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Zelenka and the Combinative Impulse: Contrapuntal Techniques in the Miserere in D Minor, ZWV 56 泽伦卡与组合冲动:D小调《悲惨》中的对位技巧,第56卷
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1703488
D. Collins
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引用次数: 0
Bachii, Musici Lips. laus: Bach in a Philological Footnote Bachii, Musici Lips。劳斯:《语言学脚注中的巴赫》
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1696164
R. Leaver
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引用次数: 0
Editorial Note 编者按语
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1738626
Kerry Murphy, Frederic Kiernan, Andrew Frampton
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引用次数: 0
The Continuing Necessity of Primary Archival Research: A Personal Reflection 初级档案研究的持续必要性:个人反思
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1696161
D. Irving
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引用次数: 0
Foreword 前言
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1699004
Kerry Murphy, Ian Burk
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引用次数: 0
Sharing Resources: J.F. Fasch, J.S. Bach and Princely Funeral Music at the Courts of Anhalt-Zerbst and Anhalt-Köthen 资源共享:J.F. Fasch, J.S. Bach和王子葬礼音乐在安哈尔特-泽布斯特宫廷和Anhalt-Köthen
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1703474
B. Reul
{"title":"Sharing Resources: J.F. Fasch, J.S. Bach and Princely Funeral Music at the Courts of Anhalt-Zerbst and Anhalt-Köthen","authors":"B. Reul","doi":"10.1080/08145857.2019.1703474","DOIUrl":"https://doi.org/10.1080/08145857.2019.1703474","url":null,"abstract":"This article investigates how the two musically most active courts in Anhalt, Kothen and Zerbst, shared human and musical resources during the first half of the eighteenth century. Emphasis will be...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1703474","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44164729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fourth-Class Wine from Bietigheim? Employment Conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736 比提格海姆的四等酒?符腾堡法院的卢滕主义者Maria Dorothea St.Pierre和瓦尔德霍恩主义者Franz Anton Spurni的就业条件,约1719–1736年
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1696163
S. Owens
{"title":"Fourth-Class Wine from Bietigheim? Employment Conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736","authors":"S. Owens","doi":"10.1080/08145857.2019.1696163","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696163","url":null,"abstract":"In 1752, the soprano Maria Dorothea Wendling (nee Spurni) and her husband, the celebrated flautist Johann Baptist Wendling, were both engaged as musicians at the Mannheim court of Elector Carl Theo...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696163","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46924951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zelenka, Palestrina and the Art of Arrangement: A New Manuscript Fragment 帕莱斯特里纳与排列艺术:一个新的手稿片段
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1699003
Andrew Frampton
{"title":"Zelenka, Palestrina and the Art of Arrangement: A New Manuscript Fragment","authors":"Andrew Frampton","doi":"10.1080/08145857.2019.1699003","DOIUrl":"https://doi.org/10.1080/08145857.2019.1699003","url":null,"abstract":"A set of miscellaneous eighteenth-century manuscripts held in the music collection of the Sachsische Landesbibliothek – Staats- und Universitatsbibliothek Dresden (SLUB) has recently yielded severa...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1699003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47390619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Musical Entries in the Dresden Account Books of Saxon Electress and Polish Queen Maria Josepha, 1720–1757 萨克森女伯爵和波兰王后玛丽亚·约瑟芬的德累斯顿账簿中的音乐条目,1720–1757
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1696160
J. Ágústsson
{"title":"The Musical Entries in the Dresden Account Books of Saxon Electress and Polish Queen Maria Josepha, 1720–1757","authors":"J. Ágústsson","doi":"10.1080/08145857.2019.1696160","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696160","url":null,"abstract":"When the newly wed princely couple Friedrich August and Maria Josepha made their public entry into the Saxon capital on 2 September 1719, the Dresden Jesuits described it as ‘an absolutely golden d...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696160","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42694393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Kyrie of Bach’s B Minor Mass: Music for the 1733 Leipzig Erbhuldigung? Translated by Susanne Haring 巴赫B小调弥撒曲:1733年莱比锡Erbhuldigung的音乐?苏珊娜·哈林译
Musicology Australia Pub Date : 2019-07-03 DOI: 10.1080/08145857.2019.1696159
M. Maul
{"title":"The Kyrie of Bach’s B Minor Mass: Music for the 1733 Leipzig Erbhuldigung? Translated by Susanne Haring","authors":"M. Maul","doi":"10.1080/08145857.2019.1696159","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696159","url":null,"abstract":"The origins of Johann Sebastian Bach’s B minor Mass have long been a matter of great interest in Bach research. The questions surrounding the work concern not only its final form of 1749 but also i...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696159","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43094865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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