INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC最新文献

{"title":"Non-Western Practices of Healing-Music and Applications for Modern Psychotherapy","authors":"W. Mastnak","doi":"10.2307/836990","DOIUrl":"https://doi.org/10.2307/836990","url":null,"abstract":"Rsume Although there are ethnic groups and non-European cultures which neither understand illness in a western sense nor use healing-rites in a functional way similar to western therapeutic treatments, it makes sense to investigate whether those practices could be helpful in current psychotherapy. Thus, concerning the basic aspects of music, three aspects are discussed: the anthropological existence-oriented, cognitive structureand contents-oriented, and effectoriented aspects. Furtheron, in investigating the origin of musical meaning three interdepending components are defined: the common physiological and metaphysical, the culture-related, and the individual ones. Finnaly, some examples of non-western healing music in psychotherapy are given, e.g. in practices of shamanism, Chakra-meditation and Taoism. The issue of these investigations is to reveal the effective core of music-assocated healing-rites, to modify them in regard to our culture and to integrate them into a modern system of psychological or psychiatric intervention. Although there are ethnic groups and non-European cultures which neither understand illness in a western sense nor use healing-rites in a functional way similar to western therapeutic treatments, it makes sense to investigate whether those practices could be helpful in current psychotherapy. The issue is to reveal the effective core e.g. of music-associated healing-rites, to modify them in regard to our culture and to integrate them into a modern system of psychological or psychiatric intervention. 77 W. MASTNAK, HEALING-MUSIC AND PSYCHOTHERAPY, IRASM 24 (1993) 1, 77-84 Basic Aspects of Music The variety of music-therapeutic results ensures that the effect of music on the psyche is based on a multifunctional process comprising physiological, emotional, and cognitive factors as well as on anthropological, cultural and individual conditions. The first approach leads to the question whether transcultural invariants of music exist. Three aspects are to be discussed: 1) the anthropological existence-orientated, 2) cognitive structureand contents-orientated and 3) effect-orientated aspects. 1) The Anthropological Existence-Orientated Aspect: The development of culture and the creation of arts point to mankind's essential character. Human life cannot be reduced to what is called basic needs. Definitely related to a mental dimension human life goes beyond the biological basis of life (as e.g. Rene Spitz could prove by his research on hospitalism). Psychological as well as philosophical attempts to confine mentality to a clearcut system of representation and communication failed. For example, neither the philosophical aim to develop a distinct language, avoiding various possibilities of interpretation, by excluding the different experiences of people, nor cognitive-psychological (not cognitive psychology itself) theories which tried to narrow down the psyche to a mere information-consuming system, succeeded. There is a distinct d","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"24 1","pages":"77"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836990","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cybernetics and Musical Consciousness","authors":"H. Reinecke","doi":"10.2307/836985","DOIUrl":"https://doi.org/10.2307/836985","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"24 1","pages":"13"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836985","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La place de la musique dans un manuel d'enseignement general: le \"Paedagogus\" de Thomas Freigius","authors":"Marie-Danielle Audbourg-Popin","doi":"10.2307/836987","DOIUrl":"https://doi.org/10.2307/836987","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"24 1","pages":"45"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836987","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Critique de la faculté de juger de la musique","authors":"E. Buch","doi":"10.2307/836988","DOIUrl":"https://doi.org/10.2307/836988","url":null,"abstract":"Kant's \"Critique of Judgement\" on Music. It is well known that Kant, in his \"Critique of Judgement\", utters an explicit and repeated negative judgement on music. There is no doubt that such a condemnation is Kant's basic attitude, and that most difficulties of his position actually concern the range of such a negative statement, as well as the way to justify it. Much less attention, however, has been given to hesitations and nuances so thoroughly that this argumentation seem to put several basic categories of Kantian theory to the test, in which lies the great importance of Kantian text for musical aesthetics. In fact, Kant seems to accomplish a sort of an eulogy of music which wouldn't pronounce itself, hidden as it is under axiological hierarchies and moral suspicions, as in a negative picture. Taking account of this complexity should allow a subtler approach of that decisive historical break between AufklA¤rung's generation and German thought of the XIXth century, either in its romantic, Hegelian, or Schopenhauerian trends. Moreover, one could say that the \"Critique of Judgement\" introduces several themes that since then have always been at the center of musical theory's concern.","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"24 1","pages":"59-68"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836988","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Croatian Musical Culture between 1750 and 1820: A Central-European and/or Mediterranean Issue?","authors":"V. Katalinić","doi":"10.2307/836984","DOIUrl":"https://doi.org/10.2307/836984","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"24 1","pages":"3"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836984","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Die Mannheimer Hofkapelle im Zeitalter Carl Theodors","authors":"L. Finscher, Gabriele Busch-Salmen","doi":"10.2307/836993","DOIUrl":"https://doi.org/10.2307/836993","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"50 1","pages":"88"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836993","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Heinrich Schutz und die Musik in Danemark zur Zeit Christians IV","authors":"Stanislav Tuksar, Anne Orbaek, Ole Kongsted","doi":"10.2307/836994","DOIUrl":"https://doi.org/10.2307/836994","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"24 1","pages":"91"},"PeriodicalIF":0.0,"publicationDate":"1993-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/836994","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Aux origines d'une discipline historique : la musique et son histoire en France aux XVIIe et XVIIIe siècles","authors":"Philippe Vendrix","doi":"10.4000/BOOKS.PULG.4046","DOIUrl":"https://doi.org/10.4000/BOOKS.PULG.4046","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"26 1","pages":"256"},"PeriodicalIF":0.0,"publicationDate":"1993-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70432859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Culture as a Determinant of Folk-Singing Style. Group and Solo Singing in the Karlovacko Pokuplje Region","authors":"G. Marošević, Nina H. Antoljak","doi":"10.2307/837016","DOIUrl":"https://doi.org/10.2307/837016","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"23 1","pages":"207"},"PeriodicalIF":0.0,"publicationDate":"1992-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/837016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68730186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Croatian Musical Journals between the Two World Wars and the Musical Criticism","authors":"Sanja Majer-Bobetko","doi":"10.2307/837014","DOIUrl":"https://doi.org/10.2307/837014","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"23 1","pages":"177"},"PeriodicalIF":0.0,"publicationDate":"1992-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/837014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68729808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}