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The Lawyer in Dickens by Franziska Quabeck (review) 弗兰兹卡·奎贝克《狄更斯的律师》(书评)
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0007
Robert Sirabian
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引用次数: 0
Charles Dickens, Charles Babbage, Richard Babley: Material Memory in David Copperfield 查尔斯·狄更斯、查尔斯·巴贝奇、理查德·巴布利：大卫·科波菲尔的物质记忆
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0003
Lanya Lamouria
{"title":"Charles Dickens, Charles Babbage, Richard Babley: Material Memory in David Copperfield","authors":"Lanya Lamouria","doi":"10.1353/dqt.2023.0003","DOIUrl":"https://doi.org/10.1353/dqt.2023.0003","url":null,"abstract":"Abstract:This article argues that Dickens's David Copperfield (1850) elaborates a remarkable theory of individual and collective memory. On the one hand, Dickens embraces the idea, conventional in early Victorian psychology and philosophy, of the mind as a palimpsest that contains a permanent record of an individual's experiences. On the other, he extends this belief in the indelibility of memory to matter, proposing that the material world functions as a palimpsest of collective history that interacts in uncanny ways with individual recollection. I propose that Dickens's account of material memory adapts mathematician Charles Babbage's hypothesis that the totality of human speech and action is encoded as atomic vibrations in the earth, air, and ocean. In Copperfield, Dickens uses Mr. Dick to explore the implications of Babbage's theory for realist fiction, which, in representing the contemporary world, bears an overwhelming responsibility for the collective history that pervades it.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"64 - 82"},"PeriodicalIF":0.6,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47809594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David Copperfield, Émile, and the Legacy of Enlightenment Education Literature 大卫·科波菲尔、埃米尔与启蒙教育文学的遗产
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0000
Benjamin D. O'Dell, James Armstrong, Kathryne Ford, Lanya Lamouria, J. Parrott, D. Rainsford, T. Wagner, Robert Sirabian, M. Allen-Emerson
{"title":"David Copperfield, Émile, and the Legacy of Enlightenment Education Literature","authors":"Benjamin D. O'Dell, James Armstrong, Kathryne Ford, Lanya Lamouria, J. Parrott, D. Rainsford, T. Wagner, Robert Sirabian, M. Allen-Emerson","doi":"10.1353/dqt.2023.0000","DOIUrl":"https://doi.org/10.1353/dqt.2023.0000","url":null,"abstract":"Abstract:The Bildungsroman is a genre concerned with the construction of the individual's relationship with society. Critics have often associated Victorian Bildungsromane with the loss of agency as ideological forces funnel literary characters (and, by extension, their readers) through a series of conventional plot points designed to reinforce a fairly conservative set of middle-class values. This essay complicates such readings by pairing Charles Dickens's paradigmatic Victorian Bildungsroman David Copperfield (1850) with Jean-Jacques Rousseau's progenitor to the genre, Émile (1762). I suggest that setting Dickens's novel against the more philosophically dense and overtly confrontational Émile highlights David Copperfield's vexed relationship with established social codes, supplying the foundation for an important reconsideration of the Bildungsroman's role in subject formation.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"107 - 108 - 112 - 112 - 116 - 116 - 121 - 127 - 130 - 27 - 28 - 3 - 4 - 44 - 45 - 5 - 63 - 64 - 7 -"},"PeriodicalIF":0.6,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42006924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dickens Checklist 狄更斯的清单
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0005
D. Rainsford
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引用次数: 0
Dickensian Divisions: David Copperfield's "Hero[ine] of my own life" 狄更斯式的划分:大卫·科波菲尔的“我生命中的英雄”
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0002
Kathryne Ford
{"title":"Dickensian Divisions: David Copperfield's \"Hero[ine] of my own life\"","authors":"Kathryne Ford","doi":"10.1353/dqt.2023.0002","DOIUrl":"https://doi.org/10.1353/dqt.2023.0002","url":null,"abstract":"Abstract:This article explores how Charles Dickens's failed romance with Maria Beadnell–which drove him to burn his early autobiographical attempt–haunts his fictional life-writing novel David Copperfield. Maria's rejection intensified Dickens's previous traumas of the blacking warehouse and his father's imprisonment–subsequently producing a type of Freudian split self that I term the Dickensian hero/protagonist split. David is the novel's protagonist, but Agnes is its hero/ine. These divisions underscore Dickens's overarching preoccupations with legacy, and his notoriously fraught relationship with the life-writing genre. Agnes may not be a figure modern readers can admire; however, her position as hero/ine in David Copperfield's history nonetheless illuminates Dickens's own traumas, manifested in David's insecurities about heroism and narrative legacy.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"45 - 63"},"PeriodicalIF":0.6,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47930422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bite the Hand that Reads: Dickens, Animals and Sanitary Reform by Terry Scarborough (review) 《咬紧牙关：狄更斯，动物与卫生改革》，Terry Scarborough著（评论）
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0008
M. Allen-Emerson
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引用次数: 0
The Tramp in British Literature, 1850–1950 by Luke Lewin Davies, and: Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture by Alistair Robinson (review) 卢克·勒文·戴维斯（Luke Lewin Davies）的《1850–1950年英国文学中的流浪汉》（The Tramp in British Literature，1850–1950）和阿利斯泰尔·罗宾逊（Alistair Robinson）的《维多利亚时代的流浪：在19世纪文学和文化中代表流浪穷人》
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0006
T. Wagner
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引用次数: 0
Electrical Undercurrents in David Copperfield 大卫·科波菲尔的电气暗流
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0004
J. Parrott
{"title":"Electrical Undercurrents in David Copperfield","authors":"J. Parrott","doi":"10.1353/dqt.2023.0004","DOIUrl":"https://doi.org/10.1353/dqt.2023.0004","url":null,"abstract":"Abstract:The evolution in spring 1849 of Dickens's new eponym is traced, showing that the link between \"Mag\" (as \"halfpenny\") and \"Copperfield\" is not merely metallic but electrical. The forename \"David\" is also interrogated, revealing Humphry Davy as a major inspiration, and Robert Hunt's 1848 work The Poetry of Science as Dickens's immediate source for his knowledge of recent scientific advances. The researches of both Davy and Michael Faraday are also shown to lie behind the newly-coined name \"Copperfield.\" The discussion moves on to reveal how the name \"Uriah Heep\" encodes a number of key significations that link the character to David Copperfield and contemporary scientific developments in previously unsuspected ways, as well as to the electrically-sparked monster in Mary Shelley's Frankenstein.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"107 - 83"},"PeriodicalIF":0.6,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43055060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the Editor 来自编辑
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0010
D. Rainsford
{"title":"From the Editor","authors":"D. Rainsford","doi":"10.1353/dqt.2023.0010","DOIUrl":"https://doi.org/10.1353/dqt.2023.0010","url":null,"abstract":"","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"5 - 7"},"PeriodicalIF":0.6,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47799852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"In a Dark Wig": Reinventing Byron as Steerforth in David Copperfield 《戴着黑假发》:拜伦在《大卫·科波菲尔》中扮演斯提福兹
IF 0.6 1区 文学
DICKENS QUARTERLY Pub Date : 2023-02-22 DOI: 10.1353/dqt.2023.0001
James Armstrong
{"title":"\"In a Dark Wig\": Reinventing Byron as Steerforth in David Copperfield","authors":"James Armstrong","doi":"10.1353/dqt.2023.0001","DOIUrl":"https://doi.org/10.1353/dqt.2023.0001","url":null,"abstract":"Abstract:Victorians like Charles Dickens both lauded the Romantic poets as heroes and deplored them for their loose morals. No figure caused more consternation for the Victorians than Lord Byron, a figure Dickens reimagined as James Steerforth in his novel David Copperfield. The character's tragedy re-enacts the ambivalent and highly charged relationship Victorians had with Byron, the most notorious hero–villain of the Romantic era. The ambiguous portrayal of Steerforth, constantly viewed through the worshipful eyes of David, reflects a broader coming to terms with the past that Victorian Britain sought to undertake in re-evaluating the heroic but problematic legacy of the Romantic era.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"28 - 44"},"PeriodicalIF":0.6,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45905390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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