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Balzac penseur ed. by Francesco Spandri (review) 巴尔扎克penseur编辑Francesco Spandri（评论）
4区 文学
FRENCH FORUM Pub Date : 2022-03-01 DOI: 10.1353/frf.2022.0011
Dorothy Kelly
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引用次数: 0
Isabelle Eberhardt, Rachilde and Queer Sexualities: Pygmalions Nécromanciens and Mortes amoureuses Isabelle Eberhardt, Rachilde和Queer sexual: Pygmalions necromanciens and love death
4区 文学
FRENCH FORUM Pub Date : 2022-03-01 DOI: 10.1353/frf.2022.0014
Céline Brossillon
{"title":"Isabelle Eberhardt, Rachilde and Queer Sexualities: Pygmalions Nécromanciens and Mortes amoureuses","authors":"Céline Brossillon","doi":"10.1353/frf.2022.0014","DOIUrl":"https://doi.org/10.1353/frf.2022.0014","url":null,"abstract":"Summary:The myth of Pygmalion and the motif of the morte amoureuse pervade the Francophone literature of the nineteenth century. From Romantic ghosts to Decadent female corpses, male authors spin tales of necrophilia. Animated by the male lover's thoughts and desires, women are often simply ventriloquized through the male narrator, a sort of Pygmalion nécromancien. Within this patriarchal discourse of silenced females, Isabelle Eberhardt and Rachilde innovate the genre by giving a voice to their female characters, whether as subject (Pygmalion) or object (morte amoureuse). At a time when women were expected to write about marriage and motherhood, these quintessential rebel female figures revisit common masculine tropes through a feminist lens.If Decadence is about disease and decay, the mortes amoureuses of Rachilde and Isabelle Eberhardt are not decomposing bodies, but they are monstrous in other ways for the male character they encounter: they have feelings. Infernalia: Volupté sépulcrale by Isabelle Eberhardt, and Monsieur Vénus and La Tour d'amour by Rachilde, discuss female pleasure, or lack thereof, due to men's impotence (both emotional and physical). They emphasize the unilaterality of masculine desire, and deflate the male's ego by suggesting his inability to elicit pleasure. In their versions of the myth, Pygmalion is a failure as the female body remains immune to his attempt at ventriloquization. This essay aims to study how these two avant-garde women, cross-dressers and boundary breakers, dealt with sex, gender and deathly desire in an effort to subvert the hetero-patriarchal foundations of the Decadents' world-view.","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"47 1","pages":"155 - 172"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66392695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Du fantôme d'amour à l'amant(e) macabre. Dans les tiroirs secrets du reliquaire du XIXème siècle 作品简介:从爱情的幽灵到可怕的情人。在19世纪圣髑盒的秘密抽屉里
4区 文学
FRENCH FORUM Pub Date : 2022-03-01 DOI: 10.1353/frf.2022.0015
Céline Brossillon, N. Prince
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引用次数: 0
Kristeva in America: Re-Imagining the Exceptional by Carol Mastrangelo Bové (review) Carol Mastrangelo Bové的《Kristeva in America:Re-Imaging the Exceptional》（评论）
4区 文学
FRENCH FORUM Pub Date : 2022-03-01 DOI: 10.1353/frf.2022.0012
Gerald Prince
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引用次数: 0
Emprunter le Boulevard du Crépuscule jusqu’au Pacifique: traces du film noir américain chez Jean-Philippe Toussaint 沿着crepuscule大道走到太平洋:让-菲利普·图森的美国黑色电影的痕迹
4区 文学
FRENCH FORUM Pub Date : 2022-01-05 DOI: 10.1353/frf.2021.0015
Christophe Meurée, M. Thiry
{"title":"Emprunter le Boulevard du Crépuscule jusqu’au Pacifique: traces du film noir américain chez Jean-Philippe Toussaint","authors":"Christophe Meurée, M. Thiry","doi":"10.1353/frf.2021.0015","DOIUrl":"https://doi.org/10.1353/frf.2021.0015","url":null,"abstract":"Fautil lire Truffaut pour se convaincre de devenir écrivain plutôt que cinéaste? C’est, sembletil, le chemin qui a mené JeanPhilippe Toussaint à la littérature. S’il n’a pas pour autant totalement renoncé à passer derrière la caméra, se désignant “à la fois écrivain et cinéaste” (Toussaint, Patinoire 12), comme en témoignent les longs métrages Monsieur (1990), La Sévillane (1992) et La Patinoire (1998), ainsi que les courts métrages plus récents, adaptés de scènes de la tétralogie romanesque M.M.M.M., c’est au roman que l’écrivain a consacré la meilleure part de sa carrière. Jusqu’ici, les travaux sur cette question (ClamensNanni, Richir) se sont cantonnés à l’analyse d’un dispositif, n’effleurant qu’à peine la question de la présence du cinéma dans ses romans, n’identifiant jamais vraiment dans quel type d’imaginaire filmique s’ancre l’œuvre de l’écrivain belge. Si celuici mentionne plus volontiers ses influences littéraires, une vaste culture cinématographique","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"46 1","pages":"165 - 180"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43593789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Du cinéma comme tropisme équivoque. Sur quelques romans de Jean Echenoz 电影作为一种模棱两可的倾向。Jean Echenoz的一些小说
4区 文学
FRENCH FORUM Pub Date : 2022-01-05 DOI: 10.1353/frf.2021.0023
B. Blanckeman
{"title":"Du cinéma comme tropisme équivoque. Sur quelques romans de Jean Echenoz","authors":"B. Blanckeman","doi":"10.1353/frf.2021.0023","DOIUrl":"https://doi.org/10.1353/frf.2021.0023","url":null,"abstract":"Les personnages circulent, dans les romans de Jean Echenoz. Ils se meuvent, s’agitent et les narrateurs avec eux, qui franchissent souvent des océans, chaussés de bottes de sept lieues, caméra au poing. Que cherchentils les uns et les autres sinon un alibi d’existence, au gré d’aventures en cartonpâte préemptées par d’innombrables scripts auxquels plus personne, pas même eux, ne semble croire? Le motif cinématographique, fonduenchaîné à la mémoire de genres littéraires mineurs, seraitil là pour piéger le vivant, le figer à même la pellicule sur un mode drolatique? Arrête ton cinéma: cette injonction familière, les lecteurs de Jean Echenoz l’inversent, tant l’écrivain, porté par sa mémoire des genres communs à la littérature romanesque et au Septième Art, fait rire aux dépens de personnages croqués à vif, s’effrayant de déambulations dont les causes sont aussi vaines que les effets sans lendemain. Seules la tenue d’une narration ourdissant ses pièges existentiels et la teneur d’une langue valant pour tout éthos d’écrivain leur confèrent entre rire et blues un style dans le désastre. La relation entre roman et cinéma fut longtemps placée sous le signe d’une prédation réciproque. L’un et l’autre énoncent la société et parlent le monde en piratant leurs ressources respectives, quand leurs auteurs euxmêmes ne se veulent pas écrivainscinéastes (André Malraux) ou cinéastesécrivains (Christophe Honoré). Le pillage est joyeux dans l’œuvre d’Echenoz, qui emprunte à la cinémathèque des films de catégorie B: polar (Cherokee), espionnage (Le Méridien de Greenwich), aventures (Les Grandes Blondes), comédie à l’américaine (Au Piano, avec en guest star parmi les personnages Dean Martin et Dora Dol). Cet appétit cinéphile de romancier le conduit aussi à quelques incursions dans un genre informel qui tend à se développer simultanément en littérature— la biofiction—et au cinéma—le biopic. Dans Ravel, l’écrivain part ainsi de la","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"46 1","pages":"127 - 135"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44477835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Generation Stalin: French Writers, the Fatherland, and the Cult of Personality by Andrew Sobanet (review) 《斯大林一代:法国作家、祖国与个人崇拜》作者:安德鲁·索巴内
4区 文学
FRENCH FORUM Pub Date : 2022-01-05 DOI: 10.1353/frf.2021.0021
Tom Conner
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引用次数: 0
Understanding Rancière, Understanding Modernism ed. by Patrick M. Bray (review) 《理解兰齐埃》，帕特里克·M·布雷主编（评论）
4区 文学
FRENCH FORUM Pub Date : 2022-01-05 DOI: 10.1353/frf.2021.0019
Haythem Guesmi
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引用次数: 0
Entretien avec Tanguy Viel Tanguy Viel访谈
4区 文学
FRENCH FORUM Pub Date : 2022-01-05 DOI: 10.1353/frf.2021.0025
L. Demanze
{"title":"Entretien avec Tanguy Viel","authors":"L. Demanze","doi":"10.1353/frf.2021.0025","DOIUrl":"https://doi.org/10.1353/frf.2021.0025","url":null,"abstract":"","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"46 1","pages":"291 - 295"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46155657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Résister à la fabrique hollywoodienne des corps. Notre désir est sans remède de Mathieu Larnaudie 抵制好莱坞的身体工厂。Mathieu Larnaudie的《我们的欲望无法治愈》
4区 文学
FRENCH FORUM Pub Date : 2022-01-05 DOI: 10.1353/frf.2021.0024
L. Demanze
{"title":"Résister à la fabrique hollywoodienne des corps. Notre désir est sans remède de Mathieu Larnaudie","authors":"L. Demanze","doi":"10.1353/frf.2021.0024","DOIUrl":"https://doi.org/10.1353/frf.2021.0024","url":null,"abstract":"","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"46 1","pages":"229 - 242"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44035172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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