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The Routledge Companion to Butoh Performance ed. by Bruce Baird and Rosemary Candelario (review) 布鲁斯·贝尔德和罗斯玛丽·坎德拉里奥编著的《劳特利奇舞托表演指南》(回顾版)
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0039
Michelle Liu Carriger
{"title":"The Routledge Companion to Butoh Performance ed. by Bruce Baird and Rosemary Candelario (review)","authors":"Michelle Liu Carriger","doi":"10.1353/atj.2021.0039","DOIUrl":"https://doi.org/10.1353/atj.2021.0039","url":null,"abstract":"","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"120 1","pages":"591 - 594"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85637685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Raktim Pariwar’s Red Lanterns: Dance and Cultural Revolution in Nepal Raktim Pariwar的《红灯笼:尼泊尔的舞蹈和文化大革命》
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0027
Anna Stirr
{"title":"Raktim Pariwar’s Red Lanterns: Dance and Cultural Revolution in Nepal","authors":"Anna Stirr","doi":"10.1353/atj.2021.0027","DOIUrl":"https://doi.org/10.1353/atj.2021.0027","url":null,"abstract":"Abstract:The Nepali communist cultural group Raktim Pariwar (literally “Family of Blood”) stands out among the many such groups in Nepal for their songs and especially for their dances. Active since 1987, their ideology and aesthetics have been strongly influenced by Chinese communism. While this is true of most Nepali communist parties and associated cultural groups, Raktim was the first to seriously engage with the Chinese Cultural Revolution Model Works and incorporate aspects of their choreography into their own dances. Striving to make dance revolutionary and international while grounded in local realities, they aimed to synthesize Chinese styles with Nepali folk styles in order to express and awaken “revolutionary spirit” in performers and audiences. The style they created has since come to characterize Nepali revolutionary dance across political party lines. This article examines three decades of Raktim’s engagement with Cultural Revolution ideologies and artistic products within the broader international leftist emphasis on bodily training as cultivation of revolutionary persons, and shows how dance remains central to their efforts to develop “revolutionary spirit” to this day.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"7 1","pages":"395 - 423"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75116721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Hokkien Theatre Across the Seas: A Socio-Cultural Study by Caroline Chia (review) 《跨越大洋的福建戏剧:贾嘉玲的社会文化研究》(评论)
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0035
Yunyun Yang
{"title":"Hokkien Theatre Across the Seas: A Socio-Cultural Study by Caroline Chia (review)","authors":"Yunyun Yang","doi":"10.1353/atj.2021.0035","DOIUrl":"https://doi.org/10.1353/atj.2021.0035","url":null,"abstract":"","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"11 1","pages":"576 - 579"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90422985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Harnessing Vitality in Kunming: The Intellectual Lineage and Artistic Development in the Yi Compatriots Music and Dance Performance of 1946 把握昆明的活力:1946年彝族歌舞表演的思想脉络与艺术发展
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0026
Ruby MacDougall
{"title":"Harnessing Vitality in Kunming: The Intellectual Lineage and Artistic Development in the Yi Compatriots Music and Dance Performance of 1946","authors":"Ruby MacDougall","doi":"10.1353/atj.2021.0026","DOIUrl":"https://doi.org/10.1353/atj.2021.0026","url":null,"abstract":"Abstract:This article explores the aesthetic and ideological positioning behind the Yi Compatriots Music and Dance Performance, a performance that took place in Kunming in 1946. By considering the development of the performance, the performance program, the intellectual ideas of Liang Lun and Wen Yiduo (two key figures in the organization of the performance), and finally some of the ensuing textual accounts of the performance, this article situates the “Yi Compatriots Music and Dance Performance” within the overlapping and often paradoxical artistic and political discourses of the time. Analyzing how the performance engages with the Euro-American discourse of modernist primitivism, this paper demonstrates a complex ideological relationship between early 20th century Euro-American modern dance and late Republican ethnic minority dance forms in China. Ultimately, this paper suggests that the Yi Compatriots performance contributed to a new epistemological framework through which to understand the meaning of ethnic dance in modern China.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"50 1","pages":"367 - 394"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85063898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Lakhon Yike Theatre and Robam Yike Dance Genres: Origins, Performance Structure, Music Repertoire, and the Ongoing Process of Modernization 拉孔依克戏剧和罗巴依克舞蹈类型:起源，表演结构，音乐保留曲目，以及正在进行的现代化进程
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0031
Francesca Billeri
{"title":"Lakhon Yike Theatre and Robam Yike Dance Genres: Origins, Performance Structure, Music Repertoire, and the Ongoing Process of Modernization","authors":"Francesca Billeri","doi":"10.1353/atj.2021.0031","DOIUrl":"https://doi.org/10.1353/atj.2021.0031","url":null,"abstract":"Abstract:Through the analysis of some performances and interviews of well-known lakhon yike troupe’s leaders conducted in Kampot province of Cambodia in 2015, this article offers insight into the performance structure, the process of adaptation of yike songs from other genres, particularly the wedding genre (phleng kar), and shows the connection between songs and the dramatic scenes. Cambodian music traditions outside the iconic genre of the classical dance-drama, such as lakhon yike, have received little attention in scholarship mainly because of lakhon yike’s foreign origins. The limited literature on lakhon yike proffers general descriptions of its origins, costumes, characters, storylines, and ensemble relating to performances of the last century. This essay provides the first systematic analysis of the musical and extramusical features of lakhon yike as a popular theatre genre, and shows the process of adaptation of the traditional form (lakhon yike boran) in response to new audiences and performing contexts which create a new form of yike theatre and dance.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"97 1","pages":"488 - 517"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84180520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present ed. by Aparna Bhargava Dharwadker (review) 现代性诗学:印度戏剧理论，1850年至今，阿帕纳·巴尔加瓦·达瓦德克主编(评论)
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0041
Kristen Rudisill
{"title":"A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present ed. by Aparna Bhargava Dharwadker (review)","authors":"Kristen Rudisill","doi":"10.1353/atj.2021.0041","DOIUrl":"https://doi.org/10.1353/atj.2021.0041","url":null,"abstract":"","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"27 1","pages":"597 - 601"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86664420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performing Democracy on Stage: ToBakYi’s Kumhi’s May and the Politics of Mourning in South Korea 舞台上的民主表演:朴槿惠的Kumhi五月与韩国的哀悼政治
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0033
Hayana Kim
{"title":"Performing Democracy on Stage: ToBakYi’s Kumhi’s May and the Politics of Mourning in South Korea","authors":"Hayana Kim","doi":"10.1353/atj.2021.0033","DOIUrl":"https://doi.org/10.1353/atj.2021.0033","url":null,"abstract":"Abstract:This article investigates the relationship between grief and democracy by focusing on the South Korean Theatre Company ToBakYi’s 1988 production of Kumhi’s May—one of the first plays to dramatize the 1980 Gwangju Uprising and the state-sanctioned military massacre therein in the time of South Korea’s transition from military dictatorship to democratic rule. Demonstrating how theatre grapples with state-led violence in the recent past, I argue that theatre facilitates democracy by interrupting the state’s regulation of whose deaths are entitled to the public’s grief, creating a space where it challenges the state’s attempt to jettison those it murdered from the collective memories. Drawing on my archival research and interviews with the troupe and the family dramatized in the play, this article shows how ToBakYi made theatre an alternative cultural space where those deaths which state-sanctioned archives obliterate arise into communal memories.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"73 1","pages":"537 - 560"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86383972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Minority Stages: Sino-Indonesian Performance and Public Display by Josh Stenberg (review) 少数民族舞台:中国-印尼表演与公共展示Josh Stenberg(评论)
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0036
P. Yampolsky
{"title":"Minority Stages: Sino-Indonesian Performance and Public Display by Josh Stenberg (review)","authors":"P. Yampolsky","doi":"10.1353/atj.2021.0036","DOIUrl":"https://doi.org/10.1353/atj.2021.0036","url":null,"abstract":"","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"91 1","pages":"579 - 582"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83079710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prakrits in Performance: Theatricality and Multilingual Drama in Premodern India 表演中的印度语:前现代印度的戏剧性和多语言戏剧
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0034
Amanda Culp
{"title":"Prakrits in Performance: Theatricality and Multilingual Drama in Premodern India","authors":"Amanda Culp","doi":"10.1353/atj.2021.0034","DOIUrl":"https://doi.org/10.1353/atj.2021.0034","url":null,"abstract":"Abstract:Drawing from recent scholarship on the role of Prakrit in South Asian literature at large, this article queries the ways in which the multiple languages of the premodern drama might have functioned in performance. Rather than reading the variance as verisimilar, replicating the diversity of spoken languages found in the premodern subcontinent, this work adapts J.L. Austin’s concept of the performative utterance and proposes that language choice in premodern Indian drama be read as part of a schema of performative linguistics. With case studies chosen from Shudraka’s The Little Clay Cart and Bhasa’s The Five Nights, I argue that Sanskrit and Prakrit as languages do different work in the drama, making language itself a semiotic system within the premodern dramatic tradition.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"40 1","pages":"561 - 575"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75792285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespeare in the Theatre: Yukio Ninagawa by Conor Hanratty (review) 剧院中的莎士比亚:蜷川由纪夫作者:康纳·汉拉蒂(评论)
IF 0.2 3区 艺术学
ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI: 10.1353/atj.2021.0040
Jennifer Yoo
{"title":"Shakespeare in the Theatre: Yukio Ninagawa by Conor Hanratty (review)","authors":"Jennifer Yoo","doi":"10.1353/atj.2021.0040","DOIUrl":"https://doi.org/10.1353/atj.2021.0040","url":null,"abstract":"","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"286 1","pages":"594 - 597"},"PeriodicalIF":0.2,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77863376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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