Collections: A Journal for Museum and Archives Professionals最新文献_第8页

Indigenous Collections: Belongings, Decolonization, Contextualization Collections: A Journal for Museum and Archives Professionals 本土收藏:物品、非殖民化、语境化收藏:博物馆与档案专业期刊

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906221074440

引用次数: 0

Museums and Renewed Relations: Choctaw-French Nations of the Eighteenth Century and Present 博物馆与更新的关系:18世纪及现在的乔克托-法国民族

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211073096

Jennifer Byram, Megan A. Baker

{"title":"Museums and Renewed Relations: Choctaw-French Nations of the Eighteenth Century and Present","authors":"Jennifer Byram, Megan A. Baker","doi":"10.1177/15501906211073096","DOIUrl":"https://doi.org/10.1177/15501906211073096","url":null,"abstract":"In a recent exhibit, the Choctaw Nation of Oklahoma, Musée du quai Branly-Jacques Chirac, and Bibliothèque Municipale de Versailles worked together to learn more about the museum’s royal Americas collection which features items from numerous Indigenous communities. Collected by French explorers during the eighteenth century and later displayed in royal curiosity cabinets, these items have not been seen by Choctaw communities since they left the continent. This collaboration has culminated in the “La Curiosité d’un Prince” exhibit, which features a room curated by Choctaw Nation. This article shows how a joint initiative to study the collection gave voice to the relationships and material histories inherent in the items. Reflecting on this less-known historical period, this collaboration has reinvigorated Choctaw-French relations and allowed Choctaw Nation to showcase the richness and complexity of its sovereignty—which is often narrowly understood through its relationship with the United States. By providing an example of true collaboration that has spurred new research and writing on both the cultural and political knowledge contained in the objects held in France, we demonstrate the potential for relationships and knowledge inherent in museum collections to act as a platform for new expressions of Indigenous sovereignty.","PeriodicalId":422403,"journal":{"name":"Collections: A Journal for Museum and Archives Professionals","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127502540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Moving Toward Land-Based Sound Archiving and Composition: Reflecting on Field Research From the Project Sonic Coordinates: Decolonizing Through Land-Based Composition 走向陆基声音的存档与作曲:从“声音坐标:通过陆基作曲去殖民化”项目出发的实地研究反思

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211072917

Spy Dénommé-Welch, J. Becker, Cecilia Garcia Vega

{"title":"Moving Toward Land-Based Sound Archiving and Composition: Reflecting on Field Research From the Project Sonic Coordinates: Decolonizing Through Land-Based Composition","authors":"Spy Dénommé-Welch, J. Becker, Cecilia Garcia Vega","doi":"10.1177/15501906211072917","DOIUrl":"https://doi.org/10.1177/15501906211072917","url":null,"abstract":"This paper examines the intersection of environmental sound recording, sound collection, and archiving by drawing on Land-based approaches, Indigenous epistemologies, and methodologies. In particular, this paper considers some of the implications for immersive sound-based fieldwork informed by site-specific listening methods, embodied learning and forms of reflexivity that are rooted in Indigenous concepts of relationality (kinship). Specifically, this paper revolves around an initial field research trip from our project Sonic Coordinates: Decolonizing through Land-based music composition (supported by the New Frontiers Research Fund) which took place in the region of Timiskaming (Northern Ontario, Canada) during the fall of 2019. Consequently, our paper examines what was learned through this process, and how critical listening and recording/collection of environmental sounds can be used to inform Indigenous sound/music composition and aural forms of storying. This paper ultimately explores the ephemeral concepts of sound materiality and how aural archiving and documentation (through digitizing and digital platforms) is used to preserve and engage historical memory, cultural knowledge and shifts toward the development of sonic art and communication that is informed by site-specific research practice.","PeriodicalId":422403,"journal":{"name":"Collections: A Journal for Museum and Archives Professionals","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131147649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Introduction to the Issue 问题介绍

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211072918

Victoria Van Orden Martínez

引用次数: 0

This is Not a Land Acknowledgement 这不是土地确认

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211072910

H. George

引用次数: 1

Toward a Language of Possibility in Curation and Consultation Practices 论策展与咨询实践中的可能性语言

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211073074

Jenny L. Davis, Krystiana L. Krupa

{"title":"Toward a Language of Possibility in Curation and Consultation Practices","authors":"Jenny L. Davis, Krystiana L. Krupa","doi":"10.1177/15501906211073074","DOIUrl":"https://doi.org/10.1177/15501906211073074","url":null,"abstract":"Language, especially categorization and description through language, is a frequent barrier to collaboration when it comes to collections taken from Native American and Indigenous communities. This impacts collections care within institutions and for the Native people whose relatives and objects are held in those institutions. Drawing on our experiences as NAGPRA and repatriation practitioners, we offer examples of adopting a “language of possibility.” Current legal and non-Indigenous institutional nomenclature often assumes that the categories used to describe Indigenous collections are “common sense,” and adjustments to that language are often only made after direct intervention from Native American and Indigenous communities. These terms and norms of discourse originate in white, EuroAmerican ideologies of science and scientific classification, and those ideologies are inseparable from their concomitant religious and linguistic systems. Shifting to language that recognizes animacy, or allows for the possibility of it, has the potential to undo this harm before, during, and after consultation and collaboration with Native Nations and Indigenous stakeholders. Language is a site of intervention into non-Indigenous assumptions and practices that not only create barriers to consultation and repatriation, but also directly impact collections care.","PeriodicalId":422403,"journal":{"name":"Collections: A Journal for Museum and Archives Professionals","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131503921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Introduction to Section Three: Some Years of a Painful Process of Learning to Unlearn 第三部分导言:几年来学习忘却的痛苦过程

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211072911

Adriana Muñoz

引用次数: 0

“As We Have Always Done”: Decolonizing the Tomaquag Museum’s Collections Management Policy “一如既往”:托玛格博物馆藏品管理政策的非殖民化

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-03-01 DOI: 10.1177/15501906211072912

Lorén Spears, A. Thompson

{"title":"“As We Have Always Done”: Decolonizing the Tomaquag Museum’s Collections Management Policy","authors":"Lorén Spears, A. Thompson","doi":"10.1177/15501906211072912","DOIUrl":"https://doi.org/10.1177/15501906211072912","url":null,"abstract":"As Executive Director of the Tomaquag Museum, an Indigenous-led organization currently located in Exeter, Rhode Island, Lorén Spears (Narragansett-Niantic) continues the work of reimagining how museums represent and serve Indigenous communities begun by the Indigenous women who held that role before her. Today, we might identify these practices as “decolonizing,” but, to invoke Leanne Betasamosake Simpson (Michi Saagiig Nishnaabeg), it is “as [they] have always done.” For over sixty years, the Tomaquag Museum has engaged Indigenous Belongings from its collection in conjunction with cultural knowledge shared by Indigenous peoples to educate the public on Native history, culture, arts, and Traditional Ecological Knowledge (TEK) of Southern New England. This essay highlights the Tomaquag Museum’s praxis for decolonizing its collections management policy, led by Spears’ intellectual labor. It alternates Spears’ words, excerpted from a conversation with scholar and museum professional Amanda Thompson (non-Native), with selections from the in-progress collections management policy. This format creates a narrative which highlights the history of the museum and its ongoing decolonizing practice and illustrates how policy language can be integral to the work of empowering Native people and transforming museum structures.","PeriodicalId":422403,"journal":{"name":"Collections: A Journal for Museum and Archives Professionals","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117096886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The War for Women’s Peace Archives at the New York Public Library: An Examination of Conflict in Curation and Stewardship 纽约公共图书馆为妇女和平而战的档案:对策展和管理冲突的考察

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-02-27 DOI: 10.1177/15501906221079051

Weatherly A. Stephan

引用次数: 1

“There Will Be an End, But We Don’t Know When”: Preserving Diverse COVID-19 Pandemic Experiences Through Oral History “终有终结，但我们不知道何时”:通过口述历史保存不同的COVID-19大流行经历

Collections: A Journal for Museum and Archives Professionals Pub Date : 2022-02-24 DOI: 10.1177/15501906221079052

K. Nyitray, Dana Reijerkerk, C. Kretz

引用次数: 2