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Smartphone Cinematics: Contextual Essay 智能手机电影:语境散文
Frames Cinema Journal Pub Date : 2021-06-23 DOI: 10.15664/fcj.v18i1.2261
Sarah Atkinson
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引用次数: 0
The Pig’s Gaze: Human-Animal Mutuality in Kira Muratova’s Chekhovian Motifs 猪的凝视:基拉·穆拉托娃契诃夫主题中的人与动物的相互关系
Frames Cinema Journal Pub Date : 2021-06-23 DOI: 10.15664/fcj.v0i18.2270
R. Luca
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引用次数: 0
Theorising Digital Self-Mediation and the Smartphone as Filmic Apparatus after 6 January, 2021 2021年1月6日之后，数字自我调解和智能手机作为电影设备的理论化
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2255
J. Gunn
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引用次数: 0
The Smartphone Camera and Radical Urban Imaginaries in the (Post-)Pandemic City: The Patio 108 Initiative (后)流行病城市中的智能手机摄像头和激进的城市想象:天井108倡议
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2251
Samuel Fernández-Pichel
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引用次数: 0
Returning to your Roots: Use of Mobile Shooting in an Ethnomediaology case study with the Tejon Native American Tribe in California 回到你的根:在加利福尼亚Tejon美洲原住民部落的民族媒介学案例研究中使用移动射击
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2252
Iakovos Panagopoulos
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引用次数: 0
Interfaces of Fiction: Buddha.mov (2017) and Smartphone Aesthetics 小说的界面:佛陀。mov(2017)和智能手机美学
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2258
Max Bergmann
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引用次数: 0
Escape to Totality: Realist Commitments in The Florida Project’s iPhone Finale 逃避到整体:现实主义承诺在佛罗里达项目的iPhone结局
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2260
S. Thompson
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引用次数: 0
Phone Footage and the Social Media Image as Global Anonymous Cinema 手机镜头和作为全球匿名电影院的社交媒体形象
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2248
Tanya Shilina-Conte
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引用次数: 0
Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing 自拍照:agn<s:1> Varda, JR，和分享的政治
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2256
Tomas Elliott
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引用次数: 0
The Death Image as Commodity 作为商品的死亡形象
Frames Cinema Journal Pub Date : 2021-06-22 DOI: 10.15664/fcj.v18i1.2254
S. Makki
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引用次数: 0
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