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Early Theatre: A Journal associated with the Records of Early English Drama最新文献

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Fear and Trembling: Performing the Protestant Conscience in Thomas Middleton’s The Lady’s Tragedy 恐惧与颤抖:在托马斯·米德尔顿的《女士的悲剧》中表现新教的良知
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5190
J. Snyder
{"title":"Fear and Trembling: Performing the Protestant Conscience in Thomas Middleton’s The Lady’s Tragedy","authors":"J. Snyder","doi":"10.12745/et.26.1.5190","DOIUrl":"https://doi.org/10.12745/et.26.1.5190","url":null,"abstract":"Abstract:With its glorified ghost, godly avenger, and idolatrous Tyrant, Thomas Middleton’s The Lady’s Tragedy appears to offer a thinly veiled allegory of Protestant triumphalism. Little attention has been paid, however, to how its characters do — or do not — respond to the play’s many crises of conscience. This essay sets Middleton’s tragedy against English Protestant understandings of the trembling body and vexed conscience. It demonstrates that while the play’s multiple instances of trembling seem to unsettle its Protestant triumphalism, its special effects, intended to provoke audience trembling, might nevertheless deepen playgoers’ attachment to the Protestant cause.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"253 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123682245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Amateur Theatre at the Early Modern Inns of Court? The Implications of a Performance Copy of Jonson’s 1640 Folio 早期现代宫廷旅馆的业余戏剧?约翰逊1640年《对开本》的表演副本的含义
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5240
T. Harrison, J. Loxley
{"title":"Amateur Theatre at the Early Modern Inns of Court? The Implications of a Performance Copy of Jonson’s 1640 Folio","authors":"T. Harrison, J. Loxley","doi":"10.12745/et.26.1.5240","DOIUrl":"https://doi.org/10.12745/et.26.1.5240","url":null,"abstract":"Abstract:This article discusses a recently rediscovered copy of Ben Jonson’s 1640 Workes that contains seventeenth-century annotations to Epicene that suggest preparations for performance. We trace the folio copy’s provenance with the Powell family in Nanteos, Wales, and consider the possibility that it may have been annotated when in the possession of Sir Thomas Powell, a lawyer and judge who spent much of his life in London. We argue that the annotated play-text can be connected to four other play-books by William Shakespeare and James Shirley that have been previously associated with seventeenth-century amateur theatricals, and that the new evidence provided by the Jonson text points plausibly to a practice of amateur performance at and around Gray’s Inn in the middle of the century.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117275444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘My maine hope is, to begin the sport at Millaine’: Italy in Philip Massinger’s The Duke of Milan 菲利普·马辛格的《米兰公爵》中的意大利:“我最大的希望是，从米兰开始这项运动。
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5086
C. Paravano
{"title":"‘My maine hope is, to begin the sport at Millaine’: Italy in Philip Massinger’s The Duke of Milan","authors":"C. Paravano","doi":"10.12745/et.26.1.5086","DOIUrl":"https://doi.org/10.12745/et.26.1.5086","url":null,"abstract":"Abstract:Philip Massinger’s The Duke of Milan (1621) clearly sits in the tradition of the Elizabethan and Jacobean Italianate tragedy and is resonant of stories, ideas, theories, and characters from Italian history and its literary tradition. This essay discusses the play as one of the earliest examples of Massinger’s interest in Italy and its culture. It investigates the play’s Italian setting and examines the influence of the Italian cultural and political legacy to offer new insights into the development of Anglo-Italian relations and England’s home and religious politics in the early 1620s.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130418383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Erotics of Salvage 打捞的情欲
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.4996
John Yargo
{"title":"The Erotics of Salvage","authors":"John Yargo","doi":"10.12745/et.26.1.4996","DOIUrl":"https://doi.org/10.12745/et.26.1.4996","url":null,"abstract":"Abstract:In the aftermath of the storm in The Tempest, as Miranda suffers vicariously with the shipwrecked passengers, Prospero imposes meaning onto the environmental catastrophe. Imbricating maritime salvage, physical saving, and theological salvation, Pros-pero insists on a temporality of supersession in which catastrophe allows one political order to displace an older, corrupt paradigm. But the act of salvaging deepens Miranda’s erotic attachment to Ferdinand and complicates the social affiliations of the island. Alternately, Caliban, inverting the erotics of salvage, dramatizes how racialized perception saturates experiential encounters with the storm.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125238053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Read it for restoratives’: Pericles and the Romance of Whiteness “读它来恢复元气”:伯里克利和《白的浪漫》
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.4910
Noémie Ndiaye
{"title":"‘Read it for restoratives’: Pericles and the Romance of Whiteness","authors":"Noémie Ndiaye","doi":"10.12745/et.26.1.4910","DOIUrl":"https://doi.org/10.12745/et.26.1.4910","url":null,"abstract":"Abstract:This essay reads Pericles (1608) through the lens of early modern critical whiteness studies. Tracing how the play reworks the colour-coding of its medieval source text along new racial lines, this essay sees Pericles’s melancholia as an allegory of the always incomplete condition of whiteness. It then shows how Pericles uses the erotic mechanics of romance to pursue his quest for whiteness. Ultimately, the essay underlines the relevance of Pericles’s quest to Shakespeare’s cultural moment before discussing the voices of resistance to the project of whiteness embedded within the play, and the uses of that play for our own times.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117286197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artist Development and Collective Therapy in the Repertory: The Case of After Edward 剧目中的艺术家发展与集体治疗——以《爱德华之后》为例
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.4733
P. Kirwan
{"title":"Artist Development and Collective Therapy in the Repertory: The Case of After Edward","authors":"P. Kirwan","doi":"10.12745/et.25.2.4733","DOIUrl":"https://doi.org/10.12745/et.25.2.4733","url":null,"abstract":"Abstract:This article discusses the exploration of the repertory model in Tom Stuart's 2019 play After Edward, produced at Shakespeare's Globe. Performed in repertory with a production of Edward II, After Edward dramatizes Diana Taylor's sense of repertoire; the embodied skills of the actor and the heterochronic site of the Sam Wanamaker Playhouse allow Stuart as actor and writer to reconcile his lived experience as a gay man with his work as an actor. Based on this case study, this article argues that After Edward enacts a praxis of ensemble as artist development.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116739533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Repertory, Dramaturgy, and Embodiment 导论:剧目、戏剧和化身
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.4732
Elizabeth Tavares, Laurie Johnson
{"title":"Introduction: Repertory, Dramaturgy, and Embodiment","authors":"Elizabeth Tavares, Laurie Johnson","doi":"10.12745/et.25.2.4732","DOIUrl":"https://doi.org/10.12745/et.25.2.4732","url":null,"abstract":"Abstract:This introduction outlines the essays in the Early Theatre Issues in Review forum 'Playing in Repertory', placing them in the context of new movements in the study of early modern English repertories for contemporaneous and contemporary performance.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127682385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alcaics on Restoration Actresses by the Cambridge Classical Scholar James Duport 剑桥古典学者詹姆斯·杜波特的《阿尔卡西斯论复辟女演员》
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.4923
T. Vozar
{"title":"Alcaics on Restoration Actresses by the Cambridge Classical Scholar James Duport","authors":"T. Vozar","doi":"10.12745/et.25.2.4923","DOIUrl":"https://doi.org/10.12745/et.25.2.4923","url":null,"abstract":"Abstract:This note brings attention to a neo-Latin ode in Alcaic stanzas entitled 'In Roscias nostras, seu Histriones Feminas' ('On Our Roscias, or Female Actors'), which was written by the Cambridge classical scholar James Duport before 1676. A translation and commentary on the poem provide access for the first time to this learned reaction to the new cultural phenomenon in the Restoration of the professional actress.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127339087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Premodern Critical Race Studies and the Question of History 前现代批判种族研究与历史问题
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.5246
Vanessa I. Corredera
{"title":"Premodern Critical Race Studies and the Question of History","authors":"Vanessa I. Corredera","doi":"10.12745/et.25.2.5246","DOIUrl":"https://doi.org/10.12745/et.25.2.5246","url":null,"abstract":"<jats:p>N/A</jats:p>","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126667147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Envy, Leanness, and Shakespeare's Julius Caesar 嫉妒、消瘦和莎士比亚笔下的凯撒大帝
Early Theatre: A Journal associated with the Records of Early English Drama Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.4854
Bradley J. Irish
{"title":"Envy, Leanness, and Shakespeare's Julius Caesar","authors":"Bradley J. Irish","doi":"10.12745/et.25.2.4854","DOIUrl":"https://doi.org/10.12745/et.25.2.4854","url":null,"abstract":"Abstract:One of the most famous lines in Shakespeare's Julius Caesar is Caesar's ominous claim that 'Yond Cassius has a lean and hungry look' (1.2.193). Understanding the implications of this line requires appreciating the extent it activates the early modern discourse of envy. Because Shakespeare makes his Cassius dispositionally envious—an invention not found in Plutarch—comprehending the full import of the enviousness his 'lean and hungry look' entails is vital to grasping the playwright's characterization. Unpacking the association between leanness and envy in Renaissance literary culture reveals how Shakespeare's handling of his source had immediate thematic resonance for his audience.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124742278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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