{"title":"Behind the Bandstand: Jay G. Sims and the Internal Workings of the Sousa Band","authors":"Caitlin D. McAlister","doi":"10.5206/NOTABENE.V11I1.6614","DOIUrl":"https://doi.org/10.5206/NOTABENE.V11I1.6614","url":null,"abstract":"From 1919 to 1932 trombonist, Jay G. Sims, served as the personnel manager for the Sousa Band. The Harry Ransom Center at University of Texas at Austin holds Sim's business correspondences which divulge his crucial role in the band’s operations, shedding light on his contributions to the band's success as a touring group. Notwithstanding so, there is relatively little information about him in the existing scholarship on John Philip Sousa and the Sousa Band. This paper explores Sims’ position as personnel manager for the Sousa Band through an examination of his correspondences. There is particular focus on his day-to-day functions, including his input on hiring decisions and recruitment of members, as well as purchasing of equipment for the band’s performances. Furthermore, Sims’ correspondence offers a rare, behind-the-scenes glimpse of the Sousa Band, one of the most famous touring musical groups of the early-twentieth century. By using Sims’ own documents as a primary source, it is possible through letters and invoices, not only to determine the exact nature of Sims’ role within the Sousa Band, but also how his administrative position impacted the band’s operations.","PeriodicalId":429335,"journal":{"name":"Nota Bene: Canadian Undergraduate Journal of Musicology","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115887733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Mythic Heroine in Der Rosenkavalier","authors":"Bridget Ramzy","doi":"10.5206/NOTABENE.V11I1.6616","DOIUrl":"https://doi.org/10.5206/NOTABENE.V11I1.6616","url":null,"abstract":"This paper explores the Allomatische—Strauss and Hofmannsthal's concept of transformation by means of taking risk—through its application to Der Rosenkavalier's Marie-Therese (the Marschallin). The Allomatische’s very apparent presence throughout Strauss and Hofmannsthal’s collaborations in their “mythic” operas, urges its examination in Der Rosenkavlier. This paper explores the Marschallin's risk in context of gender, arguing that her self-acceptance as an ageing woman is an exceedingly brave act, that in-turn transforms her. In this paper, a character study of the Marschallin in Act I before the transformation, and after in Act III is presented and corroborated by interspersed musical examples. A comparison with other characters, both male and female, further establishes the gendered context of the Marschallin's risk. In conclusion, the Marschallin's brave risk of self-acceptance as an aging woman transforms her, and places her in the pantheon of Strauss and Hofmannsthal's mythic heroines.","PeriodicalId":429335,"journal":{"name":"Nota Bene: Canadian Undergraduate Journal of Musicology","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125032745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}