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Music Sound and the Moving Image最新文献

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Finding the Film Archive: A Comparison between Milan and Canberra in Times of COVID-19 寻找电影资料馆:新冠肺炎时代的米兰与堪培拉比较
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-18 DOI: 10.5749/movingimage.19.2.0096
Victoria Duckett
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引用次数: 0
Zoom Interview with Matteo Pavesi Zoom采访Matteo Pavesi
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-18 DOI: 10.5749/movingimage.19.2.0099
Victoria Duckett
{"title":"Zoom Interview with Matteo Pavesi","authors":"Victoria Duckett","doi":"10.5749/movingimage.19.2.0099","DOIUrl":"https://doi.org/10.5749/movingimage.19.2.0099","url":null,"abstract":"ies/to-infinity-and-beyond-netflix-a-guide-to -free-movies-online-20200420-p54lhs.html. 4. See https://www.smh.com.au/culture/thea tre/top-arts-leaders-use-industry-roundtable -to-call-for-rescue-package-20200515-p54ta4 .html. 5. See https://www.cinetecamilano.it/. 6. Matteo Pavesi, Zoom interview with the author, April 22, 2020, translation mine. 7. See https://apnews.com/e8187ca922bbc 63541581ace1535a769. 8. See https://www.eventiatmilano.it/evento /festival-cinema-svizzero-contemporaneo/. 9. See https://timeline.nfsaa.com/deadline -2025/. Zoom Interview with Matteo Pavesi","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"67 1","pages":"107 - 99"},"PeriodicalIF":0.1,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86812158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"When I Saw My First DVD, I Knew It Was All Over" “当我看到我的第一张DVD时，我知道一切都结束了。”
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-18 DOI: 10.5749/movingimage.19.2.0083
T. Goldman, Kit Parker
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引用次数: 0
Market Research as Portraiture: Thomas Hope Sketches the Audiovisual Industry 市场研究的肖像:托马斯·霍普勾勒的音像产业
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-18 DOI: 10.5749/movingimage.19.2.0001
Kit Hughes
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引用次数: 0
Zoom Interview with Meg Labrum 对Meg Labrum的Zoom采访
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-18 DOI: 10.5749/movingimage.19.2.0108
Victoria Duckett
{"title":"Zoom Interview with Meg Labrum","authors":"Victoria Duckett","doi":"10.5749/movingimage.19.2.0108","DOIUrl":"https://doi.org/10.5749/movingimage.19.2.0108","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"147 1","pages":"108 - 118"},"PeriodicalIF":0.1,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80581918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rescuing The Gunfighter: A Lost Film Reconstructed from an Ancient Home Movie Edition 拯救枪手:一部从古代家庭电影版重建的失落电影
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-18 DOI: 10.5749/movingimage.19.2.0071
Christopher D. Bird
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引用次数: 0
Contributors to Issue 14:2 Issue 14:2的贡献者
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-01 DOI: 10.3828/msmi.2020.11
{"title":"Contributors to Issue 14:2","authors":"","doi":"10.3828/msmi.2020.11","DOIUrl":"https://doi.org/10.3828/msmi.2020.11","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"76 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83847772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonic Space and Echoes of the Flesh: Textual and Phenomenal Readings of Gravity 声波空间和肉的回声：引力的文本和现象解读
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-01 DOI: 10.3828/MSMI.2020.8
A. Walker
{"title":"Sonic Space and Echoes of the Flesh: Textual and Phenomenal Readings of Gravity","authors":"A. Walker","doi":"10.3828/MSMI.2020.8","DOIUrl":"https://doi.org/10.3828/MSMI.2020.8","url":null,"abstract":"Abstract:This essay argues that the cinematic experience for audiences be reconsidered as a cinesomatic experience. Theorists such as Vivian Sobchack (1992; 2000; 2005) and Jennifer Barker (2009) have done much to conceptualise and theorise a sensory, embodied experience of cinema. These scholars, mainly drawing from either a Merleau-Pontian phenomenology or a Spinozist/Deleuzian theory of affect, have led the wave of new writings probing the ways in which audience engagement with film is corporeal. Their work explores cinema in terms of visual and haptic engagements, congruous with a broader move in scholarship towards the sensorial. However, despite the growth of embodied film theory in recent years, there is an even greater need to take the sensorial model of cinema spectatorship to film sound. This essay addresses cinema sound in specifically corporeal terms, demonstrating how audience experiences of film sound can be reconsidered as cinesomatic. By drawing a textual and phenomenological reading of the sound design in Gravity (Alfonso Cuarón, 2013), this essay aims to reveal new insights into the materially rich experience of a film's soundtrack and demonstrate how a multiplicity of 'narratives' converge during and beyond the cinema encounter.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"14 1","pages":"119 - 139"},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47022513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
One Does Not Simply Walk into Mordor: Sound and Music as Suture in the Opening Sequences of Peter Jackson's Middle-earth Films 一个人不能简单地走进魔多:声音和音乐作为缝线在彼得·杰克逊的中土电影的开头序列
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-01 DOI: 10.3828/MSMI.2020.7
Daniel White
{"title":"One Does Not Simply Walk into Mordor: Sound and Music as Suture in the Opening Sequences of Peter Jackson's Middle-earth Films","authors":"Daniel White","doi":"10.3828/MSMI.2020.7","DOIUrl":"https://doi.org/10.3828/MSMI.2020.7","url":null,"abstract":"Abstract:The opening sequences of narrative films are perhaps the most important moments for establishing a coherent film-world and drawing a viewer into a space and time often quite different from their own, and yet these moments remain largely untheorised within film studies and film music theory in particular. This article analyses the uses of music and sound in the opening sequences of Peter Jackson's Middle-earth trilogies: The Lord of the Rings (2001–2003) and The Hobbit (2009–2011). The paratextual nature of opening sequences might lead us to understand them as theoretical gateways or airlocks, but it is the psychoanalytical concept of suture that proves most effective in theorising music's dual roles in drawing an audience into a film-world and simultaneously building that world around them. This paper's motivic and harmonic investigation draws particularly on Scott Murphy's theories of transformational analysis to understand the different ways that musical language can be established as a form of cinematic suture.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"14 1","pages":"117 - 93"},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49135382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Music, Sound, and the Moving Image: Volume 14, Issue 2 音乐，声音和运动图像:第14卷，第2期
IF 0.1
Music Sound and the Moving Image Pub Date : 2020-12-01 DOI: 10.3828/msmi.2020.14.issue-2
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引用次数: 0
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