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The Naturalness of Naturalism reconsidered 重新思考自然主义的自然性
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604400
Viljo Lukkarinen
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引用次数: 0
Zu den versöhnlicheren alternativen der vanitasmalerei 其实香草图的比较便宜的选择
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604404
Patrik Reuterswärd
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引用次数: 0
The Mysterious “Nejlikan” Revisited 神秘的“内伊利肯”再次出现
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604406
M. Milman
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引用次数: 0
Earthly Saints: The concordance of Flemish and Florentine art in the fifteenth century 地上的圣徒:15世纪佛兰德和佛罗伦萨艺术的一致性
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604409
S. Blum
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引用次数: 0
The Tempest again: Giorgione's “Ingegno” 再来一次暴风雨:乔尔乔内的《Ingegno》
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604397
Avigdor W. G. Poséq
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引用次数: 0
“Drottning Margaretas gyllene kjortel"—än en gång
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604396
A. Danielsson
{"title":"“Drottning Margaretas gyllene kjortel\"—än en gång","authors":"A. Danielsson","doi":"10.1080/00233609608604396","DOIUrl":"https://doi.org/10.1080/00233609608604396","url":null,"abstract":"Summary Queen Margaret's Golden Gown—once again. The theory that the Uppsala gown can be dated to the 14th century is no longer tenable. This is clearly demonstrated by Docent Goran Possnert's Appendix to the latest work on the subject published by the Royal Academy of Letters, History and Antiquities: Geijer—Franzen—Nockert, Drottning Margaretas gyllene kjortel i Uppsala domkyrka revised by M. Nockert (Stockholm 1994, pp. 115–120, 137; subsequently referred to as G‐F‐N in this article).1 By subjecting silk and linen threads from this gown to the 14C test, the The Svedberg Laboratory at Uppsala has been able to date the material to the years 1403–1439. Nota bene that this applies only to the age of the threads, not to when the gown was made. As, however, there is no telling what future scientific discoveries may reveal, Possnert has urged me to publish the results of my research once more,2 even though they cannot be fitted into the period mentioned above but rather point to the 1460s, i.e., a few decades...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84906676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Documents Regarding a Meunier Sculpture in Stockholm 关于斯德哥尔摩莫尼耶雕塑的新文件
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604398
Michelle Facos
{"title":"New Documents Regarding a Meunier Sculpture in Stockholm","authors":"Michelle Facos","doi":"10.1080/00233609608604398","DOIUrl":"https://doi.org/10.1080/00233609608604398","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75406708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chance Meetings of Umbrellas with Sewing-Machines: some Reflections on the Object, the Table and the Tableau in 20th Century Art." Paper delivered at the Still Life Symposium, Nationalmuseum, 3.4 1995. 雨伞与缝纫机的偶遇:对20世纪艺术中物体、桌子和画面的一些思考论文发表于静物研讨会,国家博物馆,1995年4月。
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604408
Torsten Weimarck
{"title":"Chance Meetings of Umbrellas with Sewing-Machines: some Reflections on the Object, the Table and the Tableau in 20th Century Art.\" Paper delivered at the Still Life Symposium, Nationalmuseum, 3.4 1995.","authors":"Torsten Weimarck","doi":"10.1080/00233609608604408","DOIUrl":"https://doi.org/10.1080/00233609608604408","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80319248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anders Zorns zwei Porträts von Max Liebermann 麦克斯·利柏曼的两篇肖像
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604416
C. Lengefeld
{"title":"Anders Zorns zwei Porträts von Max Liebermann","authors":"C. Lengefeld","doi":"10.1080/00233609608604416","DOIUrl":"https://doi.org/10.1080/00233609608604416","url":null,"abstract":"Summary in English Anders Zorn's two portraits of Max Liebermann. From the Parisian and Berlin art world of the 1890's. In the 1880's the German artist Max Liebermann (1847–1935) went to Paris regularly, both to keep in contact with the Parisian art world and to see his own pictures on view there. He made friends with Scandinavian artists, among others the Finns Albert Edelfelt and Ville Vallgren, the Norwegian Frits Thaulow and the Dane P.S. Kroyer. But above all he appreciated the Swedish artist Anders Zorn (1860–1920) whom Liebermann leatnt to know in 1888 or 1889 and whom he was to support in later Berlin years when he had become an influential personage as president of the Berlin Secession (from 1899). Liebermann and Zorn harmonized from the beginning in their opinion about art and artists. They both admired Rembrandt and Frans Hals, but particularly they took the same view of contemporary art. This means that they rejected the academic style and disliked avantgarde symbolism as well, whereas they mo...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78124549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Look at the Over‐Looked 看看被忽视的人
IF 0.3 2区 艺术学
KONSTHISTORISK TIDSKRIFT Pub Date : 1996-01-01 DOI: 10.1080/00233609608604407
Charlotte Christensen
{"title":"A Look at the Over‐Looked","authors":"Charlotte Christensen","doi":"10.1080/00233609608604407","DOIUrl":"https://doi.org/10.1080/00233609608604407","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84299937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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