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Jeanne H. McCarthy. The Children’s Troupes and the Transformation of English Theater 1509-1608: Pedagogue Playwrights, Playbooks, and Play-boys. Abingdon: Routledge, 2017. Pp xxiv, 251. Hardback £115.00. ISBN: 9781472487797. 珍妮·h·麦卡锡。儿童剧团与1509-1608年英国戏剧的转型:教师剧作家、剧本和花花公子。阿宾登:劳特利奇出版社，2017。第二十四页，251页。精装£115.00。ISBN: 9781472487797。
IF 0.1
Early Theatre Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3946
Lucy Munro
{"title":"Jeanne H. McCarthy. The Children’s Troupes and the Transformation of English Theater 1509-1608: Pedagogue Playwrights, Playbooks, and Play-boys. Abingdon: Routledge, 2017. Pp xxiv, 251. Hardback £115.00. ISBN: 9781472487797.","authors":"Lucy Munro","doi":"10.12745/ET.22.1.3946","DOIUrl":"https://doi.org/10.12745/ET.22.1.3946","url":null,"abstract":"This review considers The Children’s Troupes and the Transformation of English Theater 1509-1608: Pedagogue Playwrights, Playbooks, and Play-boys.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43315159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
John Bale’s King John (Cultures of Performance in Medieval and Early Modern Europe), directed by Russell Bender at St Stephen’s Church, Canterbury, UK. 20 February 2019. 约翰·贝尔的《约翰国王》(中世纪和近代早期欧洲的表演文化)，罗素·本德导演，圣斯蒂芬教堂，坎特伯雷，英国。2019年2月20日。
IF 0.1
Early Theatre Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3951
Jessica Winston
{"title":"John Bale’s King John (Cultures of Performance in Medieval and Early Modern Europe), directed by Russell Bender at St Stephen’s Church, Canterbury, UK. 20 February 2019.","authors":"Jessica Winston","doi":"10.12745/ET.22.1.3951","DOIUrl":"https://doi.org/10.12745/ET.22.1.3951","url":null,"abstract":"This performance review considers John Bale's King John.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45219791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Matteo A. Pangallo. Playwriting Playgoers in Shakespeare’s Theater. Philadelphia: University of Pennsylvania Press, 2017. Pp 248. Hardback USD $59.95. ISBN: 97808122494415. Matteo A. Pangallo。莎士比亚剧院的戏剧创作。费城:宾夕法尼亚大学出版社，2017。页248。精装本59.95美元。ISBN: 97808122494415。
IF 0.1
Early Theatre Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3940
Laurie Ellinghausen
{"title":"Matteo A. Pangallo. Playwriting Playgoers in Shakespeare’s Theater. Philadelphia: University of Pennsylvania Press, 2017. Pp 248. Hardback USD $59.95. ISBN: 97808122494415.","authors":"Laurie Ellinghausen","doi":"10.12745/ET.22.1.3940","DOIUrl":"https://doi.org/10.12745/ET.22.1.3940","url":null,"abstract":"This review considers Playwriting Playgoers in Shakespeare’s Theater.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44101305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lauren Shohet, ed. Temporality, Genre and Experience in The Age of Shakespeare: Forms of Time. London: Bloomsbury. 2018. Pp 344. Hardback £75.00. ISBN: 9781350017290. Lauren Shohet主编：《莎士比亚时代的临时性、风格和经验：时间的形式》。伦敦：布鲁姆斯伯里。2018年，第344页。硬通货75.00英镑。ISBN:978135017290。
IF 0.1
Early Theatre Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3948
Adam Railton
{"title":"Lauren Shohet, ed. Temporality, Genre and Experience in The Age of Shakespeare: Forms of Time. London: Bloomsbury. 2018. Pp 344. Hardback £75.00. ISBN: 9781350017290.","authors":"Adam Railton","doi":"10.12745/ET.22.1.3948","DOIUrl":"https://doi.org/10.12745/ET.22.1.3948","url":null,"abstract":"This review considers Temporality, Genre and Experience in The Age of Shakespeare: Forms of Time.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47266075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jay Zysk. Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide. Notre Dame: University of Notre Dame Press, 2017. Pp. xiv, 377. Paperback USD $45.00. ISBN 9780268102302. Jay Zysk。阴影与实质：跨越宗教改革鸿沟的圣餐争议与英国戏剧。圣母院：圣母大学出版社，2017年。第xiv页，377页。Paperback$45.00。为9780268102302英镑。
IF 0.1
Early Theatre Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3935
Tamara Atkin
{"title":"Jay Zysk. Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide. Notre Dame: University of Notre Dame Press, 2017. Pp. xiv, 377. Paperback USD $45.00. ISBN 9780268102302.","authors":"Tamara Atkin","doi":"10.12745/ET.22.1.3935","DOIUrl":"https://doi.org/10.12745/ET.22.1.3935","url":null,"abstract":"This review considers Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49550523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker, eds. ‘The Best Pairt of our Play’: Essays Presented to John J. McGavin. Medieval English Theatre, 38. Cambridge, D. S. Brewer, 2017. Pp. 183. Paperback £25.00. ISBN: 9781843844518. Sarah Carpenter、Pamela M.King、Meg Twycross和Greg Walker编辑。“我们戏剧中的最佳搭档”：呈现给John J.McGavin的散文。中世纪英国剧院，38岁。剑桥，D.S.Brewer，2017。第183页。纸质版25.00英镑。ISBN:9781843844518。
IF 0.1
Early Theatre Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3938
Sheila Christie
{"title":"Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker, eds. ‘The Best Pairt of our Play’: Essays Presented to John J. McGavin. Medieval English Theatre, 38. Cambridge, D. S. Brewer, 2017. Pp. 183. Paperback £25.00. ISBN: 9781843844518.","authors":"Sheila Christie","doi":"10.12745/ET.22.1.3938","DOIUrl":"https://doi.org/10.12745/ET.22.1.3938","url":null,"abstract":"This review considers 'The Best Pairt of our Play’: Essays Presented to John J. McGavin.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43919745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 社论
IF 0.1
Early Theatre Pub Date : 2018-11-08 DOI: 10.12745/et.21.2.3767
Melinda J. Gough, E. Kelly, H. Ostovich, Sarah E. Johnson
{"title":"Editorial","authors":"Melinda J. Gough, E. Kelly, H. Ostovich, Sarah E. Johnson","doi":"10.12745/et.21.2.3767","DOIUrl":"https://doi.org/10.12745/et.21.2.3767","url":null,"abstract":"This editors' introduction to volume 21, issue 2 (December 2018) calls attention to anticipated future content and offers a memorial to the late Andrew Bretz, a valued Early Theatre contributor and colleague.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49194488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Histories and Contexts in The Witch of Edmonton 引言:《埃德蒙顿女巫》的历史和背景
IF 0.1
Early Theatre Pub Date : 2018-11-02 DOI: 10.12745/ET.21.2.3603
D. Dean
{"title":"Introduction: Histories and Contexts in The Witch of Edmonton","authors":"D. Dean","doi":"10.12745/ET.21.2.3603","DOIUrl":"https://doi.org/10.12745/ET.21.2.3603","url":null,"abstract":"This Issues in Review invites us to think afresh about worlds turned inside out and upside down during the transformative decades of the first half of the seventeenth century. The contributions situate The Witch of Edmonton by focusing on marriage, women, and property; on swearing and the reformation of manners; on witchcraft, gender, and social relations; and on the role of emotions in shaping the play’s meaning. Taking the play's argument as the starting point, the introduction identifies a number of themes that bring the three plots – Frank’s bigamous marriage and his murder of Susan, Elizabeth Sawyer’s turn to witchcraft, and Cuddy’s flirtation with the supernatural – into conversation with one another. Locating its historical, spatial, and temporal contexts shows how the playwrights addressed contemporary concerns about the rapidly changing and much discussed world around them \u0000  \u0000 ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48140334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.1
Early Theatre Pub Date : 2018-06-01 DOI: 10.12745/et.21.1.3532
H. Ostovich, Melinda J. Gough, E. Kelly
{"title":"Editorial","authors":"H. Ostovich, Melinda J. Gough, E. Kelly","doi":"10.12745/et.21.1.3532","DOIUrl":"https://doi.org/10.12745/et.21.1.3532","url":null,"abstract":"This editors' introduction to volume 21, issue 1 (June 2018) calls attention to the journal's new online site design and announces content upcoming in 21.2 (December 2018).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43212332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Tom Rutter, Shakespeare and the Admiral’s Men: Reading Across Repertories on the London Stage, 1594-1600 . 书评:汤姆·拉特，《莎士比亚和海军上将们:伦敦舞台上的剧目阅读》，1594-1600。
IF 0.1
Early Theatre Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3516
D. Hamilton
{"title":"Review: Tom Rutter, Shakespeare and the Admiral’s Men: Reading Across Repertories on the London Stage, 1594-1600 .","authors":"D. Hamilton","doi":"10.12745/et.21.1.3516","DOIUrl":"https://doi.org/10.12745/et.21.1.3516","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42884348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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