{"title":"Panorama polskich koncertów gitarowych","authors":"Wojciech Gurgul","doi":"10.16926/EM.2020.15.11","DOIUrl":"https://doi.org/10.16926/EM.2020.15.11","url":null,"abstract":"The present article constitutes an attempt at outlining the musical oeuvre of Polish composers in the field of concertos for guitar and orchestra. Since the 1940s, when the first concerto with a guitar part was created, more than 100 concertos have been composed in Poland. In an effort to write such a piece of music, composers discovered different creative paths, which often revealed various new colours of the guitar. The article discusses a proposal to divide the concertos created in Poland according to the specificity of the pieces, introduces the history of the first Polish concertos and paints a picture of guitar literature created by 2020.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128855321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dialogue in Sonata for Two Violins Op. 10 by Henryk Mikołaj Górecki from a Performer’s Perspective","authors":"Anna Dzialak-Savytska","doi":"10.16926/EM.2020.15.16","DOIUrl":"https://doi.org/10.16926/EM.2020.15.16","url":null,"abstract":"The article aims at defining the specificity of dialogue in Sonata for two violins Op. 10 by Hen- ryk Mikołaj Górecki from the point of view of the performer. This piece, though created in the early period of the composer’s career, belongs to important examples of this genre in 20th century Euro- pean music. With regard to the declared aim, various versions of the dialogue in this sonata were examined. The issue of dialogue in the discussed piece is presented in the context of the individual composer’s style. In order to address the core matter, the analysis of all three movements of the sonata cycle was carried out in terms of different forms of dialogue between the two violins.Górecki’s Sonata represents very interesting types of dialogic communication, conveying various emotional contents: from rivalry to harmony, from expression – sometimes utterly harsh – to joint reflection, from grotesque to contemplation. This piece features a rich sound coloring, which the Master achieves through sonoristic effects and extensive use of dissonant consonances and dynamic contrasts. The piece shows also an excellent sense of the sound space in which the soloists perform. Spatial changes effects are achieved by means of, among other things, rapid shifts from the lowest registers to the highest ones. The „instrumental drama” is accompanied by colorful „dec- orations”, with a wide range of feelings typical of Górecki. The parts of two violins carry out a polyphonic narration. The voices of each „protagonist” receive a different reaction in their vis-à-vis, and in the last part they unite in an expressive, unrestrained dance movement. It is precisely this variety of musical material and the dialogues of the soloists in different categories of perspectives that provide this piece with an intensity of empathic experiences, evoked both in listeners and in performers.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122093956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vladislav Andreyevich Zolotaryov (1942–1975) – an outline biography","authors":"Daniel Lis","doi":"10.16926/em.2019.14.20","DOIUrl":"https://doi.org/10.16926/em.2019.14.20","url":null,"abstract":"The purpose of this paper is to acquaint the reader with the personage of an outstanding Russian composer and bayanist Vladislav Zolotaryov. Tragically deceased at the age of only 33, the artist was an exceptional figure. He was a great innovator who changed the face of the accordion, using this instrument to the limit of its technical and sound possibilities. The novel and almost orchestral method of treating the accordion, which he initiated in the 1970s, not only had a tremendous impact on the work of the young generation of composers, such as: Aleksander Nagayev, Vladimir Zubicki and Viacheslav Siemionov, but was also noticed and appreciated by the eminent and already rec- ognized composer Zofia Gubaydulina. Yet, while Zolotaryov’s output is widely known and appre- ciated by the present-day accordionists, his life still hides many unresolved secrets and doubts about the causes of his death. In the absence of any Polish language studies on the subject, the composer's biography is well worth a closer look. The information collected about the details of the composer’s life, as well as the opinions of people connected with him, may help to understand the composer's complicated personality. Zolotaryov’s innovative oeuvre, despite innumerable interpretations, is invariably interesting not only for the performers. It is still an important determinant for other com- posers of accordion music. Zolotaryov’s compositions, such as: Suita kameralna (en. Chamber Suite) Partita No. 1, Sonata No. 2, or collections of miniatures included in Suity dzieciece (en.Children’s Suites) have permanently entered the repertoire of contemporary performers. His mag- num opus – Sonata No. 3 – is still one of the most important musical pieces in accordion literature. \u0000The source of this article are the letters and diaries written by V.Zolotaryov and the composer's biography by Inna Klause21, as well as memoirs by Nikolai Liesnoy22, Vitaly Szentalinsky23 and Fridrich Lips24.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114828461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Report on the 2nd International Scientific and Artistic Conference of PhD Students and Young Researchers “The Guitar in Scientific Research”, Jan Dlugosz University in Czestochowa, 20 April 2022","authors":"Wojciech Gurgul","doi":"10.16926/em.2022.17.14","DOIUrl":"https://doi.org/10.16926/em.2022.17.14","url":null,"abstract":"","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131202768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Warsaw seasons of Salomea Kruszelnicka(1898–1902)","authors":"M. Dziadek","doi":"10.16926/EM.2019.14.02","DOIUrl":"https://doi.org/10.16926/EM.2019.14.02","url":null,"abstract":"The article discusses the artistic activity of Salomea Kruszelnicka in the years 1898–1902. It predominantly concerns her performances on the stage of the Warsaw Government Theatres. The account is supplemented with a report on her other activities in that period. The work is based on source material gathered from the press published in Poland, Leipzig (“Signale fur die musikalische Welt”) and Saint Petersburg (the Polish-language weekly “Kraj”). The reviews of Kruszelnicka’sperformances constitute a valuable record of the reception of her art and, at the same time, paint an interesting picture of a fragment of Warsaw’s musical culture at the turn of the nineteenth andtwentieth centuries – a time when traditional views on art clashed with modernist trends.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121646858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dialog w Sonacie na dwoje skrzypiec op. 10 Henryka Mikołaja Góreckiego z perspektywy wykonawcy","authors":"Anna Dzialak-Savytska","doi":"10.16926/EM.2020.15.15","DOIUrl":"https://doi.org/10.16926/EM.2020.15.15","url":null,"abstract":"The article aims at defining the specificity of dialogue in Sonata for two violins Op. 10 by Hen- ryk Mikolaj Gorecki from the point of view of the performer. This piece, though created in the early period of the composer’s career, belongs to important examples of this genre in 20th century Euro- pean music. With regard to the declared aim, various versions of the dialogue in this sonata were examined. The issue of dialogue in the discussed piece is presented in the context of the individual composer’s style. In order to address the core matter, the analysis of all three movements of the sonata cycle was carried out in terms of different forms of dialogue between the two violins.\u0000Gorecki’s Sonata represents very interesting types of dialogic communication, conveying various emotional contents: from rivalry to harmony, from expression – sometimes utterly harsh – to joint reflection, from grotesque to contemplation. This piece features a rich sound coloring, which the Master achieves through sonoristic effects and extensive use of dissonant consonances and dynamic contrasts. The piece shows also an excellent sense of the sound space in which the soloists perform. Spatial changes effects are achieved by means of, among other things, rapid shifts from the lowest registers to the highest ones. The „instrumental drama” is accompanied by colorful „dec- orations”, with a wide range of feelings typical of Gorecki. The parts of two violins carry out a polyphonic narration. The voices of each „protagonist” receive a different reaction in their vis-a-vis, and in the last part they unite in an expressive, unrestrained dance movement. It is precisely this variety of musical material and the dialogues of the soloists in different categories of perspectives that provide this piece with an intensity of empathic experiences, evoked both in listeners and in performers.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124355324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Goplana\" by Władysław Żeleński. A few remarks on the style of the opera","authors":"Agnieszka Zwierzycka","doi":"10.16926/EM.2019.14.06","DOIUrl":"https://doi.org/10.16926/EM.2019.14.06","url":null,"abstract":"In November 2016, the National Theatre in Warsaw staged Goplana by Wladyslaw Żelenski forthe first time after its long absence from the stage. The opera was received with great acclaim by the critics worldwide, and in May 2017 it was granted an award at International Opera Awards inLondon in the category “rediscovered work.” This surprised not only Polish music lovers but also musicians, as the belief that Żelenski was a conservative composer whose works are a remnant ofa bygone era had become widespread. This view had been shared by several generations and could not be verified since the composer’s pieces were very rarely performed, perhaps with the exceptionof his early works – the concert overture W Tatrach [In the Tatra Mountains] and a few songs. It was only recently that research on his oeuvre has been undertaken. The present article is aimed atproviding additional information concerning the composing technique of Wladyslaw Żelenski.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131336059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kształtowanie się formy współczesnej sonaty gitarowej","authors":"Marcin Kuźniar","doi":"10.16926/em.2022.17.05","DOIUrl":"https://doi.org/10.16926/em.2022.17.05","url":null,"abstract":"","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131295121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music Education in Training Early Childhood Education Teachers in the Context of Jerome Bruner’s System of Representations. Its Purpose and Teaching Methodology Modification for Remote Work","authors":"Tomasz Dolski","doi":"10.16926/EM.2020.15.18","DOIUrl":"https://doi.org/10.16926/EM.2020.15.18","url":null,"abstract":"The article consists of two parts. The first presents the implications for training early childhood music education teachers which arise from the theory of developmental psychology concerning Jerome Bruner’s system of representations. The author strives to point out that their proper understanding appears to be essential to building a good teaching foundation for working with early childhood education students. With reference to the theory in question, the second part of the article discusses a modification of selected methods of conducting music education at the indicated stage of education in relation to the challenges connected with the necessity to work remotely. The author discusses examples of methodology in detail and suggests modifications. The aim of such treatment of the matter is to demonstrate that it is possible to retain the practical nature of educational efforts in spite of the unfavourable conditions that stem from the need to be isolated and work online.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"194 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132508085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}