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Ghostly Sensations in Walter de la Mare's Texts: Reading the Body as a Haunted House 沃尔特·德·拉·马雷文本中的鬼感:将身体解读为鬼屋
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2018-04-18 DOI: 10.17863/CAM.23488
Y. Kajita
{"title":"Ghostly Sensations in Walter de la Mare's Texts: Reading the Body as a Haunted House","authors":"Y. Kajita","doi":"10.17863/CAM.23488","DOIUrl":"https://doi.org/10.17863/CAM.23488","url":null,"abstract":"Abstract:In select writings Walter de la Mare thinks about ghostly sensations inherent in the act of reading: sensations that are felt not only in the mind but also in the body and that a text can transmit. By analyzing how the ghostly sensations in de la Mare's poetry and prose closely correlate to the act of reading, this article explores how he stretched out and redefined the boundaries of the ghost story or what it is to experience the ghostly in literature. Through reading his texts, one's body becomes haunted by \"strange visitants\"—ghosts of characters, phantoms of texts, almost inaudible sounds, or the ghostly sensations in the embodied experience of reading. The reader internalizes the texts, and the texts seem almost to internalize the reader: an effect that only the individual reader can recognize when one returns to the texts oneself, as if by a personal mark or footprint.","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"61 1","pages":"374 - 388"},"PeriodicalIF":0.0,"publicationDate":"2018-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45989750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ford Madox Ford's Parade's End 福特·马多克斯·福特的游行终点
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2017-05-13 DOI: 10.1163/9789401211055
R. Hampson
{"title":"Ford Madox Ford's Parade's End","authors":"R. Hampson","doi":"10.1163/9789401211055","DOIUrl":"https://doi.org/10.1163/9789401211055","url":null,"abstract":"art, a Gesamtkunstwerk, a complete artistic environment. But Morris loathed Wagner’s operas, felt that they trivialized the great legends on which they were based—he hated opera in general—while Fortuny was a great admirer. Both men believed in the close connection between labor and art, that pleasure in labor was essential to produce significant art. The so-called “lesser arts” were as important as paintings and sculptures in terms of their artistic accomplishments and centrality to life. In her discussion of these two splendid figures we are forcefully reminded of the richness of their achievements. This is a highly personal disquisition, almost meditation, on two designers and artists of genius (although Morris hated that term). One is grateful for A. S. Byatt’s intelligent pairing of William Morris and Mariano Fortuny.","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"60 1","pages":"403 - 408"},"PeriodicalIF":0.0,"publicationDate":"2017-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44921728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Dowson’s “Cynara” and the English Alexandrine: A Study of Form in Context 道森的《辛娜拉》与英语亚历山大:语境中的形式研究
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2016-12-04 DOI: 10.17863/CAM.545
Alex Wong
{"title":"Dowson’s “Cynara” and the English Alexandrine: A Study of Form in Context","authors":"Alex Wong","doi":"10.17863/CAM.545","DOIUrl":"https://doi.org/10.17863/CAM.545","url":null,"abstract":"Abstract: “Non Sum Qualis Eram Bonae Sub Regno Cynarae” is Ernest Dowson’s most famous poem and one of the most celebrated lyrics of the legendary English 1890s. Why did it become so particularly famous? Supposing that its fame is no more than it deserves, the question might be approached from another direction: why is it so good? How persuasively can its strange success be explained? The inquiry is therefore a matter of literary history, insofar as it asks how the poem took shape, and how it found its place in the English lyrical tradition; but it is also a matter of literary criticism, in the most fundamental sense, insofar as it wants to discover and articulate, as precisely as possible, how the poem actually works to produce its very unusual and memorable effects.","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"1 1","pages":"210 - 234"},"PeriodicalIF":0.0,"publicationDate":"2016-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67573223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The natural history and management of brachial plexus birth palsy. 臂丛神经出生麻痹的自然史和处理方法。
IF 4.1
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2016-12-01 DOI: 10.1007/s12178-016-9374-3
Kristin L Buterbaugh, Apurva S Shah
{"title":"The natural history and management of brachial plexus birth palsy.","authors":"Kristin L Buterbaugh, Apurva S Shah","doi":"10.1007/s12178-016-9374-3","DOIUrl":"10.1007/s12178-016-9374-3","url":null,"abstract":"<p><p>Brachial plexus birth palsy (BPBP) is an upper extremity paralysis that occurs due to traction injury of the brachial plexus during childbirth. Approximately 20 % of children with brachial plexus birth palsy will have residual neurologic deficits. These permanent and significant impacts on upper limb function continue to spur interest in optimizing the management of a problem with a highly variable natural history. BPBP is generally diagnosed on clinical examination and does not typically require cross-sectional imaging. Physical examination is also the best modality to determine candidates for microsurgical reconstruction of the brachial plexus. The key finding on physical examination that determines need for microsurgery is recovery of antigravity elbow flexion by 3-6 months of age. When indicated, both microsurgery and secondary shoulder and elbow procedures are effective and can substantially improve functional outcomes. These procedures include nerve transfers and nerve grafting in infants and secondary procedures in children, such as botulinum toxin injection, shoulder tendon transfers, and humeral derotational osteotomy.</p>","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"30 1","pages":"418-426"},"PeriodicalIF":4.1,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5127954/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82995190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music in E. M. Forster’s A Room with a View and Howards End: The Conflicting Presentation of Nineteenth-Century Aesthetics e·m·福斯特《看得见风景的房间》和《霍华德庄园》中的音乐:19世纪美学的冲突表现
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2016-05-01 DOI: 10.1253/ELT.2016.0055
Gemma M. Moss
{"title":"Music in E. M. Forster’s A Room with a View and Howards End: The Conflicting Presentation of Nineteenth-Century Aesthetics","authors":"Gemma M. Moss","doi":"10.1253/ELT.2016.0055","DOIUrl":"https://doi.org/10.1253/ELT.2016.0055","url":null,"abstract":"Abstract: Scholarship on Forster and music has tried to resolve contradictions in the texts: biographical information is recruited to produce readings that are consistent with his documented musical preferences and political opinions. This article analyzes music in A Room with a View and Howards End to explore the presence of receding nineteenth- and emerging twentieth-century approaches to music. The different and contradictory ways music is presented can be understood as competing notions of what music is and means. This discussion uses T. W. Adorno’s writing on Beethoven and Mahler to analyze the different guises in which music appears in Forster’s novels to show that music is a site of conflict. Residues of nineteenth-century aestheticism are contained in the depictions of “sublime” music, while at other times music is shown to be a product of existing material conditions.","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"59 1","pages":"493 - 509"},"PeriodicalIF":0.0,"publicationDate":"2016-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66204358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 23
Letters to a Friend 给朋友的信
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2015-05-29 DOI: 10.2307/j.ctt1dfntbg.16
J. Stape
{"title":"Letters to a Friend","authors":"J. Stape","doi":"10.2307/j.ctt1dfntbg.16","DOIUrl":"https://doi.org/10.2307/j.ctt1dfntbg.16","url":null,"abstract":"","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"58 1","pages":"572 - 574"},"PeriodicalIF":0.0,"publicationDate":"2015-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68713090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decadent Poetics 颓废诗学
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2015-05-29 DOI: 10.1057/9781137348296
S. Evangelista
{"title":"Decadent Poetics","authors":"S. Evangelista","doi":"10.1057/9781137348296","DOIUrl":"https://doi.org/10.1057/9781137348296","url":null,"abstract":"","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"58 1","pages":"423 - 427"},"PeriodicalIF":0.0,"publicationDate":"2015-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"58220501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 28
The Emergence of John Trevena: A Case Study of a Pseudonym 约翰·特雷维纳的出现:一个笔名的个案研究
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2014-12-14 DOI: 10.1353/ELT.2015.0026
G. Monsman
{"title":"The Emergence of John Trevena: A Case Study of a Pseudonym","authors":"G. Monsman","doi":"10.1353/ELT.2015.0026","DOIUrl":"https://doi.org/10.1353/ELT.2015.0026","url":null,"abstract":"","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"58 1","pages":"241 - 256"},"PeriodicalIF":0.0,"publicationDate":"2014-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66305895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Plays and films 戏剧和电影
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2014-06-27 DOI: 10.1093/english/11.65.185
D. Rainsford
{"title":"Plays and films","authors":"D. Rainsford","doi":"10.1093/english/11.65.185","DOIUrl":"https://doi.org/10.1093/english/11.65.185","url":null,"abstract":"","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2014-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83677027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reconsidering a “Neglected Classic” and Widening the Canon of World War I Poetry: The Song of Tiadatha 重新思考“被忽视的经典”，拓宽一战诗歌的经典:提亚达塔之歌
ENGLISH LITERATURE IN TRANSITION 1880-1920 Pub Date : 2014-06-01 DOI: 10.1353/ELT.2014.0039
A. Scragg
{"title":"Reconsidering a “Neglected Classic” and Widening the Canon of World War I Poetry: The Song of Tiadatha","authors":"A. Scragg","doi":"10.1353/ELT.2014.0039","DOIUrl":"https://doi.org/10.1353/ELT.2014.0039","url":null,"abstract":"IF WILFRED OWEN’S DICTUM was “my subject is war and the pity of war,”’1 Owen Rutter’s might well have been “my subject is war and the boredom of war.” His mock-epic poem The Song of Tiadatha deals with the experiences of Tiadatha (a pun on “Tired Arthur”—a young “nut”2 or man about town) who volunteers for the Dudshire Regiment at the start of the Great War, seeing (some) action in France and Salonica before being wounded and returning home to London on leave. It is not well known now; there are no critical editions3 and it has received virtually no critical attention; only one collection of war poetry, Never Such Innocence, anthologises passages from it, describing it as “one of the great neglected classics of the war ... its gentle mockery, its warmth and sympathy, and its ability to produce flashes of sharp savagery make it unique.”4 This article explores Rutter’s poem to put it into the context of his war experiences, to investigate possible reasons why it has been sidelined in the discourse of Great War poetry, and to identify why it should now be reconsidered as a meaningful poetic commentary on the realities of the Great War.","PeriodicalId":42862,"journal":{"name":"ENGLISH LITERATURE IN TRANSITION 1880-1920","volume":"57 1","pages":"463 - 479"},"PeriodicalIF":0.0,"publicationDate":"2014-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66305834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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