{"title":"16. Men At The Keyboard: Liminal Spaces And The Heterotopian Function Of Music","authors":"Gary C. Thomas","doi":"10.1525/9780520940550-018","DOIUrl":"https://doi.org/10.1525/9780520940550-018","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116927477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"7. Sight, Sound, And The Temporality Of Myth Making In Koyaanisqatsi","authors":"Mitchell Morris","doi":"10.1525/9780520940550-009","DOIUrl":"https://doi.org/10.1525/9780520940550-009","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128655099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1. The Boy On The Train, Or Bad Symphonies And Good Movies: The Revealing Error Of The “Symphonic Score”","authors":"P. Franklin","doi":"10.1525/9780520940550-003","DOIUrl":"https://doi.org/10.1525/9780520940550-003","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125129367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"4. Melodic Trains: Music In Polanski’S The Pianist","authors":"L. Kramer","doi":"10.1525/9780520940550-006","DOIUrl":"https://doi.org/10.1525/9780520940550-006","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126677100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"14. Side By Side: Nino Rota, Music, And Film","authors":"R. Dyer","doi":"10.1525/9780520940550-016","DOIUrl":"https://doi.org/10.1525/9780520940550-016","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124866495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"2. Representing Beethoven: Romance And Sonata Form In Simon Cellan Jones’S Eroica","authors":"Nicholas Cook","doi":"10.1525/9780520940550-004","DOIUrl":"https://doi.org/10.1525/9780520940550-004","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"194 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134141650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"15. White Face, Black Noise: Miles Davis And The Soundtrack","authors":"K. Gabbard","doi":"10.1525/9780520940550-017","DOIUrl":"https://doi.org/10.1525/9780520940550-017","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"275 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133543198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"8. How Sound Floats On Land: The Suppression And Release Of Folk And Indigenous Musics In The Cinematic Terrain","authors":"P. Brophy","doi":"10.1525/9780520940550-010","DOIUrl":"https://doi.org/10.1525/9780520940550-010","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130772778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"6. Opera, Aesthetic Violence, And The Imposition Of Modernity: Fitzcarraldo","authors":"Richard D. Leppert","doi":"10.1525/9780520940550-008","DOIUrl":"https://doi.org/10.1525/9780520940550-008","url":null,"abstract":"","PeriodicalId":424265,"journal":{"name":"Beyond the Soundtrack","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127751217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}