{"title":"Gérard de Lairesse (1640-1711)","authors":"Alain Roy, Gérard de Lairesse","doi":"10.2307/3780829","DOIUrl":"https://doi.org/10.2307/3780829","url":null,"abstract":"Gerard de Lairesse was born at liege and trained under Bertholet Flemal. At the age of twenty-five he settled in Amsterdam, where he soon became on the most prominent artists of the second half of the century. He introduced into the united provinces a new style steeped in the French classical tradition, breaking with the art of Rembrandt and Dutch naturalism. Essentially \"pictor doctus\", he upheld an art based on the academic doctrine of \"ut pictura poesis\". His work comprises numerous easel paintings commissioned by well-read connaisseurs, large-scale decorative schemes (including several ceiling decorations), and a hundred or so engravings and drawings. He went blind in 1690 and thereafter devoted his time to teaching. In 1707 he published his lectures under the title Het groot schilderboek (the great book of painters), which won great acclaim throughout Europe. Beginning with a study of the painter's career and art, this monograph establishes the \"catalogue raisonne\" of his work (more than four hundred items) and brings together all the material relating to this important artist.","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"186"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780829","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Schilderachtig: Discussions of a Seventeenth-Century Term and Concept","authors":"Boudewijn Bakker","doi":"10.2307/3780826","DOIUrl":"https://doi.org/10.2307/3780826","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"147"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780826","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
P. V. Thiel, R. Falkenburg, J. D. Jong, H. Roodenburg, F. Scholten
{"title":"Beeld en zelfbeeld in de Nederlandse kunst, 1550-1750","authors":"P. V. Thiel, R. Falkenburg, J. D. Jong, H. Roodenburg, F. Scholten","doi":"10.2307/3780888","DOIUrl":"https://doi.org/10.2307/3780888","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"25 1","pages":"238"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780888","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drawings by Rembrandt and his circle in the British Museum","authors":"Rembrandt Harmenszoon van Rijn, M. Royalton-Kisch","doi":"10.2307/3780784","DOIUrl":"https://doi.org/10.2307/3780784","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"92"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780784","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Reassessment of Arnold Houbraken's \"Groote schouburgh\"","authors":"B. Cornelis","doi":"10.2307/3780827","DOIUrl":"https://doi.org/10.2307/3780827","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"17 1","pages":"163"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780827","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prints and the Politics of the Publisher: The Case of Hendrick Hondius","authors":"Nadine M. Orenstein","doi":"10.2307/3780797","DOIUrl":"https://doi.org/10.2307/3780797","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"240"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780797","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Journey through Landscape in Seventeenth-Century Holland: The Haarlem Print Series and Dutch Identity","authors":"H. Leeflang, Catherine Lévesque","doi":"10.2307/3780800","DOIUrl":"https://doi.org/10.2307/3780800","url":null,"abstract":"The sets of landscape etchings produced in the second decade of the 17th century by Claes Jansz Visscher, Esaias van den Velde, Willem Buytewech and Jan van de Velde drew on and contributed to a print culture that played a key role in defining \"Dutch\" landscape. Examination of these printed landscape series as part of a wide-ranging print culture underscores the consistent interrelationship of landscape, history and politics. To varying degrees, the contemporaneous descriptive geographies, histories, allegorical tableaux, didactic prints and poetic anthologies, considered in this study provide parallels for the prints' serial structure, journey theme, and commemorative motifs. Moreover, as part of a wider enterprise of Dutch self-definition, they provide cultural guidelines for the interpretation of landscape in prints and paintings. Levesque's study of the Dutch 17th-century experience of place is two-tiered. She addresses the journey through landscape as an interpretive framework, the spatial structure of knowledge, the benefits of travel from the point of view of humanists, and the growth of a Dutch national self-consciousness expressed through landscape. She also provides a close reading of the structure and motifs in the print series of Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde.","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"273"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780800","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cornelis Bos: Where Did He Go? Some New Discoveries and Hypotheses about a Sixteenth-Century Engraver and Publisher","authors":"Peter van der Coelen","doi":"10.2307/3780825","DOIUrl":"https://doi.org/10.2307/3780825","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"119"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780825","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Old Testament as a Moral Code: Old Testament Stories as Exempla of the Ten Commandments","authors":"I. M. Veldman","doi":"10.2307/3780796","DOIUrl":"https://doi.org/10.2307/3780796","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"215"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780796","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Les jeux innocents\": French Rococo Birding and Fishing Scenes","authors":"E. Goodman","doi":"10.2307/3780798","DOIUrl":"https://doi.org/10.2307/3780798","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":"23 1","pages":"251"},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780798","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}