Our Gigantic ZooPub Date : 2020-01-23DOI: 10.1093/oso/9780199843671.003.0004
Thomas M. Lekan
{"title":"Thinking Locally, Acting Globally","authors":"Thomas M. Lekan","doi":"10.1093/oso/9780199843671.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780199843671.003.0004","url":null,"abstract":"This chapter examines the frictions that emerged as the Grzimeks spoke on behalf of the world’s animals (and peoples) from their situatedness as celebrity scientists in West Germany. No Room for Wild Animals won over most critics and filmgoers because its doomsday portrayals of African endangerment projected European conservative anxieties about the perceived dark side of the “economic miracle” at home: the social dislocations of urbanization, the loss of traditional ways by mindless consumerism, and the pollution of land and water. The film energized discussions about how citizens of the Federal Republic might escape the diseases of civilization by creating their own national parks and outdoor zoos. The Grzimeks’ portrayals of reckless safaris in Africa, however, riled Germany’s conservation-minded hunters, who accused the pair of dramatizing wildlife endangerment to make a profit. Bernhard triumphed over his critics, but the public debates had raised uncomfortable memories of the German imperial origins of Africa’s game reserves and national parks that appeals to “global heritage” never resolved.","PeriodicalId":414155,"journal":{"name":"Our Gigantic Zoo","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123162125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Our Gigantic ZooPub Date : 2020-01-23DOI: 10.1093/oso/9780199843671.003.0005
Thomas M. Lekan
{"title":"Serengeti Shall Not Die","authors":"Thomas M. Lekan","doi":"10.1093/oso/9780199843671.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780199843671.003.0005","url":null,"abstract":"This chapter explores the politics of scientific knowledge and visual representation of savanna environments in Bernhard and Michael Grzimek’s bestselling book and Academy Award–winning documentary film, Serengeti Shall Not Die (1959). It shows how the Grzimeks used their iconic airplane, nicknamed the “Flying Zebra,” to conduct ecological reconnaissance and employ aerial filmography. They depicted the Serengeti as an untouched ecosystem and a global heritage of mankind, despite its history of pastoralist land use and as a battleground between contending German and British imperial forces. Following international conventions established in London in 1933, the Grzimeks insisted that the Serengeti should encompass the entire habitat of migrating wildebeest—and not, as some officials in the Tanganyika Territory insisted, be divided to accommodate the local Maasai people’s customary cattle grazing. The Grzimeks failed to stop the redrawing of the park’s boundaries, partly because the airborne camera never expunged the Serengeti’s “ghosts of land use past.”","PeriodicalId":414155,"journal":{"name":"Our Gigantic Zoo","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129147645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Our Gigantic ZooPub Date : 2020-01-23DOI: 10.1093/oso/9780199843671.003.0003
Thomas M. Lekan
{"title":"No Room for Wild Animals","authors":"Thomas M. Lekan","doi":"10.1093/oso/9780199843671.003.0003","DOIUrl":"https://doi.org/10.1093/oso/9780199843671.003.0003","url":null,"abstract":"This chapter shows that Bernhard and his son Michael Grzimek’s quest to save African wildlife began on a simple collecting trip to bring a specimen of the rare Okapia from the former Belgian Congo back to the Frankfurt Zoo. The pair documented this journey in the bestselling book No Room for Wild Animals (1954), which they released as a conservationist documentary by the same name in 1956. In these works, the Grzimeks broke with colonialist images of “exotic” Africa and with Walt Disney studio’s lighthearted animal adventures popular at this time. They presented Central Africa as a region destined to repeat the tragedy of Europe’s urbanization, overpopulation, and “racial degeneration”—which threatened to destroy tropical forests and the integrityof indigenous peoples such as the Mbuti (pygmies). For the Grzimeks, the main goal of the Frankfurt Zoological Society had shifted from specimen maintenance at home to scientific conservation abroad: the protection of wildlife sanctuaries off limits to economic development and local peoples. Such images of “saving” Africa unwittingly repeated old imperialist myths, however, and omitted the Congolese’s own hopes for political autonomy and environmental control right on the brink of decolonization.","PeriodicalId":414155,"journal":{"name":"Our Gigantic Zoo","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125218354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}