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Studies in European Cinema最新文献

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Local/global: amateur cinema and new forms of valorization in archival film festivals 本地/全球：业余电影和档案电影节的新形式
IF 0.2
Studies in European Cinema Pub Date : 2022-08-08 DOI: 10.1080/17411548.2022.2103929
Diego Cavallotti, Paolo Simoni
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引用次数: 0
Conceptualising festival ecosystems. Insights from the ethnographic film festival subcircuit 节日生态系统概念化。来自民族志电影节次级巡回赛的见解
IF 0.2
Studies in European Cinema Pub Date : 2022-07-26 DOI: 10.1080/17411548.2022.2103930
Aida Vallejo, M. Peirano
{"title":"Conceptualising festival ecosystems. Insights from the ethnographic film festival subcircuit","authors":"Aida Vallejo, M. Peirano","doi":"10.1080/17411548.2022.2103930","DOIUrl":"https://doi.org/10.1080/17411548.2022.2103930","url":null,"abstract":"ABSTRACT This article reflects on the positioning of specialised festivals within the wider film festival ecosystem, using ethnographic film festivals as a case-study. Drawing on concepts developed within environmental research in Anthropology, we propose a structural and relational model for the analysis of festivals as all-encompassing socio-cultural events. Firstly, we conduct a literature review of concepts used in Film Festival studies’ to define film festivals and their connections, and then put these concepts in dialogue with that of the “ecosystem’. Secondly, we use our model to analyse specialised festival ecosystems (documentary, LGBTQ+, horror, young audiences, etc) by looking at their relationships with different agents and their environments. Thirdly, we focus on ethnographic film festivals, looking at their interaction with key agents such as universities, or anthropological associations, in order to understand their role in the academic recognition of Visual Anthropology. We look at shifts in the festivals’ self-definition and positioning within and beyond the ethnographic film festival ecosystem, to identify dynamics which apply also to other subcircuits and can explain their different roles and relationships with the film industry, local communities, or the cultural field as a whole.","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"19 1","pages":"231 - 251"},"PeriodicalIF":0.2,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42643813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
[Rec] and beyond: Spanish cinema, digital technology and the transnationalization of horror [Rec]及其他:西班牙电影、数字技术和恐怖的跨国化
IF 0.2
Studies in European Cinema Pub Date : 2022-07-24 DOI: 10.1080/17411548.2022.2103933
Vicente Rodríguez Ortega
{"title":"[Rec] and beyond: Spanish cinema, digital technology and the transnationalization of horror","authors":"Vicente Rodríguez Ortega","doi":"10.1080/17411548.2022.2103933","DOIUrl":"https://doi.org/10.1080/17411548.2022.2103933","url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47996178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Ghosts don’t cry’: state of exception and the mother(land) in Pedro Almodóvar’s Live Flesh (1997) and Volver (2006) “鬼不哭”:Pedro Almodóvar《活肉》(1997)和Volver(2006)中的例外状态和母亲(土地)
IF 0.2
Studies in European Cinema Pub Date : 2022-06-22 DOI: 10.1080/17411548.2022.2087050
M. Camino
{"title":"‘Ghosts don’t cry’: state of exception and the mother(land) in Pedro Almodóvar’s Live Flesh (1997) and Volver (2006)","authors":"M. Camino","doi":"10.1080/17411548.2022.2087050","DOIUrl":"https://doi.org/10.1080/17411548.2022.2087050","url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46181869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Amateur film festivals: sources, history, and perspectives 业余电影节:来源、历史和观点
IF 0.2
Studies in European Cinema Pub Date : 2022-06-22 DOI: 10.1080/17411548.2022.2087051
Paolo Caneppele
{"title":"Amateur film festivals: sources, history, and perspectives","authors":"Paolo Caneppele","doi":"10.1080/17411548.2022.2087051","DOIUrl":"https://doi.org/10.1080/17411548.2022.2087051","url":null,"abstract":"ABSTRACT This essay is aimed at establishing those theoretical and methodological coordinates necessary to an historical analysis of amateur film festivals. Research dedicated to this subject is sporadic. In core volumes on festival studies, the terms ‘amateur’, ‘home movies’, or ‘small gauge’ do not even appear. The reasons for this historiographical oversight must be discussed especially in relation to the type of films here presented. As Patricia Zimmermann, one of the greatest experts on ‘home movies’ states, ‘Amateur film is the garbage dump of film studies and film archives’. Amateur film festivals have suffered the same fate as the films they presented. The current analysis is dedicated to the birth and early developments of those film contests, which started being held in Europe in the mid-1920s. Finally, this study illustrates the types of historical sources available to researchers.","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"19 1","pages":"191 - 203"},"PeriodicalIF":0.2,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42971770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sans soleil by Chris Marker. The essay film and its cinematic thinking process: reflecting on postmodernity Chris Marker的Sans soleil。随笔电影及其电影思维过程——对后现代性的反思
IF 0.2
Studies in European Cinema Pub Date : 2022-05-23 DOI: 10.1080/17411548.2022.2073173
Lourdes Monterrubio Ibáñez
{"title":"Sans soleil by Chris Marker. The essay film and its cinematic thinking process: reflecting on postmodernity","authors":"Lourdes Monterrubio Ibáñez","doi":"10.1080/17411548.2022.2073173","DOIUrl":"https://doi.org/10.1080/17411548.2022.2073173","url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42582995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Social Trauma and Telecinematic Memory: Imagining the Turkish Nation since the 1980 Coup 社会创伤与电视电影记忆：想象1980年政变以来的土耳其民族
IF 0.2
Studies in European Cinema Pub Date : 2022-05-19 DOI: 10.1080/17411548.2022.2076514
Can Koçak
{"title":"Social Trauma and Telecinematic Memory: Imagining the Turkish Nation since the 1980 Coup","authors":"Can Koçak","doi":"10.1080/17411548.2022.2076514","DOIUrl":"https://doi.org/10.1080/17411548.2022.2076514","url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41481585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subversive Spanish Cinema: The Politics of Performance 颠覆性西班牙电影:表演的政治
IF 0.2
Studies in European Cinema Pub Date : 2022-05-11 DOI: 10.1080/17411548.2022.2076513
Inmaculada N. Sánchez-García
{"title":"Subversive Spanish Cinema: The Politics of Performance","authors":"Inmaculada N. Sánchez-García","doi":"10.1080/17411548.2022.2076513","DOIUrl":"https://doi.org/10.1080/17411548.2022.2076513","url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47524388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Godard and the Essay Film: A Form That Thinks 戈达尔与散文电影:一种会思考的形式
IF 0.2
Studies in European Cinema Pub Date : 2022-05-06 DOI: 10.1080/17411548.2022.2073778
William Brown
{"title":"Godard and the Essay Film: A Form That Thinks","authors":"William Brown","doi":"10.1080/17411548.2022.2073778","DOIUrl":"https://doi.org/10.1080/17411548.2022.2073778","url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45143430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Films of pedro costa: producing and consuming contemporary art cinema 佩德罗·科斯塔的电影:当代艺术电影的生产与消费
IF 0.2
Studies in European Cinema Pub Date : 2022-05-06 DOI: 10.1080/17411548.2022.2073772
Dominic Lash
{"title":"Films of pedro costa: producing and consuming contemporary art cinema","authors":"Dominic Lash","doi":"10.1080/17411548.2022.2073772","DOIUrl":"https://doi.org/10.1080/17411548.2022.2073772","url":null,"abstract":"namely White God (Kornél Mundruczó, 2014), which also features on the volume’s cover. In one of the book’s stronger chapters, Galt makes a compelling case for the need to study the aesthetics of mood in European cinema. This chapter supports the claim that it is important to write about Europe and European cinema as meaningful units, even when the analysis departs from single filmic examples. If a European transnational approach is still relevant for contemporary film analysis, so is a study of the permanent and successive crises that the world is likely to experience in coming years. Power imbalances, unequal access to information, the relationship between modernism and the present era, and the figures of the migrant and the worker, are as important to the cinemas of the early twenty-first century as they are a decade later. What Covid-19 has showed us is that many of these are pressing issues for contemporary society in Europe and the world, and it is in this sense that this book is a welcome addition to the scholarship about the complexity of contemporary film.","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"20 1","pages":"226 - 228"},"PeriodicalIF":0.2,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42830388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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