{"title":"Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies","authors":"Helen Wickstead","doi":"10.1080/17514517.2024.2336361","DOIUrl":"https://doi.org/10.1080/17514517.2024.2336361","url":null,"abstract":"Photography played an important part in the revelation of deep time in the later nineteenth century, leading to the invention of a new epoch – the palaeolithic. This article investigates how photog...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140616165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs","authors":"Lauren Graves","doi":"10.1080/17514517.2024.2318007","DOIUrl":"https://doi.org/10.1080/17514517.2024.2318007","url":null,"abstract":"This article examines The Boston Document, a documentary photography project that chronicled urban renewal in Boston from 1959–1968. The project was created by a largely unknown yet crucial documen...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140601873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman","authors":"Simona Palladino, Mariangela D'Ambrosio, Paola Mitra","doi":"10.1080/17514517.2024.2324507","DOIUrl":"https://doi.org/10.1080/17514517.2024.2324507","url":null,"abstract":"Photography conveys emotions. However, while a great deal of attention has been given to the artists’ point of view, only rarely these have been explored from the perspective of the viewers of phot...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140324179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"#Ingrid","authors":"Emma Godfrey Pigott","doi":"10.1080/17514517.2024.2323897","DOIUrl":"https://doi.org/10.1080/17514517.2024.2323897","url":null,"abstract":"Published in Photography and Culture (Ahead of Print, 2024)","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140202438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Photography and 21st-Century Migration","authors":"Sarah Bassnett, Blessy Augustine","doi":"10.1080/17514517.2024.2313910","DOIUrl":"https://doi.org/10.1080/17514517.2024.2313910","url":null,"abstract":"Published in Photography and Culture (Vol. 16, No. 3, 2023)","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140017019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Francis Effect and the Significance of Gestures and Images","authors":"Blessy Augustine","doi":"10.1080/17514517.2024.2313911","DOIUrl":"https://doi.org/10.1080/17514517.2024.2313911","url":null,"abstract":"Published in Photography and Culture (Vol. 16, No. 3, 2023)","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140016926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nadar’s Aerial Photography: Science, Ecstasy, Projection","authors":"Sangwoo Park","doi":"10.1080/17514517.2024.2306774","DOIUrl":"https://doi.org/10.1080/17514517.2024.2306774","url":null,"abstract":"Félix Nadar is the legendary inventor of aerial photography, the origin of the aerial images which are widely used today in various fields. Focusing on his aerial photography and aerial experience,...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140001466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity","authors":"Sa Xiao","doi":"10.1080/17514517.2024.2305539","DOIUrl":"https://doi.org/10.1080/17514517.2024.2305539","url":null,"abstract":"This article explores a 1960 book project on the Japanese Imperial Palace and Garden complex Katsura, entitled Katsura: Tradition and Creation in Japanese Architecture (1960), in collaboration with...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140001304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography","authors":"Juan F. Egea","doi":"10.1080/17514517.2024.2303212","DOIUrl":"https://doi.org/10.1080/17514517.2024.2303212","url":null,"abstract":"The maritime border separating Europe from Africa has become the backdrop for a photojournalism that bears witness to the suffering and death of thousands of migrants since the early 1980s. The bea...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139584599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain","authors":"Mathilde Bertrand","doi":"10.1080/17514517.2024.2302721","DOIUrl":"https://doi.org/10.1080/17514517.2024.2302721","url":null,"abstract":"In the absence of photographic galleries in Britain in the early 1970s, aspiring documentary photographers turned to ordinary places to show their work, transforming launderettes, buses, canteens a...","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139561485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}