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Contemporary Russian Cinema最新文献

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2 The Lacking Sense of Cinema: Aleksandr Proshkin’s The Miracle (2009) 缺乏电影感:亚历山大·普罗什金的《奇迹》(2009)
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-007
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引用次数: 0
6 The World and the Event: Kirill Serebrennikov’s St George’s Day (2008) 6《世界与事件:基里尔·塞列布伦尼科夫的圣乔治节》(2008)
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-011
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引用次数: 0
12 Amplifications of Subjectivity: Aleksandr Zel’dovich’s The Target (2010) 主体性的放大:亚历山大·泽尔多维奇的《目标》(2010)
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-017
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引用次数: 0
3 Gatekeepers of (Non-)Knowledge: Aleksei Balabanov’s Morphine (2008) (非)知识的守门人:阿列克谢·巴拉巴诺夫的《吗啡》(2008)
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-008
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引用次数: 0
Note on Transliteration 关于音译的说明
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-003
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引用次数: 0
5 Non-Knowledge and the Symbolic Mode: Nikolai Khomeriki’s A Tale About Darkness (2009) 非知识与象征模式:尼古拉·霍梅里基的《黑暗的故事》(2009)
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-010
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引用次数: 0
Filmography 影片集锦
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-018
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引用次数: 0
Figures 数据
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-001
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引用次数: 0
10 Intentionality and Modelled Subjectivities: Aleksei Fedorchenko’s Silent Souls (2010) 意向性与塑造的主体性:阿列克谢·费多尔琴科的《沉默的灵魂》(2010)
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-015
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引用次数: 0
Figures 数据
Contemporary Russian Cinema Pub Date : 2016-04-26 DOI: 10.1515/9781474407656-004
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引用次数: 0
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