{"title":"V zájmu zájmů. (Pavel Janáček, Petr Píša, Petr Šámal, Michael Wögerbauer a kol.: V obecném zájmu: Cenzura a sociální regulace literatury v moderní české kultuře 1749–2014.) In: Česká literatura 4/2016, S. 572–580","authors":"Tomáš Glanc","doi":"10.5167/UZH-126800","DOIUrl":"https://doi.org/10.5167/UZH-126800","url":null,"abstract":"","PeriodicalId":42645,"journal":{"name":"CESKA LITERATURA","volume":"15 1","pages":"572-580"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81711873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Povaha písma, jeho meze a nosiče : výpisky a poznámky k historickým aspektům mediální dimenze psaní a literární komunikace","authors":"Tomáš Glanc","doi":"10.5167/UZH-123193","DOIUrl":"https://doi.org/10.5167/UZH-123193","url":null,"abstract":"This article examines literature from the standpoint of mediality, defining medium as an act, i.e. “an apparatus brought into operation”. A new sensitivity towards the media dimension of literary communication, bolstered by new technologies, applies to typeface and writing itself, the media of the work and communication — the treatment of the work as a physical phenomenon. The media dimension of writing is not just conceived as a phenomenon bound to digital data or the internet, but as an age-old element in the treatment of texts and associated both with the meanings of texts and the authority mediated by texts. From these standpoints samizdat also appears to be a noteworthy phenomenon which creates a particular materiality for writing, along with various forms of experimental treatment of typeface, writing and text. One productive tool here appears to be Aarseth’s ergodicity, a term applied to an attribute of a work that involves or creates rules on which its non-linear “usage” is based. On the basis of a number of specific cases it is shown what media-“staged” and variously produced (cf. Kittler) text might be like, and what uncertainties apply to it. From this standpoint avant-garde experiments confront questions raised by theologians, mystics and glossolalia theorists.","PeriodicalId":42645,"journal":{"name":"CESKA LITERATURA","volume":"31 1","pages":"835-859"},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76312066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}