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La double vie d’Hélène Bautista 埃莱娜-包蒂斯塔的双重生活
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4826
C. Perrot, Perrine Gustin
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引用次数: 0
Les sources strasbourgeoises de Gustave Doré 古斯塔夫-多雷在斯特拉斯堡的创作源泉
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4556
Franck Knoery
{"title":"Les sources strasbourgeoises de Gustave Doré","authors":"Franck Knoery","doi":"10.4000/estampe.4556","DOIUrl":"https://doi.org/10.4000/estampe.4556","url":null,"abstract":"1 Les premières biographies de Gustave Doré 1 sont nettement empreintes d’un récit personnel soulignant la précocité et l’autodidaxie de l’artiste. Elles accordent également une importance décisive au cadre culturel et social de son enfance, dont elles font le ferment d’un imaginaire artistique en formation. Elles ont contribué à faire prévaloir le mythe d’un génie autonome, dans lequel ne sont reconnus à Doré pour seuls modèles que quelques maîtres du passé : Michel-Ange, Vinci, Rembrandt, Rubens 2 . Les sources graphiques, pourtant manifestes, qu’ont pu constituer les œuvres de Grandville et Rodolphe Töpffer, ou encore des illustrateurs de livres romantiques Tony Johannot et Célestin Nanteuil, y sont significativement ignorées 3 . Le récit se concentre au contraire sur la puissance imaginaire autonome de l’artiste que Charles Philipon, Nadar ou Théophile Gautier, souligneront encore à leur tour. 2 Le registre convoqué pour évoquer les sources strasbourgeoises et alsaciennes de Doré renvoie quant à lui généralement aux notions imprécises d’inspiration ou de vocation, pour inscrire rétroactivement les orientations graphiques de l’artiste dans une continuité cohérente. Reprenant les termes de Blanche Roosevelt, le journaliste anglais Blanchard Jerrold fait prévaloir ces « visions » ou « impressions » lorsqu’il","PeriodicalId":428421,"journal":{"name":"Nouvelles de l'estampe","volume":"42 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139273689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un recueil complet des Diverses fleurs mises en boucquets par Jacques Bailly au musée des Tissus et des Arts décoratifs de Lyon 雅克-贝利的 Diverses fleurs mises en boucquets 作品全集，现藏里昂工艺美术博物馆。
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4659
M. Lenoir, Élisabeth Maisonnier, Marc Jeanson
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引用次数: 0
Walter Vaes (1882-1959) : peinture et gravure à Anvers 瓦尔特-韦斯（1882-1959）：在安特卫普从事绘画和版画创作
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4628
B. Duvernay
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引用次数: 0
Récré Doré : Citations, héritiers et produits dérivés Récré Doré：引文、继承人和衍生作品
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4649
Élise Canaple
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引用次数: 0
Imiter et dépasser ses maîtres, les travaux du jeune Doré 模仿和超越大师：年轻多雷的作品
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4573
Antoine Sausverd
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引用次数: 0
Louis le Grand, la terreur et l’admiration de l’univers. Les almanachs muraux publiés à Paris sous le règne personnel de Louis XIV (1661/1662-1715/1716) 路易大帝，全宇宙的恐惧和敬仰。路易十四个人统治时期（1661/1662-1715/1716 年）在巴黎出版的挂历
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4601
V. Meyer
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引用次数: 0
Quand Doré illustre les contes de Perrault, enjeux narratifs de la pagination 多雷为佩罗童话绘制插图：分页的叙事问题
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4549
Pierre-Emmanuel Moog
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引用次数: 0
Grandville-Doré : une filiation paradoxale 格兰维尔-多雷：一种矛盾的关系
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4563
Laurent Baridon
{"title":"Grandville-Doré : une filiation paradoxale","authors":"Laurent Baridon","doi":"10.4000/estampe.4563","DOIUrl":"https://doi.org/10.4000/estampe.4563","url":null,"abstract":"","PeriodicalId":428421,"journal":{"name":"Nouvelles de l'estampe","volume":"22 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139271832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le Japonisme, un art français 日本主义
Nouvelles de l'estampe Pub Date : 2023-11-15 DOI: 10.4000/estampe.4621
E. Pernoud
{"title":"Le Japonisme, un art français","authors":"E. Pernoud","doi":"10.4000/estampe.4621","DOIUrl":"https://doi.org/10.4000/estampe.4621","url":null,"abstract":"","PeriodicalId":428421,"journal":{"name":"Nouvelles de l'estampe","volume":"131 3-4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139271384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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