Kritika Kultura最新文献_第7页

"The Nomad of the Naked Body": The Trans-corporeal Ecopoetics of Sunwoo Kim “赤裸的游牧民”:金善宇的跨肉体生态学

IF 0.1 4区文学

Kritika Kultura Pub Date : 2022-04-24 DOI: 10.13185/kk2022.003818

W. Na

引用次数: 0

Corpus Interruptus: An Introduction to the Forum Kritika on Theorizing Corporeality in the Climate Change Era 语料中断:气候变化时代物质性理论化克里提卡论坛简介

IF 0.1 4区文学

Kritika Kultura Pub Date : 2022-04-24 DOI: 10.13185/kk2022.003812

S. Estok

引用次数: 0

Corporeality, Genetic Technology, and Climate Change in Margaret Atwood’s The Year of the Flood 玛格丽特·阿特伍德《洪水之年》中的物质性、基因技术和气候变化

IF 0.1 4区文学

Kritika Kultura Pub Date : 2022-04-24 DOI: 10.13185/kk2022.003814

Y. Na

引用次数: 0

Moments of Truth and Lyrical Musings on Goa's Traumatic Process of Decolonization: A Reading of Surya and Monsoon by Vimala Devi 关于果阿非殖民化创伤过程的真实时刻和抒情思考:维玛拉·德维的《苏里亚和季风》解读

IF 0.1 4区文学

Kritika Kultura Pub Date : 2022-04-24 DOI: 10.13185/kk2022.003825

C. Na

引用次数: 0

Architecture, Nationalism, and the Fleeting Heyday of the Goan Temple 建筑、民族主义和果阿神庙短暂的全盛时期

IF 0.1 4区文学

Kritika Kultura Pub Date : 2022-04-24 DOI: 10.13185/kk2022.003823

A. Na

{"title":"Architecture, Nationalism, and the Fleeting Heyday of the Goan Temple","authors":"A. Na","doi":"10.13185/kk2022.003823","DOIUrl":"https://doi.org/10.13185/kk2022.003823","url":null,"abstract":"This essay about the changing architecture of Brahmanical shrines in Goa uses archival images to argue that the period from the mid- nineteenth century to the first decades of the twentieth was the heyday of the Goan temple, an architectural type of pronounced heterogeneity. A significant number of temples were rebuilt at this time into this form, along with the definitive establishment of a vocabulary that drew from the European Renaissance and Baroque, as well as the Deccan Sultanates and the Mughals. These developments happened against a backdrop of the rising influence of the dominant Brahmanical castes of Goa, especially the Saraswats. Not only was the control of most temples now formally in their hands, this was also a time when these castes, long the pillars of the Estado da Índia, were consolidating their forces and finding new opportunities for employment and prosperity. These were all surely connected to the propagation of a new and cosmopolitan architecture that reflected their wealth, influence, modern-ness, and also Goan-ness. But by the 1940s, Indian nationalism was in the air, especially amongst these elites, and their temples were found to fall short of the new mood. The result was to reject Europe and embrace the Indo-Saracenic, the ‘local’ style popular in British India. Thus began the demise of the Goan temple, which would accelerate after the Indian annexation of Goa in 1961.The cosmopolitan architecture that had once flaunted the success and worldliness of its Goan patrons had now become an embarrassment. This essay is about the changing architecture of Brahmanical shrines in Goa, and specifically about the very fleeting popularity of the Goan temple, a barely-recognised architectural type of pronounced heterogeneity. The main issue discussed here is the chronology of the rise and fall of this architectural type, specifically the fact that archival images of the temples from the nineteenth and early twentieth centuries indicate that it may have originated in the nineteenth century, spread across Goa by the turn of the century, and began a decline in the 1940s from which it is yet to recover, even as Brahmanical temples proliferate at an exponential rate. This timeline challenges the prevalent idea that this temple architecture originated with the chronology new questions regarding the context and for the probable rise and undoubted popularity of this type the nineteenth century, and also for its decline soon afterwards. here both rise fall context nationalism—the first Goan Goa. garba cud tower","PeriodicalId":42853,"journal":{"name":"Kritika Kultura","volume":"78 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83640249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Vimala Devi's Bhatcars and the Mundcars: Laborers, Landlords, and Culture in Goa 维玛拉·德维的《巴特卡人和蒙德卡人:果阿的劳工、地主和文化》

IF 0.1 4区文学

Kritika Kultura Pub Date : 2022-04-24 DOI: 10.13185/kk2022.003821

D. Na

{"title":"Vimala Devi's Bhatcars and the Mundcars: Laborers, Landlords, and Culture in Goa","authors":"D. Na","doi":"10.13185/kk2022.003821","DOIUrl":"https://doi.org/10.13185/kk2022.003821","url":null,"abstract":"The master-servant, or broadly bhatcar - mundcar , relations are fundamental to Goan culture, history, and society. While the interaction of these two broad socio-economic groups, those who labor and those who do not, was and is fundamental to Goan politics, scholars have not yet evolved a methodological framework for understanding these relations. This absence, the paper claims, is a particularly serious problem for Goa studies, and one that can be tackled by thinking closely about categories such as bhatcar and mundcar . The terms bhatcar and mundcar are defined capaciously, making room for a range of servitudes and labor regimes as well as different ways in which the masters live as bhatcar s and the servants as mundcar s. This paper uses Vimala Devi’s Monsoon to formulate broad generalizations about the master-servant relations in Goa. The paper engages with the historiography of labor and caste in South Asia as well as Goan historiography to deepen the understanding of labor relations and culture in Goan society. . His research interests include the history of commodities and imperial and non-imperial polities in early modern South Asia. Menezes is interested in the role of South Asians—kings, merchants, and laborers—in the making of a global world (or ‘globalizing world’) since the 1500s. His research straddles the European and non-European spheres of South Asia’s globalizing history and tries to view these seemingly different components as forming a part of the same political economy. Occasionally, he writes about Goan literature written in Portuguese, Konkani, and Marathi.","PeriodicalId":42853,"journal":{"name":"Kritika Kultura","volume":"69 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78311669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Enter Deeply 进入深

IF 0.1 4区文学

Kritika Kultura Pub Date : 2021-12-17 DOI: 10.13185/kk2021.003615

N. Vitug

引用次数: 0

Editor's Introduction 编辑器的介绍

IF 0.1 4区文学

Kritika Kultura Pub Date : 2021-12-17 DOI: 10.13185/kk2021.003602

C. Ong

引用次数: 0

Five Poems 五个诗