Interiors-Design Architecture Culture最新文献_第5页

Collecting fragility and time: A dialogue of decay and female spirituality 收集脆弱与时间：腐朽与女性精神的对话

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2020-11-22 DOI: 10.1080/20419112.2020.1852714

K. Lens, Koenraad van Cleempoel

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引用次数: 0

Home no.7 (a sample of) 7号回家(样本)

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2020-11-19 DOI: 10.1080/20419112.2020.1836804

E. Ioannidou

{"title":"Home no.7 (a sample of)","authors":"E. Ioannidou","doi":"10.1080/20419112.2020.1836804","DOIUrl":"https://doi.org/10.1080/20419112.2020.1836804","url":null,"abstract":"“Home” describes an intangible concept. It is the emotional and meaningful relationship between people and their familiar environment. In living conditions of individuation, temporariness and mobility, personal possessions gain utmost importance in the establishment of a sense of “home”. They become material icons of durability and continuity in everyday life which carry references to people, places, the past and, most importantly, to oneself – one’s identity and history. Home No. 7 (a sample of) is a practice-led study of this hypothesis. The project attempts to record and maintain a sample of a domestic interior – once regarded as “home” – created in the North Room on 262 Bethnal Green Road at the time it was about to be dismantled. The sample of ‘home’ is contained within a box. The interior of the box is divided into compartments, each of which holds a different means of registration: casts, cards, photos, samples, drawings and texts. The quasi-scientific way of registration aims at a clear presentation of the information recorded and an objective point of view. Yet, these means of objective recording inadvertently reveal personal systems of reference created by the inhabitant. The text that accompanies and reflects on the project discusses the relationship between an individual and his/her personal possessions drawing from the fields of anthropology, philosophy, history, critical theory and studies of material culture. Project and text attempt to understand the material “at home” constructed by one’s personal possessions and the immaterial “at home” created by their relationship to their owner.","PeriodicalId":41420,"journal":{"name":"Interiors-Design Architecture Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20419112.2020.1836804","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44627615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Wunderkammer-a (Wunderkammer + kamera) 神奇妙丽

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2020-11-19 DOI: 10.1080/20419112.2020.1836806

Brian M. Kelly

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引用次数: 0

The things we keep – an ethnographic study of material possessions in New York City 我们保存的东西——对纽约市物质财富的民族志研究

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2020-11-18 DOI: 10.1080/20419112.2020.1835239

S. Bennett

引用次数: 0

Small objects as a transmitter of telling stories of belonging and migration 小物件作为传递归属和迁徙故事的媒介

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2020-09-21 DOI: 10.1080/20419112.2020.1819095

Naomi Zouwer

{"title":"Small objects as a transmitter of telling stories of belonging and migration","authors":"Naomi Zouwer","doi":"10.1080/20419112.2020.1819095","DOIUrl":"https://doi.org/10.1080/20419112.2020.1819095","url":null,"abstract":"My parents migrated to Australia in the late 50 s, my father and his family from The Netherlands and my mother and her family from Finland. Once here they recreated their interiors to feel like they were in their homelands. I grew up in these spaces and have inherited some of the objects that adorned them. The experience of these interiors contribute to this essay as a reflection on domestic spaces and the collection of objects within them. I respond to these objects through my art practice and surround myself with them at home because they feel like they are part of me and have helped me construct my identity as a first-generation Australian. The small objects I have collected and the stories attached to them are central to my art practice and part of my daily life. A mixture of functional and non-functional items; precious in terms of memories, they are keepsakes, souvenirs, some are whole and some just fragments. My interest is not in valuable or rare collections, the art of collecting or museological practices, but rather, creating personal memory museums that deal with the migrant experience. The objects I selected were all diminutive, often no larger than the palm of an adult’s hand because I wanted to explore the intimacy inherent in small objects. The processes and applications used in the painting and textile works, capture and amplify the significance of everyday objects in the construction of identity. Material exploration, painting, drawing and textile practices allow insightful discoveries into experiences related to migration, and narratives of belonging. To place these in a critical context, I draw upon the writing of Svetlana Boym on migrants and their connections to objects and on Susan Stewart and Gaston Bachelard on souvenirs and miniatures.","PeriodicalId":41420,"journal":{"name":"Interiors-Design Architecture Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20419112.2020.1819095","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44249484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Introduction 介绍

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2019-05-04 DOI: 10.1080/20419112.2019.1671651

P. Kirkham, Sarah A. Lichtman

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引用次数: 0

Frederick Kiesler and virtual reality on the modernist stage and screen 弗雷德里克·基斯勒和现代主义舞台和银幕上的虚拟现实

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2019-05-04 DOI: 10.1080/20419112.2019.1665917

Laura Mcguire

引用次数: 1

Tilly Losch: tracing histories through interiors and film Tilly Losch:通过室内设计和电影追溯历史

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2019-05-04 DOI: 10.1080/20419112.2019.1673021

T. Gronberg

{"title":"Tilly Losch: tracing histories through interiors and film","authors":"T. Gronberg","doi":"10.1080/20419112.2019.1673021","DOIUrl":"https://doi.org/10.1080/20419112.2019.1673021","url":null,"abstract":"Tilly Losch is commemorated as an absent presence through two 1930s interiors commissioned by her then husband the art collector Edward James: Paul Nash’s design for a bathroom in James’s London town house and a patterned stair carpet ostensibly based on Losch’s wet footprints on leaving her bath. The Nash bathroom, no longer extant, has been recreated for exhibition purposes and the footprint carpet is now housed in West Dean College. Alongside accounts of these interior designs, where Losch appears elusively as the traces of her corporeal form, this essay juxtaposes histories of dance as a means of retrieving Losch’s persona as a professional performer. Well-known in her native Vienna (and subsequently internationally) as a ballet and contemporary dancer, during the 1930s Losch collaborated with the American designer Norman Bel Geddes on a short silent film of her ‘Dance of Hands’. As an aspect of Losch’s dance practice, this film is indicative of ways in which women performers of the period actively participated in the artistic avant-garde, deploying the iconography of body parts as a demonstration of feminine agency. For historians of visual culture, tracking traces of Tilly Losch across interiors and film prompts questions more broadly concerning the significance of different disciplinary historiographies with regard to both modernism and gender.","PeriodicalId":41420,"journal":{"name":"Interiors-Design Architecture Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20419112.2019.1673021","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48389325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“I noticed that his attention was fixed upon my clock:” masculinity and the queer film interior 我注意到他的注意力一直盯着我的钟:“男子气概和奇怪的电影内心。

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2019-05-04 DOI: 10.1080/20419112.2019.1673009

Alice T. Friedman

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引用次数: 0

The Diary of Anne Frank: staging the Secret Annex and designs for an adolescent interior 安妮·弗兰克日记：上演秘密附件和青少年室内设计

IF 0.1 4区艺术学

Interiors-Design Architecture Culture Pub Date : 2019-05-04 DOI: 10.1080/20419112.2019.1671650

Sarah A. Lichtman

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引用次数: 0