AUSTRALIAN LITERARY STUDIES最新文献_第10页

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman* 澳大利亚袋鼠狩猎小说（1830-1858）成长小说*

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2019-07-05 DOI: 10.20314/ALS.E4D03B4165

K. Gelder, Rachael Weaver

引用次数: 0

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014) 从Ceridwen Dovey的《只有动物》（2014）重新审视拟人化的“问题”

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2019-07-05 DOI: 10.20314/ALS.80AC7927CD

C. Archer-Lean

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引用次数: 4

Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine Bode 书评:《小说的世界:数字收藏与文学史的未来》，凯瑟琳·博德著

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2019-07-05 DOI: 10.20314/ALS.40CCD47432

Kenneth M. Price

引用次数: 0

Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah Galletly 《被运输的想象:澳大利亚两次世界大战之间的杂志和殖民现代性的地理想象》，作者:维多利亚·库塔宁、苏珊·利比希和莎拉·加利特利

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2019-07-05 DOI: 10.20314/ALS.6D06BD508D

M. Cooper

引用次数: 0

Review of *Like Nothing on this Earth: A Literary History of the Wheatbelt*, by Tony Hughes-d’Aeth 书评:托尼·休斯-达伊斯著的《地球上什么都不像:麦田的文学史》

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2019-07-05 DOI: 10.20314/ALS.E487F5777E

D. Graham

引用次数: 0

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity 帝国的终结：澳大利亚蒸汽朋克与欧洲现代性的重塑

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2018-12-03 DOI: 10.20314/ALS.CCA231AF02

C. Mills, Geoffrey Hondroudakis

引用次数: 1

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident* 亲密关系的威胁：家庭噪音、女权主义犯罪学和艾米丽·马奎尔的《孤立事件》*

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2018-12-03 DOI: 10.20314/ALS.A32C478454

Meggan Vann

{"title":"The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*","authors":"Meggan Vann","doi":"10.20314/ALS.A32C478454","DOIUrl":"https://doi.org/10.20314/ALS.A32C478454","url":null,"abstract":"Viewed through the lens of feminist criminology, how does the subgenre of domestic noir dramatise domestic violence through generic or subversive elements of craft? Drew Humphries asserts that feminist criminology has challenged, reframed and improved legal definitions and data collection regarding women and violence (as both victims and perpetrators), and that those changes have been registered more widely in the community via media both in journalistic choices and in the themes and features of literary genres (xi). Drawing on this conceptual framework, my research analyses representations of domestic violence in domestic noir novels with reference to feminist criminological theories, including gender critiques of Life Course Theory and the General Strain Theory of Deviance. This article presents a textual analysis of Emily Maguire’s An Isolated Incident (2016) as a literary crime novel with domestic noir features centring on the use of domestic violence to build narrative interest and deliver dramatic tension, while also identifying the subversion of generic elements to enable thematic consideration of intersectional feminist concerns. I demonstrate that the rise in popularity of domestic noir occurs against a backdrop of an increased culture of interest in domestic violence, arguing that domestic noir narrative strategies leverage the complexities of feminist gains in criminology and criminal justice to give voice to women’s and girls’ experiences of gendered violence.","PeriodicalId":42299,"journal":{"name":"AUSTRALIAN LITERARY STUDIES","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47322201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels 出版模式和改变的机会:在Harlequin, Montlake和自费出版的浪漫小说中的表现

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2018-12-03 DOI: 10.20314/ALS.1CD73E2F68

C. Parnell

引用次数: 5

Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya Dalziell Paul Genoni和Tanya Dalziell的《完美世界的一半：作家、梦想家和九头蛇漂流者，1955-1964》评论

4区文学

AUSTRALIAN LITERARY STUDIES Pub Date : 2018-12-03 DOI: 10.20314/ALS.5F6E1063AE

S. Lever

引用次数: 0

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction 定义和重新定义流行体裁:“新成人”小说的演变