Early TheatrePub Date : 2020-06-30DOI: 10.12745/et.23.1.4298
Brett Greatley‐Hirsch
{"title":"Tamara Atkin and Laura Estill, eds. Early British Drama in Manuscript. Turnhout: Brepols, 2019. British Manuscripts 1. Pp. xvi, 376.","authors":"Brett Greatley‐Hirsch","doi":"10.12745/et.23.1.4298","DOIUrl":"https://doi.org/10.12745/et.23.1.4298","url":null,"abstract":"This review considers Early British Drama in Manuscript.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47298574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2020-06-30DOI: 10.12745/et.23.1.4304
C. McEachern
{"title":"Harry Newman. Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama. New York: Routledge, 2019. Pp. xviii, 199.","authors":"C. McEachern","doi":"10.12745/et.23.1.4304","DOIUrl":"https://doi.org/10.12745/et.23.1.4304","url":null,"abstract":"This review considers Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42689590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2020-06-30DOI: 10.12745/et.23.1.4302
Jess Hamlet
{"title":"Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265.","authors":"Jess Hamlet","doi":"10.12745/et.23.1.4302","DOIUrl":"https://doi.org/10.12745/et.23.1.4302","url":null,"abstract":"This review considers Discoveries on the Early Modern Stage: Contexts and Conventions. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":"23 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41830438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2020-06-30DOI: 10.12745/et.23.1.4306
J. Caldicott
{"title":"A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278.","authors":"J. Caldicott","doi":"10.12745/et.23.1.4306","DOIUrl":"https://doi.org/10.12745/et.23.1.4306","url":null,"abstract":"This review considers Shakespeare and the Soliloquy in Early Modern English Drama. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46096443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2020-01-01DOI: 10.12745/ET.23.2.4388
Emily Mayne
{"title":"Introduction: Rethinking Performance in Early Modern England","authors":"Emily Mayne","doi":"10.12745/ET.23.2.4388","DOIUrl":"https://doi.org/10.12745/ET.23.2.4388","url":null,"abstract":"This Early Theatre ‘Issues in Review’ explores concepts of ‘performance’ in late medieval and early modern England. Responding to current work on drama, festivity and spectatorship, and to the ongoing editorial project Records of Early English Drama (REED), essays address questions such as: what constitutes performance in pre-modern contexts? where, and in what types of texts, can evidence of medieval and early modern performance be located? and what can rethinking ideas of performance and sources do for critical understanding of medieval and early modern culture and drama? [Please note this Abstract and Title are for the whole 'Issues in Review'.]","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":"23 1","pages":"113-122"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66433818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2019-12-28DOI: 10.12745/et.22.2.4144
Melinda J. Gough, E. Kelly, Sarah Johnson
{"title":"Editorial","authors":"Melinda J. Gough, E. Kelly, Sarah Johnson","doi":"10.12745/et.22.2.4144","DOIUrl":"https://doi.org/10.12745/et.22.2.4144","url":null,"abstract":"The editorial for issue 22.2 announces our 2019 essay prizes (for work published in 2017 and 2018), offers a dedication to the late Stephen K. Wright and David Bevington, and announces founding editor Helen Ostovich's retirement as editor.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44607236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2019-12-28DOI: 10.12745/et.22.2.4128
P. Drábek
{"title":"What is Commedia dell’Arte Today? A Review Essay","authors":"P. Drábek","doi":"10.12745/et.22.2.4128","DOIUrl":"https://doi.org/10.12745/et.22.2.4128","url":null,"abstract":"This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Piermario Vescovo, and Daniele Vianello's edited volume Commedia dell’Arte in Context (2018); Judith Chaffee and Oliver Crick's edited The Routledge Companion to Commedia dell’Arte (2014); Erith Jaffe-Berg's Commedia dell’ Arte and the Mediterranean: Charting Journeys and Mapping ‘Others’ (2016); Andrea Fabiano's La Comedie-Italienne de Paris et Carlo Goldoni: De la commedia dell’arte a l’opera-comique, une dramaturgie de l'hybridation au XVIIIe siecle (2018); Emily Wilbourne's Seventeenth-Century Opera and the Sound of the Commedia dell’Arte (2016); Natalie Crohn Schmitt's Befriending the Commedia dell’arte of Flaminio Scala: The Comic Scenarios (2014); and Markus Kupferblum's Die geburt der neugier aus dem geist der revolution. Die commedia dell’arte als politisches volkstheater (2013).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":"22 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42833559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2019-08-01Epub Date: 2019-07-25DOI: 10.1007/s11596-019-2071-x
Li-Ya Rao, Yi Mao, Kun Huang, Yu-Shu Li, Yan-Wen Shu
{"title":"Relationship between Atrial Tissue Remodeling and ECG Features in Atrial Fibrillation.","authors":"Li-Ya Rao, Yi Mao, Kun Huang, Yu-Shu Li, Yan-Wen Shu","doi":"10.1007/s11596-019-2071-x","DOIUrl":"10.1007/s11596-019-2071-x","url":null,"abstract":"<p><p>The difference in the atrial organizational structure between patients with atrial fibrillation (AF) and those with sinus rhythm was investigated. In order to analyze the rationality in explaining the electrocardiogram (ECG) characteristics of AF with statistics data or tissue remodeling model, and the logical relationship between the hypothesis of pulmonary veins (PV) muscle sleeves and that of multi wavelets in mechanism of AF, we examined the expression of collagen volume fraction of type I (CVF-I) with picrosirius red staining, connexin 40 (Cx40) by immunohistochemistry, and intercalated disc (ID) using transmission electron microscope in atrial tissue. The results showed that there was significant difference in the expression of CVF-I (t=3.827, P<0.01), Cx40 (t=4.21, P<0.01), and groups of the ID that keeping the electrical transmission and atrial electrical coupling synchronization (t=15.116, P<0.001), but no significant difference was found in total IDs (t=0.611, P=0.543) between patients with AF and those with sinus rhythm. The quantitative differences in the tissue remodeling could not explain the ECG characteristics of AF. The number of normal IDs and abnormal distribution are the structural basis to trigger and maintain atrial electrical remodeling, and induce and maintain AF. Such histological reconstruction supports the hypothesis of multi wavelets and can also explain ECG features.</p>","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":"15 1","pages":"541-545"},"PeriodicalIF":2.4,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1007/s11596-019-2071-x","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88522271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2019-06-04DOI: 10.12745/ET.22.1.3939
Nandini Das
{"title":"Laurence Publicover. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama. Oxford: Oxford University Press, 2017. Pp. xiii, 204. Hardback £50.00. ISBN: 9780198806813.","authors":"Nandini Das","doi":"10.12745/ET.22.1.3939","DOIUrl":"https://doi.org/10.12745/ET.22.1.3939","url":null,"abstract":"This review considers Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49044045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Early TheatrePub Date : 2019-06-04DOI: 10.12745/ET.22.1.3936
Claire M. L. Bourne
{"title":"Tamara Atkin. Reading Drama in Tudor England. London & New York: Routledge, 2018. Pp. xxx, 239. Hardback USD $140.00. ISBN: 9781472476265.","authors":"Claire M. L. Bourne","doi":"10.12745/ET.22.1.3936","DOIUrl":"https://doi.org/10.12745/ET.22.1.3936","url":null,"abstract":"This review considers Reading Drama in Tudor England.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47269571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}