Early Theatre最新文献

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Domenico Lovascio. John Fletcher’s Rome: Questioning the Classics. Manchester: Manchester University Press, 2022. Pp 212. 多梅尼科Lovascio。约翰·弗莱彻的《罗马:质疑经典》。曼彻斯特:曼彻斯特大学出版社,2022。页212。
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5494
Gordon McMullan
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引用次数: 0
W.B. Worthen. Shakespeare, Technicity, Theatre. Cambridge: Cambridge University Press, 2020. Pp 271. b沃森写。莎士比亚,技术,戏剧。剑桥:剑桥大学出版社,2020。页271。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5497
Marie Trotter
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引用次数: 0
Jeremy Lopez, ed. The Routledge Anthology of Early Modern Drama. London and New York: Routledge, 2020. Pp. 1138. 杰里米·洛佩兹主编《早期现代戏剧劳特利奇选集》。伦敦和纽约:劳特利奇,2020年。第1138页。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5496
Emma Smith
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引用次数: 0
Tom Bishop, Gina Bloom, and Erika T. Lin, eds. Games and Theatre in Shakespeare’s England. Amsterdam: Amsterdam University Press, 2021. Pp. 332. Tom Bishop, Gina Bloom和Erika T. Lin主编。莎士比亚时代的英国的游戏和戏剧。阿姆斯特丹:阿姆斯特丹大学出版社,2021。332页。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5500
Mark Kaethler
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引用次数: 0
José A. Pérez Díez, ed. Love’s Cure, or The Martial Maid by John Fletcher and Philip Massinger. Manchester: Manchester University Press, 2022. Pp 250. 若泽·佩雷斯·迪兹,《爱情的治愈》或约翰·弗莱彻和菲利普·马辛格的《军事女佣》。曼彻斯特:曼彻斯特大学出版社,2022年。超越自我250个。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5501
Eric Griffin
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引用次数: 0
Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019. Pp. 198. Eleanor Rycroft。面部毛发与早期现代男子气概的表现。伦敦和纽约:劳特利奇,2019。第198页。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5504
R. Carson
{"title":"Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019. Pp. 198.","authors":"R. Carson","doi":"10.12745/et.26.1.5504","DOIUrl":"https://doi.org/10.12745/et.26.1.5504","url":null,"abstract":"Review of Facial Hair and the Performance of Early Modern Masculinity by Eleanor Rycroft.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49339349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shelby Richardson, ed. The Witch of Edmonton by Thomas Dekker, John Ford, and William Rowley. Peterborough, ON: Broadview Press, 2021. Pp 162. 谢尔比·理查森编:《埃德蒙顿女巫》,作者:托马斯·德克尔、约翰·福特和威廉·罗利。彼得伯勒,安大略省:Broadview出版社,2021年。页162。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5490
Laura Wright
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引用次数: 0
Carol Mejia LaPerle, ed. Race and Affect in Early Modern English Literature. Tempe: Arizona Center for Medieval and Renaissance Studies Press, 2022. Pp 221. Carol Mejia LaPerle主编,《早期现代英国文学中的种族与情感》。坦佩:亚利桑那中世纪和文艺复兴研究中心出版社,2022年。第221页。
IF 0.1
Early Theatre Pub Date : 2023-06-06 DOI: 10.12745/et.26.1.5499
D. Britton
{"title":"Carol Mejia LaPerle, ed. Race and Affect in Early Modern English Literature. Tempe: Arizona Center for Medieval and Renaissance Studies Press, 2022. Pp 221.","authors":"D. Britton","doi":"10.12745/et.26.1.5499","DOIUrl":"https://doi.org/10.12745/et.26.1.5499","url":null,"abstract":"Review of Race and Affect in Early Modern English Literature edited by Carol Mejia LaPerle","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46268896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Birth of a Tragedy Queen 悲剧女王的诞生
IF 0.1
Early Theatre Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.4748
Roberta Barker
{"title":"Birth of a Tragedy Queen","authors":"Roberta Barker","doi":"10.12745/et.25.2.4748","DOIUrl":"https://doi.org/10.12745/et.25.2.4748","url":null,"abstract":"In his 2004 essay, ‘The Sharer and His Boy’, Scott McMillin hypothesized that what he called ‘restricted roles’ in early modern English drama, roles in which female characters take cue lines only from a small group of other characters, resulted from moments when new leading boy actors were being trained by their masters. This essay applies McMillin's hypothesis to two new plays that entered the King’s Men’s repertory around 1610, Shakespeare’s The Winter’s Tale and Beaumont and Fletcher’s The Maid’s Tragedy, asking how they might have interacted with earlier plays within the company’s repertory to shape the training of Richard Robinson as its new leading tragic boy. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44897552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
'You shall see me do the Moor' “你会看到我演摩尔人的。”
IF 0.1
Early Theatre Pub Date : 2022-12-09 DOI: 10.12745/et.25.2.4734
Emily Macleod
{"title":"'You shall see me do the Moor'","authors":"Emily Macleod","doi":"10.12745/et.25.2.4734","DOIUrl":"https://doi.org/10.12745/et.25.2.4734","url":null,"abstract":"The repertory of the Blackfriars children frequently alluded to plays performed by adult companies across the Thames. In Jonson’s Poetaster, a boy player performs a scene as ‘the Moor’ from Peele’s The Battle of Alcazar. These parodies of adult performances in the children’s repertory not only evidence early modern acting style but also specifically reference styles of performing racial difference on the early modern stage. I argue that this parody showcased playing skill associated up to this point with adult actors, and that the Blackfriars children used these references to racialized characters to highlight skill and appeal to audience taste.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42453446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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