{"title":"Intimate Affairs and other Plays by Stephen Chifunyise: A Review","authors":"Cletus Moyo","doi":"10.1080/10137548.2024.2376437","DOIUrl":"https://doi.org/10.1080/10137548.2024.2376437","url":null,"abstract":"Published in South African Theatre Journal (Ahead of Print, 2024)","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141781537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Audience and the transformation of performance in African theatre through Iredi War and Ekuechi festival","authors":"Tekena Gasper Mark","doi":"10.1080/10137548.2024.2362439","DOIUrl":"https://doi.org/10.1080/10137548.2024.2362439","url":null,"abstract":"African theatre encompasses theatrical practices that predate European colonization. Using Sam Ukala's play, Iredi War, a modern Nigerian drama infused with folk elements, and the Ekuechi festival ...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141742309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Surfacing woman-consciousness in Reza de Wet’s On the Lake","authors":"Danie Stander","doi":"10.1080/10137548.2024.2354180","DOIUrl":"https://doi.org/10.1080/10137548.2024.2354180","url":null,"abstract":"Reza de Wet is one of South Africa’s most acclaimed and translated playwrights. On the Lake is one of her most under-researched plays. It forms part of a trilogy of Chekhov-sequels all of which pre...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performing facekuerade to navigate internally displaced persons desolation in the performance of Eliagwu Ameh’s Displaced","authors":"Emmanuel Tsadu Gana, Abdulmalik Abubakar","doi":"10.1080/10137548.2024.2354859","DOIUrl":"https://doi.org/10.1080/10137548.2024.2354859","url":null,"abstract":"This paper adopts Sunnie Ododo’s ‘Facekurade Theatre’ as a framework for interrogating the stage performance of Eliagu Ameh’s Displaced as Directed by Olagoke Ifatimehin. The paper highlights issue...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen’s\u0000 Tin Bucket Drum\u0000 and Nadia Davids’\u0000 What Remains","authors":"Owen Seda, Connie Rapoo","doi":"10.1080/10137548.2024.2354189","DOIUrl":"https://doi.org/10.1080/10137548.2024.2354189","url":null,"abstract":"","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141379295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}