{"title":"Revisiting E. T. A. Hoffmann's Musical Hermeneutics","authors":"Abigail Chantler","doi":"10.2307/4149784","DOIUrl":"https://doi.org/10.2307/4149784","url":null,"abstract":"Resume The affinity between the world-view of Friedrich Schleiermacher and E. T. A. Hoffmann, as prominent Friihromantiker whose cultural milieu was dominated by philosophical idealism, underpinned the complex interrelationship between the multi-faceted thought of each. It was however the disparity between their interpretations of organicism which was reflected in the relationship between Schleiermacher's hermeneutics and Hoffmann's 'musical hermeneutics', as interpretative methodologies stemming from different traditions. Whilst Schleiermacher's 'general hermeneutics' was conceived in contradistinction to the more specialized hermeneutics practised in the eighteenth century, Hoffmann's 'musical hermeneutics' stemmed from an aesthetic tradition inaugurated by thinkers of the Sturm und Drang movement. This is illustrated by the contextualisation of Hoffmann's 'Review of Beethoven's Fifth Symphony' (1810) in relation to the aesthetic and literary criticism of Goethe and Herder.","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"33 1","pages":"3"},"PeriodicalIF":0.0,"publicationDate":"2002-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/4149784","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69358551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ralf M. Jäger: Die Musikhandschrift des Rupen Hagopiyan aus Armaş: Osmanische Kunstmusik in einer armenischen Quelle des ausgehenden 19. Jahrhunderts – Faksimile, mit einer Bewertung und Dokumentation","authors":"Mojca Piškor, Ralf Jäger","doi":"10.2307/4149790","DOIUrl":"https://doi.org/10.2307/4149790","url":null,"abstract":"Rezension des CD-ROMs Ralf M. Jager: Die Musikhandschrift des Rupen Hagopiyan aus Armas: Osmanische Kunstmusik in einer armenischen Quelle des ausgehenden 19. Jahrhunderts – Faksimile, mit einer Bewertung und Dokumentation","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"33 1","pages":"120-122"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/4149790","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69358365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eduard Hanslick and the Idea of \"Public\" in Musical Culture: Towards a Socio-Political Context of Formalistic Aesthetics","authors":"H. Yoshida","doi":"10.2307/1562266","DOIUrl":"https://doi.org/10.2307/1562266","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"179"},"PeriodicalIF":0.0,"publicationDate":"2001-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562266","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Reactions against the Virtuoso.\" Instrumental Ornamentation Practice and the Stile Moderno","authors":"Timothy A. Collins","doi":"10.2307/1562263","DOIUrl":"https://doi.org/10.2307/1562263","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"39 1","pages":"137"},"PeriodicalIF":0.0,"publicationDate":"2001-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562263","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Meaning of Authenticity and The Early Music Movement: A Historical Review","authors":"D. Fabian","doi":"10.2307/1562264","DOIUrl":"https://doi.org/10.2307/1562264","url":null,"abstract":"Resume The concept of authenticity in musical performance has been debated extensively in British-American musicology during the 1980s and 1990s mostly in the context of early music and historical performance practice. What is missing from these publications is an acknowledgment and integration of research of the issue by European scholars and performers, which occurred some 20 years earlier. The current paper provides a comprehensive review of this earlier literature on authenticity and its meaning as it unfolded during the period from the 1950s to the late 1970s. It demonstrates that many of the claims put forward by English and American scholars in the 1980s were neither new nor fair towards certain performers associated with the movement. For instance, several of the concerns expressed by Taruskin had already been declaimed by Continental writers such as Finscher and artists like Hamoncourt. The research also shows that the indiscriminate use of the word 'authentic' in journalistic and promotional publications provided the real basis for criticism because certain leading scholars and performers have always regarded authenticity in musical performance as a chimera. The so called Early Music Movement of the 1950s to 1980s contributed significantly to the meaning of authenticity in performance; in a sense it is responsible for the widespread reference to this much contested concept. During the 1980s much scholarly attention focused on the various aspects of this complex idea and by the 1990s the term became discredited. Nowadays it is more customary to speak of 'historically informed performances' and avoid any reference to authenticity. It is generally assumed that this development is the direct result of the enlightening","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"153"},"PeriodicalIF":0.0,"publicationDate":"2001-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562264","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Musical Work Game. An Essay on the Concept of the Musical Work","authors":"Kengo Okubo","doi":"10.2307/1562258","DOIUrl":"https://doi.org/10.2307/1562258","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"65"},"PeriodicalIF":0.0,"publicationDate":"2001-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562258","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gerontius in the City of Dreams: Newman, Elgar, and the Viennese Critics","authors":"S. McColl","doi":"10.2307/1562257","DOIUrl":"https://doi.org/10.2307/1562257","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"47-64"},"PeriodicalIF":0.0,"publicationDate":"2001-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562257","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Signs... Fragments... Some Observations on the Music of Milo Cipra (1906-1985)","authors":"D. Davidović, G. McMaster","doi":"10.2307/1562259","DOIUrl":"https://doi.org/10.2307/1562259","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"32 1","pages":"93"},"PeriodicalIF":0.0,"publicationDate":"2001-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1562259","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68322486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Williams versus Wagner or an Attempt at Linking Musical Epics","authors":"I. Paulus","doi":"10.2307/3108403","DOIUrl":"https://doi.org/10.2307/3108403","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"31 1","pages":"153"},"PeriodicalIF":0.0,"publicationDate":"2000-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3108403","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68417430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Esquisses pour une poetique historique du livret","authors":"Zoran Kravar","doi":"10.2307/3108401","DOIUrl":"https://doi.org/10.2307/3108401","url":null,"abstract":"","PeriodicalId":42533,"journal":{"name":"INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC","volume":"31 1","pages":"111"},"PeriodicalIF":0.0,"publicationDate":"2000-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3108401","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68417375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}