Transcultural Studies最新文献_第3页

Transcultural Studies Pub Date : 2019-12-31 DOI: 10.4000/transtexts.1308

José Luis Paredes Pacho

引用次数: 0

Imagining the Nation, Building the Region: Discourses and Practices in the Río Negro Press (1900–1930) 想象国家，建设地区:Río黑人出版社的话语与实践(1900-1930)

Transcultural Studies Pub Date : 2019-12-31 DOI: 10.4000/transtexts.1251

Cielo Zaidenwerg, Melisa Pesoa

引用次数: 0

Struggling for Another Life: The Ontology of Degrowth 为另一种生活而奋斗:去生长的本体论

Transcultural Studies Pub Date : 2019-12-31 DOI: 10.4000/transtexts.1242

Katharina Richter

引用次数: 4

The ‘Hoffmann’s complex’ in the Dramatic Trilogy of A. Blok (A Puppet Show, King on the Square and The Unknown Woman) 布洛克戏剧三部曲(《木偶戏》、《广场上的国王》、《未知的女人》)中的“霍夫曼情结”

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502003

V. Koroleva

{"title":"The ‘Hoffmann’s complex’ in the Dramatic Trilogy of A. Blok (A Puppet Show, King on the Square and The Unknown Woman)","authors":"V. Koroleva","doi":"10.1163/23751606-01502003","DOIUrl":"https://doi.org/10.1163/23751606-01502003","url":null,"abstract":"The article examines the ‘Hoffmann’s complex’ in the lyrical trilogy of A. Blok: pictorial and musical harmony (synesthesia of arts); romantic irony and grotesque; the problem of mechanization of life and a human, which is revealed in the images-symbols of the mask, a doll, a puppet and a double. Synesthesia is an important part of Blok’s style, manifested in the special lyricism of the works, which helps to reveal the subtle soul of the lyrical hero. The problem of mechanization of life and human in the Blok’s dramas is revealed in the images of a mask, a doll, a double, which express one of the sides of the poet’s contradictory soul and appear as a reaction to the imperfection of the modern world. Another embodiment of the mechanization of life and a human is the problem of merging the mask and the actor, as a result of which the actor loses his true face. Important elements of Aleksandr Blok’s lyrical style in the trilogy are rooted in the tradition of Hoffmann’s romantic irony and the grotesque, which get a new semantic content in dramas: the creative irony of Hoffmann transforms in a devastating irony in Blok’s works.","PeriodicalId":42064,"journal":{"name":"Transcultural Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23751606-01502003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48792508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Shakespeare’s Codes in Poetic Prose 《莎士比亚诗文法典》

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502006

O. Shalygina

{"title":"Shakespeare’s Codes in Poetic Prose","authors":"O. Shalygina","doi":"10.1163/23751606-01502006","DOIUrl":"https://doi.org/10.1163/23751606-01502006","url":null,"abstract":"Questions of teleology of art rhythm are closely related with concept of time. Objectives address the problem: to consider the relationship of aesthetic effects poetic prose associated with the manifestation of the reverse time in the story and vertical time in the architectonics of the artistic whole with literary codes. The article analyzes the aesthetic effects of poetic prose, considers the imposition of codes Hamlet’s and Macbeth’s in the plays by A.P. Chekhov and the novel by B. Pasternak Doctor Zhivago. The article analyzes the aesthetic effects of poetic prose, considers the imposition of this codes. Objectives address the problem: to consider the relationship of aesthetic effects poetic prose associated with the manifestation of the reverse time in the story and vertical time in the architectonics of the artistic whole with literary codes. In the novel of Pasternak, the Macbeth’s code in poetic prose appears in the rhythmic structure, the Hamlet’s code - in a symbolic structure. The allusion to Shakespeare’s text creates a strong voltage point between the inner dialogue with Shakespeare and something occurring in silence. Probably, the teleology of rhythm in the recent literature tematizada using these codes as the most adequate of modern European consciousness.","PeriodicalId":42064,"journal":{"name":"Transcultural Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23751606-01502006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46555140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Image of the Future in the Philosophical and Artistic Versions of Russian Cosmism 俄国宇宙主义哲学与艺术版本中的未来意象

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502007

A. Gacheva

{"title":"The Image of the Future in the Philosophical and Artistic Versions of Russian Cosmism","authors":"A. Gacheva","doi":"10.1163/23751606-01502007","DOIUrl":"https://doi.org/10.1163/23751606-01502007","url":null,"abstract":"The article is devoted to the peculiarities of the interpretation of the image of the future in the philosophical tradition of Russian cosmism, as well as the echoes of this vision of the future in Russian writers of the xx century. Cosmists consider reality from the point of view of what it should be, respectively, the image of the future is a model of the perfect state of the world and man. The future for them is projective, and this project should be embodied in reality. Key characteristics of the image of the future in Russian cosmism: axiology, alternative, universality, cosmicity, immortalism, unity of personality and community, assuming the completeness of the development and interaction of both. The future for Russian cosmists is connected with the transition from technical progress, increasing the power of man in the world through artificial tools, to organic progress, associated with the improvement of the human body. Artistic projections of the image of the future are given in the literary texts of the cosmists themselves (K.E. Tsiolkovsky’s sci-Fi works, V. N. Muravyev’s philosophical mystery Sofia and Kitovras), as well as in the poetry of V. Bryusov, V. Mayakovsky, V. Khlebnikov, N. Zabolotsky, in the novels of A. Belyaev and I. Efremov.","PeriodicalId":42064,"journal":{"name":"Transcultural Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23751606-01502007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42312324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Spatial Images in Baratynsky’s Late Lyrics: Aesthetic and Metaphysical Aspects 巴拉廷斯基后期抒情诗中的空间意象：美学与形而上学

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502001

Yu.Yu. Anokhina

{"title":"Spatial Images in Baratynsky’s Late Lyrics: Aesthetic and Metaphysical Aspects","authors":"Yu.Yu. Anokhina","doi":"10.1163/23751606-01502001","DOIUrl":"https://doi.org/10.1163/23751606-01502001","url":null,"abstract":"The article is devoted to the question of how in the late lyric of the Russian poet of Pushkin’s circle Yevgeny Abramovich Baratynsky (1800–1844), namely in his final book of verses Sumerki [Twilight] (1842), in spatial images metaphysical and aesthetic principles are reflected. The author focuses on three ‘programmatic’ poems: Knjazju Petru Andreevichu Vjazemskomu [an epistle to Prince Pyotr Andreyevich Vyazemsky] which opens the poetic book, a poem Osen [Autumn], kind of coda of Sumerki and poem Rifma [Rhyme], which placed in the final of the book. The embodiment of the synthesis of metaphysical and aesthetic principles in spatial images is considered on the example of images of a coffin and a grave. The article shows that the analysis of these images makes it possible to better understand the uniqueness of the artistic philosophy which reflected in the book. The author comes to the conclusion that images of the coffin, the tomb and the grave affect the specifics of the artistic space in the poetic book, performing aesthetic functions. At the same time, directly connected with the motives of death and the memory of death, these images allow the poet to express more clearly the philosophical thoughts about the idea of that the place of poetry and of art in general in the world.","PeriodicalId":42064,"journal":{"name":"Transcultural Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23751606-01502001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42062113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Category of Beauty in the Poetry of Innokenty Annensky 论安涅斯基诗歌中的美的范畴

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502004

M. Zayats

引用次数: 0

Contents 内容

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502009

引用次数: 0

The Fate of Beauty in the Works of Alexander Blok 亚历山大·布洛克作品中美的命运

Transcultural Studies Pub Date : 2019-10-21 DOI: 10.1163/23751606-01502002

Sergei M. Zayats

引用次数: 0