INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC最新文献

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Revisiting E. T. A. Hoffmann's Musical Hermeneutics 重新审视e.t.a.霍夫曼的音乐解释学
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2002-06-01 DOI: 10.2307/4149784
Abigail Chantler
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引用次数: 42
Ralf M. Jäger: Die Musikhandschrift des Rupen Hagopiyan aus Armaş: Osmanische Kunstmusik in einer armenischen Quelle des ausgehenden 19. Jahrhunderts – Faksimile, mit einer Bewertung und Dokumentation 拉尔夫·斯猎人:的Musikhandschrift Rupen Hagopiyan从Armaş:奥斯曼Kunstmusik在一个亚美尼亚之种种19 .把这个鉴定结果和文档结合起来
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2002-01-01 DOI: 10.2307/4149790
Mojca Piškor, Ralf Jäger
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引用次数: 0
Eduard Hanslick and the Idea of "Public" in Musical Culture: Towards a Socio-Political Context of Formalistic Aesthetics 爱德华·汉斯立克与音乐文化中的“公共”观念:走向形式主义美学的社会政治语境
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2001-12-01 DOI: 10.2307/1562266
H. Yoshida
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引用次数: 44
"Reactions against the Virtuoso." Instrumental Ornamentation Practice and the Stile Moderno “对艺术大师的反应。”器乐装饰实践与现代风格
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2001-12-01 DOI: 10.2307/1562263
Timothy A. Collins
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引用次数: 7
The Meaning of Authenticity and The Early Music Movement: A Historical Review 真实性的意义与早期音乐运动:历史回顾
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2001-12-01 DOI: 10.2307/1562264
D. Fabian
{"title":"The Meaning of Authenticity and The Early Music Movement: A Historical Review","authors":"D. Fabian","doi":"10.2307/1562264","DOIUrl":"https://doi.org/10.2307/1562264","url":null,"abstract":"Resume The concept of authenticity in musical performance has been debated extensively in British-American musicology during the 1980s and 1990s mostly in the context of early music and historical performance practice. What is missing from these publications is an acknowledgment and integration of research of the issue by European scholars and performers, which occurred some 20 years earlier. The current paper provides a comprehensive review of this earlier literature on authenticity and its meaning as it unfolded during the period from the 1950s to the late 1970s. It demonstrates that many of the claims put forward by English and American scholars in the 1980s were neither new nor fair towards certain performers associated with the movement. For instance, several of the concerns expressed by Taruskin had already been declaimed by Continental writers such as Finscher and artists like Hamoncourt. The research also shows that the indiscriminate use of the word 'authentic' in journalistic and promotional publications provided the real basis for criticism because certain leading scholars and performers have always regarded authenticity in musical performance as a chimera. The so called Early Music Movement of the 1950s to 1980s contributed significantly to the meaning of authenticity in performance; in a sense it is responsible for the widespread reference to this much contested concept. During the 1980s much scholarly attention focused on the various aspects of this complex idea and by the 1990s the term became discredited. Nowadays it is more customary to speak of 'historically informed performances' and avoid any reference to authenticity. It is generally assumed that this development is the direct result of the enlightening","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"153"},"PeriodicalIF":0.0,"publicationDate":"2001-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562264","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 27
On the Musical Work Game. An Essay on the Concept of the Musical Work 关于音乐工作游戏。论音乐作品的概念
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2001-06-01 DOI: 10.2307/1562258
Kengo Okubo
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引用次数: 6
Gerontius in the City of Dreams: Newman, Elgar, and the Viennese Critics 《梦之城中的格罗尼修斯:纽曼、埃尔加和维也纳评论家》
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2001-06-01 DOI: 10.2307/1562257
S. McColl
{"title":"Gerontius in the City of Dreams: Newman, Elgar, and the Viennese Critics","authors":"S. McColl","doi":"10.2307/1562257","DOIUrl":"https://doi.org/10.2307/1562257","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"47-64"},"PeriodicalIF":0.0,"publicationDate":"2001-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562257","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Signs... Fragments... Some Observations on the Music of Milo Cipra (1906-1985) 迹象……碎片……米洛·西普拉音乐评述(1906-1985)
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2001-06-01 DOI: 10.2307/1562259
D. Davidović, G. McMaster
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引用次数: 0
Williams versus Wagner or an Attempt at Linking Musical Epics 威廉斯与瓦格纳之争,或连结音乐史诗的尝试
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2000-12-01 DOI: 10.2307/3108403
I. Paulus
{"title":"Williams versus Wagner or an Attempt at Linking Musical Epics","authors":"I. Paulus","doi":"10.2307/3108403","DOIUrl":"https://doi.org/10.2307/3108403","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"31 1","pages":"153"},"PeriodicalIF":0.0,"publicationDate":"2000-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3108403","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68417430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 13
Esquisses pour une poetique historique du livret 小册子的历史诗学大纲
3区 艺术学
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC Pub Date : 2000-12-01 DOI: 10.2307/3108401
Zoran Kravar
{"title":"Esquisses pour une poetique historique du livret","authors":"Zoran Kravar","doi":"10.2307/3108401","DOIUrl":"https://doi.org/10.2307/3108401","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"31 1","pages":"111"},"PeriodicalIF":0.0,"publicationDate":"2000-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3108401","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68417375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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