Contemporary Womens Writing最新文献

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The Bloomsbury Handbook to Edwidge Danticat Edwidge Danticat的Bloomsbury手册
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-06-25 DOI: 10.5040/9781350123557
Cai Yi
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引用次数: 0
“Only a Bird in a Gilded Cage”: Avianthropes and the Embodiment of the Canorographic Voice in Angela Carter’s “The Erl-King” and Nights at the Circus “只有一只鸟在镀金的笼子里”:在安吉拉·卡特的“Erl-King”和《马戏团的夜晚》中,鸟类和声乐的化身
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-05-17 DOI: 10.1093/CWW/VPAB008
Polly Paulusma
{"title":"“Only a Bird in a Gilded Cage”: Avianthropes and the Embodiment of the Canorographic Voice in Angela Carter’s “The Erl-King” and Nights at the Circus","authors":"Polly Paulusma","doi":"10.1093/CWW/VPAB008","DOIUrl":"https://doi.org/10.1093/CWW/VPAB008","url":null,"abstract":"\u0000 Renowned for her fiction, Angela Carter was also a folk singer in the 1960s, played English concertina, and cofounded a folk club. A newly unearthed archive of her notes, musical notations, and recordings provides a window into her folk song praxis. When juxtaposed with her diaries, album sleeve notes, and unpublished papers, a new understanding of Carter’s writing processes emerges. This essay explores her “canorographic” writing or “songful” writing, embodied in avianthropes: the bird-girls in “The Erl-King” and Fevvers in Nights at the Circus. I compare Child Ballad “Lady Isabel and the Elf-Knight,” Ovid’s Philomel, and Petrarch’s nightingale with Carter’s bird-women to show how her tropes transcode the singing voice into prose, disclosing the porous boundaries between literature and song and reimagining prose as performance.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47380890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bodies of Information: Intersectional Feminism and Digital Humanities 信息的主体:交叉的女权主义和数字人文
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-05-04 DOI: 10.1093/CWW/VPAB011
Hannah Ackermans
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引用次数: 0
Unlikely Angel: The Songs of Dolly Parton 不可能的天使:多莉·帕顿之歌
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-04-28 DOI: 10.1093/CWW/VPAB006
H. Riley
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引用次数: 1
Ad Singularitatem: Multiplicity, Commonplaced Selves, and Miscellanies in Siri Hustvedt’s The Blazing World 广告奇点:Siri Hustvedt的《灼热的世界》中的多重性、共有选择和杂录
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-04-28 DOI: 10.1093/CWW/VPAB009
I. Ha
{"title":"Ad Singularitatem: Multiplicity, Commonplaced Selves, and Miscellanies in Siri Hustvedt’s The Blazing World","authors":"I. Ha","doi":"10.1093/CWW/VPAB009","DOIUrl":"https://doi.org/10.1093/CWW/VPAB009","url":null,"abstract":"\u0000 This essay focuses on the intertextual engagement of Siri Hustvedt’s The Blazing World with Margaret Cavendish’s seventeenth-century fiction. Going beyond a single-text reading, the essay argues that Hustvedt’s critical interventions in the making of a woman’s subjectivity—paratextual and intermedial—are informed by early modern manuscript culture and ekphrasis. As commonplacing affords opportunities for a compiler to assume plural voices, the commonplace books created by Burden, the protagonist, present a nuanced unfolding of a woman’s subjectivity on textual and visual levels. Notably, Burden’s self-fashioning and ensuing self-dissolution are prompted by deep-seated anger. Hustvedt, even in the face of her protagonist’s tragic end, celebrates the multiplicity that attends a woman’s heroic journey in attaining singularity.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CWW/VPAB009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44933020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rethinking the Victim: Gender and Violence in Contemporary Australian Women’s Writing 反思受害者:当代澳大利亚女性写作中的性别与暴力
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-04-28 DOI: 10.1093/cww/vpab012
G. Whitlock
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引用次数: 3
Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures 重新定位童话:跨文化的当代改编
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-04-21 DOI: 10.1093/CWW/VPAB010
Anna Kérchy
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引用次数: 0
A Visit from the Goon Squad Reread 《打手小队的来访》重读
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-04-05 DOI: 10.1093/CWW/VPAB007
M. Power
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引用次数: 1
The Spatial Politics of Nation-Building: Minority Women Writers in Anglophone Malaysian and Singapore Literatures 国家建设的空间政治:马来西亚和新加坡英语文学中的少数民族女作家
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-03-01 DOI: 10.1093/CWW/VPAB003
A. Poon
{"title":"The Spatial Politics of Nation-Building: Minority Women Writers in Anglophone Malaysian and Singapore Literatures","authors":"A. Poon","doi":"10.1093/CWW/VPAB003","DOIUrl":"https://doi.org/10.1093/CWW/VPAB003","url":null,"abstract":"\u0000 This article considers the spatial politics of nation-building in two novels by ethnic minority women writers from Malaysia and Singapore. Preeta Samarasan’s Evening Is the Whole Day depicts the claustrophobic Rajasekharan household, showing how the perversion of the patriarchal heteronormative family is linked to the restrictive ethno-nationalism of a new Malaysian nation and its betrayal of its ethnic minority subjects. In Balli Kaur Jaswal’s Inheritance, ethnic minority subjects have a place in the fast-developing new nation of Singapore because of its official multiracialism but only if they are quiescent, conform to sexual norms, and are not hampered by disability. Both writers question the historical building of national norms, arguing for a remapping of the nation’s spaces in the name of more equitable and inclusive futures.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CWW/VPAB003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44899916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Contemporary Women’s Post-Apocalyptic Fiction 当代女性后启示小说
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2021-02-23 DOI: 10.1093/CWW/VPAB005
Heather J. Hicks
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引用次数: 0
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