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A symposium on the legacies ofBlade Runner: Cyberpunk’s masculinist legacy 关于《银翼杀手:赛博朋克的男性主义遗产》的研讨会
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.6
G. Murphy
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引用次数: 3
‘Cells. Interlinked’
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.6a
Keren Omry
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引用次数: 0
Seven inquiries on the antediluvian labour market of cinematic 'sf auteurs' and Blade Runner 2049 关于电影“科幻导演”和《银翼杀手2049》的过时劳动力市场的七项调查
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.6d
Ida Yoshinaga
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引用次数: 0
Race in the Blade Runner cycle and demographic dystopia 《银翼杀手》中的种族和人口反乌托邦
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.4
E. K. Chan
{"title":"Race in the Blade Runner cycle and demographic dystopia","authors":"E. K. Chan","doi":"10.3828/sfftv.2020.4","DOIUrl":"https://doi.org/10.3828/sfftv.2020.4","url":null,"abstract":"Abstract:This article surveys the existing scholarship that treats racial representation in the original Blade Runner (1982) in order to trace its continuation into Blade Runner 2049 (2017) as well as the three short film intertexts: Blade Runner: Black Out 2022 (directed by Shinichiro Watanabe), 2036: Nexus Dawn (Luke Scott) and 2048: Nowhere to Run (Luke Scott). While the shorts Black Out 2022 and 2036: Nexus Dawn feature black and Asian characters, the dominant racial logic of Hollywood continues the focus on whiteness in Blade Runner 2049. At the same time, the newer films seem to show a response–however muted–to criticisms of the original in relation to race with an attempt to at least show that black people do in fact exist in its future, and half-Filipino and Latina actors (Dave Bautista and Ana de Armas, respectively) are featured in Blade Runner 2049. Nevertheless, I argue that the overriding racial sentiment of the series thus far is the imagination of what Steven Gardiner identifies as a fear of 'demographic dystopia', a core logic of white supremacy; indeed, it is precisely the imagination of dystopia as whiteness being overwhelmed by non-whiteness that pervades the Blade Runner diegetic universe. My own argument about the Blade Runner series will focus on it as an exemplar of Hollywood's racial logic and its attempts to fit its vision of the future of race into both the fears and aspirations of racial multiculturalism in the US.","PeriodicalId":42550,"journal":{"name":"Science Fiction Film and Television","volume":"13 1","pages":"59 - 76"},"PeriodicalIF":0.2,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/sfftv.2020.4","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43881967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
We, the people of Blade Runner 2049 我们，《银翼杀手2049》的人
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.6e
Phillip E. Wegner
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引用次数: 4
Blade Runner 2049 and the 'quality' Hollywood film 《银翼杀手2049》与“优质”好莱坞电影
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.5
G. King
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引用次数: 0
Blade Runner 2049’s incongruous couplings 《银翼杀手2049》里不协调的配对
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.3
Sarah Hamblin, H. O’Connell
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引用次数: 2
DVD reviews DVD的评论
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.8
B. Robertson, C. L. Pyle, D. Kelly, Marta F. Suarez
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引用次数: 0
Vitality and reproduction in Blade Runner 2049 《银翼杀手2049》的生命力与再现
IF 0.2
Science Fiction Film and Television Pub Date : 2020-02-01 DOI: 10.3828/sfftv.2020.2
S. Vint
{"title":"Vitality and reproduction in Blade Runner 2049","authors":"S. Vint","doi":"10.3828/sfftv.2020.2","DOIUrl":"https://doi.org/10.3828/sfftv.2020.2","url":null,"abstract":"Abstract:This article traces the connections between Denis Villeneuve's Blade Runner 2049 (2017) and the increasingly aggressive reach of contemporary biocapitalism, which seeks to turn even the basic building blocks of life itself into engines of profit. The film's preoccupation with the reproductive capacity of its replicants registers and allegorises collective anxiety about this vampiric tendency in contemporary capitalism, while the posthuman subjectivity of the chief protagonist, K (Ryan Gosling) offers the possibility of a revolutionary line of flight away from the dead-ends of liberal humanism and its self-defeating focus on heteronormative family construction.","PeriodicalId":42550,"journal":{"name":"Science Fiction Film and Television","volume":"13 1","pages":"15 - 35"},"PeriodicalIF":0.2,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/sfftv.2020.2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46047716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
After monster theory? 怪物理论之后?
IF 0.2
Science Fiction Film and Television Pub Date : 2020-01-01 DOI: 10.3828/sfftv.2020.14
Roger Luckhurst
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引用次数: 0
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