l’amitié sur la réflexion critique","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"40 33","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140449061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Edición crítica del Sermón trobado de Fray Íñigo de Mendoza","authors":"Francisco Crosas López","doi":"10.6018/er.568761","DOIUrl":"https://doi.org/10.6018/er.568761","url":null,"abstract":"This article is an approach to the most significant problems of textual criticism that arose while editing the Sermón Trobado by Fr. Íñigo de Mendoza from the nine known witnesses. This work is a brief and peculiar mirror of princes addressed to Ferdinand II of Aragon, as well as. This is a peasant allegory that compares righteous government to the good shepherding of a herd of oxen. A provisional stemma is also provided.\u0000 Este artículo propone una edición crítica -a partir de los nueve testimonios conocidos-, del Sermón Trobado de Fray Íñigo de Mendoza, un regimiento de príncipes dirigido a Fernando el Católico. El texto consiste en una alegoría campesina que equipara el recto gobierno al buen pastoreo de una grey de bueyes. Se propone también un estema provisional.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"47 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140446738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La caracterización lingüística de los incunables poéticos de Antón de Centenera","authors":"Matteo De Beni","doi":"10.6018/er.583941","DOIUrl":"https://doi.org/10.6018/er.583941","url":null,"abstract":"This article provides a linguistic characterization of the three poetic incunabula published by Antón de Centenera’s printing press in Zamora approximately between 1482 y 1483: one is Gómez Manrique’s Regimiento de príncipes (known as 82*GM according to the signalling system by Dutton 1990-1991), another includes the Vita Christi and the Sermón trobado al rey Fernando by Íñigo de Mendoza (82IM), the last one gathers mainly texts by Íñigo de Mendoza, but also some by others, such as Juan de Mena, Gómez Manrique and Jorge Manrique (83*IM). The analysis involves graphic, syntactic, morphological, lexical aspects, and other characteristics that can be identified in the texts under consideration.\u0000 En este artículo se ofrece una caracterización lingüística de los tres incunables poéticos impresos por el taller de Antón de Centenera en Zamora entre 1482 y 1483 aproximadamente: uno transmite el Regimiento de príncipes de Gómez Manrique (conocido como 82*GM, según el sistema de identificación propuesto por Dutton 1990-1991), otro contiene la Vita Christi y el Sermón trobado al rey Fernando de Íñigo de Mendoza (82IM) y el último reúne sobre todo textos de Íñigo de Mendoza, pero también de otros, como Juan de Mena, Gómez Manrique y Jorge Manrique (83*IM). Se examinan los aspectos gráficos, sintácticos, morfológicos, léxicos y también otros elementos lingüísticos documentados en los impresos estudiados.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"12 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139958212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Factors pragmàtics de l'explicitació dels pronoms de subjecte de primera persona en el discurs parlamentari","authors":"Lucie Kuzmová","doi":"10.6018/er.576461","DOIUrl":"https://doi.org/10.6018/er.576461","url":null,"abstract":"The explicit use of personal pronouns jo and nosaltres with the syntactic function of sentence subject in a pro-drop language like Catalan carries certain socio-pragmatic information related to the management of social image by the interlocutors. In the present study we focus on the functions of the two subject pronouns in current Catalan parliamentary discourse. The analysis carried out allows us to verify that it is an important resource of the self-image of politicians, which allows them to highlight their attitudes, preferences, or opinions, which can be individual or group. This strategic communicative behavior often includes effects on the figure of other people involved in the communicative situation. The expression of the pronoun can serve to establish a contrast between the speaker and the others and can produce an impolite effect or, on the other hand, the pronoun can serve to maintain equilibrium between the images involved and, in this case, the effect can be polite.\u0000 L'explicitació dels pronoms personals jo i nosaltres amb la funció sintàctica de subjecte oracional en una llengua pro-drop com el català comporta certa informació sociopragmàtica relacionada amb la gestió d'imatge social dels interlocutors. En el present estudi ens fixem en les funcions dels dos pronoms de subjecte en el discurs parlamentari català actual. L'anàlisi efectuada ens permet constatar que es tracta d'un recurs important de l'autoimatge dels polítics, que els permet destacar la seva actitud, les seves preferències o opinions, que poden ser individuals o grupals. Aquest comportament comunicatiu estratègic sovint inclou efectes sobre la figura d'altres persones involucrades en la situació comunicativa. L'expressió del pronom pot servir per a establir un contrast entre l'emissor i els altres i pot produir un efecte descortès o, per l'altra banda, el pronom pot servir per a mantenir equilibri entre les imatges involucrades i en aquest cas l'efecte pot ser cortès.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"674 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140446307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Acerca de tres obras italianas en vulgar meridional del periodo angevino","authors":"Francisco José Rodríguez Mesa","doi":"10.6018/er.575971","DOIUrl":"https://doi.org/10.6018/er.575971","url":null,"abstract":"Si bien la consagración del toscano como lengua literaria en la península itálica data del siglo XVI y en tierras partenopeas no se generaliza hasta el ocaso del siglo XV, la permeabilidad de la lengua escrita en Nápoles y en el sur de los Estados Pontificios hacia formas suprarregionales y especialmente toscanas comienza a mostrarse ya, más de un siglo antes, durante el periodo angevino. En este artículo proponemos un estudio de tres textos compuestos en tiempos de los Anjou –los Bagni di Pozzuoli, el Libro di Cato y el Regimen sanitatis– para identificar hasta qué punto serían susceptibles de considerarse estrictamente meridionales tanto por lo que respecta a su lengua como a su forma.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"50 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140447380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La poesía del Valerio de las estorias escolásticas y de España:","authors":"Natalia Anaís Mangas Navarro","doi":"10.6018/er.590731","DOIUrl":"https://doi.org/10.6018/er.590731","url":null,"abstract":"This work offers the study and critical edition of a poem by Juan Manrique included in the Valerio de las estorias escolásticas y de España, by Diego Rodríguez de Almela. The edition is based on the incunabula printed in Murcia in 1487, by Lope de la Roca and Gabriel Luis de Arinyo, although other manuscripts and printed testimonies close to this edition are taken into consideration. The poetry of Juan Manrique, forgotten and destined to remain in the shadow of Valerio, stands as a panegyric not only addressed to Rodríguez de Almela, but also to Alfonso de Cartagena, bishop of Burgos.\u0000 Este trabajo ofrece el estudio y edición crítica de un poema de Juan Manrique incluido en el Valerio de las estorias escolásticas y de España, de Diego Rodríguez de Almela. La edición parte del incunable impreso en Murcia en 1487, por Lope de la Roca y Gabriel Luis de Arinyo, aunque se tienen en consideración otros testimonios manuscritos e impresos cercanos a esta edición. La poesía de Juan Manrique, olvidada y destinada a permanecer a la sombra del Valerio, se erige como un panegírico no solo dirigido a Rodríguez de Almela, sino también a Alfonso de Cartagena, obispo de Burgos.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"414 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140447902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La poésie anonyme du recueil dit de Marie de Montmorency (Ms. Rothschild 3197 de la BNF)","authors":"Eduardo Aceituno Martínez","doi":"10.6018/er.582031","DOIUrl":"https://doi.org/10.6018/er.582031","url":null,"abstract":"Part of the Rothschild manuscript 3197 from the BnF, an album possibly intended for Marie de Montmorency, is composed exclusively of anonymous poems. It is clearly distinguished from the central section, which concentrates pieces by well-known poets of the 16th century. These anonymous verses have not been the subject of any literary analysis so far, even if some of them do not lack merit. After enumerating the clues suggesting that they were composed by a single author, we will offer a commentary on the most remarkable sonnets, emphasizing the connections with their literary context (the French Petrarchism of the years 1570-1580) and the still evident influence of the great masters of the Pléiade.\u0000 Une partie du manuscrit Rothschild 3197 de la BnF, album destiné peut-être à Marie de Montmorency, est composée exclusivement de poèmes anonymes. Elle se distingue clairement de la section centrale, qui concentre les pièces de poètes connus du XVIe siècle. Ces vers anonymes n’ont fait l’objet d’aucune analyse littéraire jusqu’à présent, même si certains d’entre eux ne manquent pas de mérite. Après avoir énuméré les indices suggérant qu’ils ont été composés par un seul auteur, nous proposerons un commentaire des sonnets les plus remarquables, en soulignant les liens avec leur contexte littéraire (le pétrarquisme français des années 1570-1580) et l’influence encore manifeste des grands maîtres de la Pléiade.\u0000 Une partie du manuscrit Rothschild 3197 de la BnF, album destiné peut-être à Marie de Montmorency, est composée exclusivement de poèmes anonymes. Elle se distingue clairement de la section centrale, qui concentre les pièces de poètes connus du XVIe siècle. Ces vers anonymes n’ont fait l’objet d’aucune analyse littéraire jusqu’à présent, même si certains d’entre eux ne manquent pas de mérite. Après avoir énuméré les indices suggérant qu’ils ont été composés par un seul auteur, nous proposerons un commentaire des sonnets les plus remarquables, en soulignant les liens avec leur contexte littéraire (le pétrarquisme français des années 1570-1580) et l’influence encore manifeste des grands maîtres de la Pléiade.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"39 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140449440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El primer incunable de las coplas de Mingo Revulgo con la glosa de Fernando de Pulgar (85*MR)","authors":"Ana María Rodado Ruiz","doi":"10.6018/er.589041","DOIUrl":"https://doi.org/10.6018/er.589041","url":null,"abstract":"The first edition of the Glosa a las Coplas de Mingo Revulgo by Fernando de Pulgar was published in Burgos, in the printing house of Fadrique de Basilea, c. 1485. The aim of this work is the material analysis of this first incunabula edition and of the two surviving copies. Based on the material bibliographical study, we will analyse in depth the editorial and socio-literary circumstances that determined the configuration of the surviving copies.\u0000 La primera edición de la Glosa a las Coplas de Mingo Revulgo de Fernando de Pulgar se publicó en Burgos, en la imprenta de Fadrique de Basilea, en torno a 1485. El objetivo de este trabajo es el análisis material de esta primera edición incunable y de los dos ejemplares que se conservan. A partir del estudio bibliográfico material, se profundiza en el análisis de las circunstancias editoriales y socioliterarias que determinaron la configuración de los ejemplares supervivientes.","PeriodicalId":429462,"journal":{"name":"Estudios Románicos","volume":"79 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140448452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}