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John orpe and the artists in Rome: the role of correspondences between patrimonial conscience and self-promotional strategies 约翰·奥普与罗马艺术家:世袭意识与自我推销策略之间的对应作用
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/91040
C. Mazzarelli
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引用次数: 0
«All a!er Raphael». Investigations on the letters of Ludwig Grüner to Nicola Consoni. London, Dresden, Rome. 1842-1877 «一个!er拉斐尔»。路德维希·格拉<e:1>内写给尼古拉·康森尼的信件调查。1842-1877年，伦敦，德累斯顿，罗马
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/91041
G. Capitelli
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引用次数: 0
A short story of failures. Protection attempts of structural engineering in Rome 一个关于失败的小故事。罗马结构工程的保护尝试
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/92092
T. Iori
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引用次数: 0
The artist at the writing-desk 写字台前的艺术家
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/91038
Serenella Rolfi Ožvald
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引用次数: 0
The last letter of Justus Lipsius to Ascanio Colonna: Philip Rubens, the roman circle and the neo-stoic ideal of lifestyle shared with his younger brother Peter Paul 尤斯图斯·利普修斯给阿斯卡尼奥·科隆纳的最后一封信:菲利普·鲁本斯，罗马圈子和新斯多葛派理想的生活方式与他的弟弟彼得·保罗分享
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/89843
Cecilia Paolini
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引用次数: 0
A masterpiece by Alonso Cano: the Incarnation of Granada cathedral 阿隆索·卡诺的杰作:格拉纳达大教堂的化身
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/91045
M. A. Coloma, Luis Rodrigo Rodríguez Simón
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引用次数: 0
Critical-interpretative reading of mongolian religious landscapes 蒙古宗教景观的批判解读
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/92097
Nicola Scardigno
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引用次数: 0
Nineteenth-century Baroque: genres and iconographies 19世纪巴洛克风格:流派和肖像
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/89839
A. Bacchi
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引用次数: 0
Le Crucifixion by Lorenzo Lotto in Monte San Giusto. Chronology 洛伦佐·乐透在圣阿洛山的十字架。Chronology
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/91044
G. Angelucci
{"title":"Le Crucifixion by Lorenzo Lotto in Monte San Giusto. Chronology","authors":"G. Angelucci","doi":"10.7374/91044","DOIUrl":"https://doi.org/10.7374/91044","url":null,"abstract":"","PeriodicalId":41643,"journal":{"name":"RICERCHE DI STORIA DELL ARTE","volume":"67 1","pages":"68-78"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73578874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Florence to Aranjuez: the cultural visit by Cosimo III de' Medici to the Royal Palace 从佛罗伦萨到阿兰胡埃斯:科西莫三世·德·美第奇对皇宫的文化访问
4区 艺术学
RICERCHE DI STORIA DELL ARTE Pub Date : 2018-01-01 DOI: 10.7374/89844
Miguel Taín Guzmán
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引用次数: 0
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