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Declaration of Principles on Freedom of Expression in Africa 《非洲言论自由原则宣言》
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0225
P. Noorlander
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引用次数: 8
Sollywood: A Movement Sollywood:一场运动
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0267
{"title":"Sollywood: A Movement","authors":"","doi":"10.2979/blackcamera.13.1.0267","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0267","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69688745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FeCAViP Manifesto FeCAViP宣言
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0446
{"title":"FeCAViP Manifesto","authors":"","doi":"10.2979/blackcamera.13.1.0446","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0446","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69689189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Draft Statute of the African Audiovisual and Cinema Commission (AACC) 非洲视听和电影委员会规约草案
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0315
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引用次数: 0
Manifesto of the Palestinian Cinema Group 巴勒斯坦电影组织宣言
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0402
{"title":"Manifesto of the Palestinian Cinema Group","authors":"","doi":"10.2979/blackcamera.13.1.0402","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0402","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69689318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Santo Domingo Resolution from the Second Meeting of African, Caribbean, and Pacific Group of States (ACP) Ministers of Culture 《非洲、加勒比和太平洋国家集团(非加太)文化部长第二次会议圣多明各决议》
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0493
{"title":"Santo Domingo Resolution from the Second Meeting of African,\u0000 Caribbean, and Pacific Group of States (ACP) Ministers of Culture","authors":"","doi":"10.2979/blackcamera.13.1.0493","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0493","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69689610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Final Declaration of the Third Meeting of Filmmakers from Africa, Brazil, the Caribbean, and their Diasporas (ABCD CINEMA) 第三届非洲、巴西、加勒比及海外电影人会议最终宣言(ABCD CINEMA)
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.1.0527
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引用次数: 0
Twos and Threes: A Structural Analysis of BlacKkKlansman's Undercover Narrative 二与三:黑人三k党秘密叙事的结构分析
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/blackcamera.13.2.13
Joshua Sperling
{"title":"Twos and Threes: A Structural Analysis of BlacKkKlansman's Undercover Narrative","authors":"Joshua Sperling","doi":"10.2979/blackcamera.13.2.13","DOIUrl":"https://doi.org/10.2979/blackcamera.13.2.13","url":null,"abstract":"Abstract:Spike Lee's BlacKkKlansman (2018) works within the structural conventions of the undercover detective genre, but with an important twist. Whereas most undercover movies feature story worlds built around binaries (cops and robbers, state and subculture), BlacKkKlansman follows a trinomial logic, as Ron Stallworth navigates the Colorado Springs Police Department, the local Black Student Union, and the White Supremacist \"Organization.\" This tripling leads to innovative forms of narrative agency, audience identification, and thematic juxtaposition. It also engenders a novel story situation in which two undercover agents—one Black and one white and Jewish—inhabit the same identity while feeling unique pressures regarding the authenticity of their personal and professional lives. By situating BlacKkKlansman within the conventions of the undercover genre, and exploring its narratological innovations, this essay argues that the film's triadic (rather than dualistic) structure opens it to the charge that it belongs to the tradition of liberal centrism rather than leftist radicalism, even as it allows Lee to pursue a \"late style\" interest in increasingly complex forms of self-definition.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48063563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tradition/Modernity and the Discourse of African Cinema 传统/现代与非洲电影的话语
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/BLACKCAMERA.12.2.20
Akudinobi
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引用次数: 1
Dossier 1: Key Dates in the History of African Cinema 档案1:非洲电影史上的关键日期
Black Camera Pub Date : 2021-01-01 DOI: 10.2979/BLACKCAMERA.12.2.24
Barlet, Forest
{"title":"Dossier 1: Key Dates in the History of African Cinema","authors":"Barlet, Forest","doi":"10.2979/BLACKCAMERA.12.2.24","DOIUrl":"https://doi.org/10.2979/BLACKCAMERA.12.2.24","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69686456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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