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Waters Wisdoms: Honoring and Reclaiming Indigenous and Ancestral Practices in the Face of Climate Disaster 水的智慧：面对气候灾难，尊重并恢复土著和祖先的习俗
the Black Theatre Review Pub Date : 2024-03-26 DOI: 10.2458/tbtr.6054
Ann Mazzocca Bellecci
{"title":"Waters Wisdoms: Honoring and Reclaiming Indigenous and Ancestral Practices in the Face of Climate Disaster","authors":"Ann Mazzocca Bellecci","doi":"10.2458/tbtr.6054","DOIUrl":"https://doi.org/10.2458/tbtr.6054","url":null,"abstract":"Waters Wisdoms: Honoring and Reclaiming Indigenous and Ancestral Practices in the Face of Climate Disaster is a film that centers Indigenous American and African embodied epistemologies as a response to the global climate crisis, in particular sea level rise. this film intends to honor global Indigenous embodied knowledges, the process of reclaiming ancestral heritages, and recognition of/reconnection to the harmony of the earth and our place not just within but as nature – toward viable futurity together.","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"120 46","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140378672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editor-in-Chief: Introduction to the Black Theatre Review, Environmentalism 主编：黑人戏剧评论》、《环境主义》导言
the Black Theatre Review Pub Date : 2024-03-26 DOI: 10.2458/tbtr.6055
O. Green
{"title":"Editor-in-Chief: Introduction to the Black Theatre Review, Environmentalism","authors":"O. Green","doi":"10.2458/tbtr.6055","DOIUrl":"https://doi.org/10.2458/tbtr.6055","url":null,"abstract":"the Black Theatre Review takes up the theme of environmentalism for Vol. 2.2. The contributors to this issue and some of the agents they cover through their work offer readers several considerations for why theatre as a medium is an important mode through which to explore this theme, namely its power to raise awareness about environmental issues, spark dialogue and encourage audiences to act within their communities.","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"119 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140380077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Afro-Iraqi Rituals: Stigma, Discrimination, and Resilience 非裔伊拉克人的仪式:耻辱、歧视和恢复力
the Black Theatre Review Pub Date : 2023-01-26 DOI: 10.2458/tbtr.5149
Amir Al-Azraki, Thawrah Yousif Yaqoob
{"title":"Afro-Iraqi Rituals: Stigma, Discrimination, and Resilience","authors":"Amir Al-Azraki, Thawrah Yousif Yaqoob","doi":"10.2458/tbtr.5149","DOIUrl":"https://doi.org/10.2458/tbtr.5149","url":null,"abstract":"Afro-Iraqis represent 5% of the Iraqi population (approximately two million people), and Iraq has been their home since the ninth century, as part of forced immigration due to the slave trade. Throughout their history, Afro-Iraqis have been subjected to oppression, racism, and discrimination. Their rituals–assembled from a broad mix of African diasporic lineages–have been disparaged as barbaric and irreligious. In addition to providing a brief history of Afro-Iraqis and anti-Black racism in Arab culture, this paper describes and examines the significance of Afro-Iraqi rituals and Afro-Iraqis’ resilience in facing stigmatization and discrimination in Iraq.","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121658558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Surrogacy: Topdog/Underdog and Suzan-Lori Parks’ Dramatic Aesthetic 《黑色代孕:强者/弱者》和苏珊-洛莉·帕克斯的戏剧美学
the Black Theatre Review Pub Date : 2023-01-26 DOI: 10.2458/tbtr.4781
L. R. Rogers
{"title":"Black Surrogacy: Topdog/Underdog and Suzan-Lori Parks’ Dramatic Aesthetic","authors":"L. R. Rogers","doi":"10.2458/tbtr.4781","DOIUrl":"https://doi.org/10.2458/tbtr.4781","url":null,"abstract":"Contemporary playwright, novelist , screenwriter, and educator Suzan-Lori Parks won the 2002 Pulitzer Prize for drama for her play Topdog/Underdog just a few days after the play debuted on Broadway. By then, many of her plays were already highly regarded, as evidenced by her prestigious collection of accolades, including a Guggenheim Fellowship, two Obie Awards, and a MacArthur Foundation “Genius Grant,” among others.Parks is recognized for her skill in reshaping themes from American history. She does so by manipulating images, language, and tropes that ultimately challenge convention. Reviewers praise her for creating plays in which compellingly articulate characters offer scathing social and political commentaries regarding their respective environments and circumstances. To stage such a commentary, Suzan-Lori Parks employs a dramatic technique that this essay classifies as \"Black Surrogacy.\"Black Surrogacy is the dramatic act of replacing white literary and historical figures with Black characters. Applied to Parks’ plays, it serves as a theoretical lens by which to scrutinize an American identity that is primarily rooted in white notions of itself. Through a comparative analysis of commendations on and critiques of Topdog/Underdog, Black Surrogacy calls into question this narrow identity configuration and demonstrates the ways in which the Pulitzer-Prize-winning play ultimately reinforces the very stereotypes that it seeks to counter.","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122689393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the Desk of the Editor-in-Chief 总编辑的办公桌上
the Black Theatre Review Pub Date : 2023-01-26 DOI: 10.2458/tbtr.5480
O. Green
{"title":"From the Desk of the Editor-in-Chief","authors":"O. Green","doi":"10.2458/tbtr.5480","DOIUrl":"https://doi.org/10.2458/tbtr.5480","url":null,"abstract":"","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"4a 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128200746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Constructing August Wilson: The Writer’s Landscape Permanent Exhibit Housed at Pittsburgh’s August Wilson African American Cultural Center An Insider’s View 建设奥古斯特·威尔逊:作家的景观永久展览设在匹兹堡的奥古斯特·威尔逊非裔美国人文化中心一个内部人士的观点
the Black Theatre Review Pub Date : 2023-01-26 DOI: 10.2458/tbtr.5364
S. Shannon
{"title":"Constructing August Wilson: The Writer’s Landscape Permanent Exhibit Housed at Pittsburgh’s August Wilson African American Cultural Center An Insider’s View","authors":"S. Shannon","doi":"10.2458/tbtr.5364","DOIUrl":"https://doi.org/10.2458/tbtr.5364","url":null,"abstract":"Leading August Wilson Scholar Dr. Sandra G. Shannon gives a detailed behind-the scenes account of her over-two-year role as Content Specialist for the August Wilson African American Cultural Center's permanent exhibit, AUGUST WILSON: THEWRITER’S LANDCAPE.","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127113036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Hidden Figure: Beth Turner and Black Masks at the Crossroads of Art, Pedagogy, and Innovation 一个隐藏的人物:贝丝·特纳和黑色面具在艺术，教育和创新的十字路口
the Black Theatre Review Pub Date : 2022-07-24 DOI: 10.2458/tbtr.4815
K. Y. Long
{"title":"A Hidden Figure: Beth Turner and Black Masks at the Crossroads of Art, Pedagogy, and Innovation","authors":"K. Y. Long","doi":"10.2458/tbtr.4815","DOIUrl":"https://doi.org/10.2458/tbtr.4815","url":null,"abstract":"This interview, with an introduction, chronicles Beth Turner's introduction to theatre, her work as a playwright, and her founding of Black Masks magazine. Like many periodicals, Black Masks, too, is a documentary magazine, thus capturing the people, plays, and moments that have shaped Black theatre and performance within the African Diaspora. As a result of its lengthy history and journalistic approach, Black Masks has traced the evolution of Black theatre for over 35 years. In particular, Black Masks has spotlighted pioneering and innovative theatre artists and practitioners, theater founders and administrators, and trailblazing teachers and scholars, who have received limited attention (and in some cases no attention at all) in other periodicals as well as in more traditional scholarly journals and collections.  ","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127720255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queering the Politics of Black Respectability in Plays of the Black Revolutionary Theatre 黑人革命剧院戏剧中的黑人体面政治
the Black Theatre Review Pub Date : 2022-07-24 DOI: 10.2458/tbtr.4777
K. Tift
{"title":"Queering the Politics of Black Respectability in Plays of the Black Revolutionary Theatre","authors":"K. Tift","doi":"10.2458/tbtr.4777","DOIUrl":"https://doi.org/10.2458/tbtr.4777","url":null,"abstract":"In this article, I analyze Ed Bullins's Clara’s Ole Man (1965) and Amiri Baraka's The Baptism (1964) to evince what black queer representation looked like in the hands of Black Revolutionary Theatre playwrights. I read Bullins and Baraka's one-act plays to engage in a discussion of black respectability politics from an historical perspective. I argue that movements for social change, theatrical or otherwise, if unchecked, erect a politics of respectability that limits the possibilities of collective progress toward revolutionary ends. I suggest that to trouble the potential rigidity of such politics (which can call for the inclusion of some at the expense of others), more representations of black experience should be considered and engaged with. In this article, I wanted to explore several question that arose for me early in my research on Black Queer Theatre: Are there dramatic narratives of the Black Arts Movement, and more specifically The Black Revolutionary Theatre, that include LGBTQ+ characters? If so, what are the limitations and possibilities of representations of black queerness in a 1960s black revolutionary context? To answer these questions, I critically analyze both plays using a black queer feminist theoretical lens. I identify how the plays use black queer characters to achieve the mission of the Black Revolutionary Theatre, and illustrate the ways in which this experiment merely reproduces black queer stereotypes","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123919699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
If All the World's a Stage, Why Are Some Left Out of the Spotlight? 如果世界是一个舞台，为什么有些人却无法成为人们关注的焦点?
the Black Theatre Review Pub Date : 2022-07-24 DOI: 10.2458/tbtr.4710
Cris Eli Blak
{"title":"If All the World's a Stage, Why Are Some Left Out of the Spotlight?","authors":"Cris Eli Blak","doi":"10.2458/tbtr.4710","DOIUrl":"https://doi.org/10.2458/tbtr.4710","url":null,"abstract":"","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131950846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Production Review: Skeleton Crew 制作回顾:骷髅队
the Black Theatre Review Pub Date : 2022-07-24 DOI: 10.2458/tbtr.4892
kb saine
{"title":"Production Review: Skeleton Crew","authors":"kb saine","doi":"10.2458/tbtr.4892","DOIUrl":"https://doi.org/10.2458/tbtr.4892","url":null,"abstract":"Theatre review of Dominique Morriseau's Skeleton Crew at the Manhattan Theatre Club's Samuel J. Friedman Theatre. The reviewer attended the January 26, 2022 opening night - which was a delayed opening due to COVID-19 complications. The theatrical production itself is centered in this review, but the author also addresses the global pandemic's impact on the process and on how the play is received in that specific cultural climate. ","PeriodicalId":414958,"journal":{"name":"the Black Theatre Review","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128197864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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