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Journal of Italian Cinema and Media Studies最新文献

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Daitona: Meet the most innovative Italian production company 代托纳:最具创新精神的意大利生产公司
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00037_7
V. Signorelli
{"title":"Daitona: Meet the most innovative Italian production company","authors":"V. Signorelli","doi":"10.1386/jicms_00037_7","DOIUrl":"https://doi.org/10.1386/jicms_00037_7","url":null,"abstract":"Founders Lorenzo Lazzarini (b.1993), Valentina Signorelli (b.1989) and Lorenzo Giovenga (b.1989) created Daitona on 26 February 2016. Thanks to their unprecedented transmedia approach, in 2018 Daitona won the ANGI Award - Associazione Nazionale Giovani Innovatori (National Association Young Innovators) as the most innovative production company of the year. The company has produced a variety of successful projects, including, but not limited to short and feature films, documentaries, web video contents commercials, advertising campaigns, branded TV shows and even VR experiences!","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"100 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76243724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gillo Pontecorvo Collection (1937–2009)
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00031_7
Carla Ceresa
{"title":"Gillo Pontecorvo Collection (1937–2009)","authors":"Carla Ceresa","doi":"10.1386/jicms_00031_7","DOIUrl":"https://doi.org/10.1386/jicms_00031_7","url":null,"abstract":"","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"219 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90942989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lina Wertmüller Symposium: A report, 13 December 2019, University of Westminster Lina wertm<e:1> ller研讨会:报告，2019年12月13日，威斯敏斯特大学
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00033_7
S. Angeli, Cecilia Zoppelletto
{"title":"Lina Wertmüller Symposium: A report, 13 December 2019, University of Westminster","authors":"S. Angeli, Cecilia Zoppelletto","doi":"10.1386/jicms_00033_7","DOIUrl":"https://doi.org/10.1386/jicms_00033_7","url":null,"abstract":"","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"2018 12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72538495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Migration and the Media: Debating Chinese Migration to Italy, 1992–2012, Gaoheng Zhang (2019) 《移民与媒体:1992-2012年中国移民意大利之争》，张高恒(2019)
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00043_5
M. Carolan
{"title":"Migration and the Media: Debating Chinese Migration to Italy, 1992–2012, Gaoheng Zhang (2019)","authors":"M. Carolan","doi":"10.1386/jicms_00043_5","DOIUrl":"https://doi.org/10.1386/jicms_00043_5","url":null,"abstract":"Review of: Migration and the Media: Debating Chinese Migration to Italy, 1992–2012, Gaoheng Zhang (2019)\u0000Toronto: University of Toronto Press, 296 pp.,\u0000ISBN 978-1-44263-043-7, h/bk, $70.00","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"94 7","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72565305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
È stata Roma: La criminalità capitolina dal ‘poliziottesco’ a Suburra, Matteo Santandrea (2019) 罗马:郊区“警察”犯罪头目，马特奥·桑特安德里亚(2019)
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00046_5
D. Renga
{"title":"È stata Roma: La criminalità capitolina dal ‘poliziottesco’ a Suburra, Matteo Santandrea (2019)","authors":"D. Renga","doi":"10.1386/jicms_00046_5","DOIUrl":"https://doi.org/10.1386/jicms_00046_5","url":null,"abstract":"Review of: È stata Roma: La criminalità capitolina dal ‘poliziottesco’ a Suburra, Matteo Santandrea (2019)\u0000Catanzaro: Rubbettino Editore, 212 pp.,\u0000ISBN 978-8-84985-770-2, p/bk, €16.00","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88559101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the margins: Alice Rohrwacher’s liminal adolescents 从边缘:爱丽丝·罗尔瓦彻的阈限青少年
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00026_1
S. Angeli
{"title":"From the margins: Alice Rohrwacher’s liminal adolescents","authors":"S. Angeli","doi":"10.1386/jicms_00026_1","DOIUrl":"https://doi.org/10.1386/jicms_00026_1","url":null,"abstract":"To date, adolescents have occupied prominent positions in all three of Alice Rohrwacher’s feature films – from her debut Corpo celeste (Heavenly Bodies) (2011a), to the critically acclaimed Le meraviglie (The Wonders) (2014) and, finally, to her latest work Lazzaro felice (Happy as Lazzaro) (2018). Being neither children nor adults, teenagers inhabit a biologically and ideologically ambiguous position within society, a precarious collocation that has often been referred to as ‘liminal’. In her films, Rohrwacher enhances her characters’ inherent liminality by (dis-)placing them, both physically and metaphorically, at the margins of society. However, it is their spatial and social exclusion and their position of subordination to power that allows them to identify alternative behaviours that oppose the dominant ideology within their social environments. Making use of the notions of marginality and liminality, this article explores the implications of the director’s employment of adolescent characters to critique Italian mainstream society.","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74013965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
L’età dello schermo panoramico: Il cinema italiano e la rivoluzione widescreen, Federico Vitella (2018) 宽屏时代:意大利电影与宽屏革命，费德里科·维特拉(Federico Vitella) (2018)
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00042_5
Brendan Hennessey
{"title":"L’età dello schermo panoramico: Il cinema italiano e la rivoluzione widescreen, Federico Vitella (2018)","authors":"Brendan Hennessey","doi":"10.1386/jicms_00042_5","DOIUrl":"https://doi.org/10.1386/jicms_00042_5","url":null,"abstract":"Review of: L’età dello schermo panoramico: Il cinema italiano e la rivoluzione widescreen, Federico Vitella (2018)\u0000Pisa: Edizioni ETS, 214 pp.,\u0000ISBN 978-8-84675-445-5, p/bk, €20.00","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"15 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74997504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Giovanni Calendoli Collection
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00030_7
Michela Zegna
{"title":"Giovanni Calendoli Collection","authors":"Michela Zegna","doi":"10.1386/jicms_00030_7","DOIUrl":"https://doi.org/10.1386/jicms_00030_7","url":null,"abstract":"","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"47 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90964862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il brand Gomorra: Dal romanzo alla serie TV, Giuliana Benvenuti (2018) 品牌蛾摩拉:从小说到电视剧，朱利亚娜欢迎(2018)
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00041_5
Iuri Moscardi
{"title":"Il brand Gomorra: Dal romanzo alla serie TV, Giuliana Benvenuti (2018)","authors":"Iuri Moscardi","doi":"10.1386/jicms_00041_5","DOIUrl":"https://doi.org/10.1386/jicms_00041_5","url":null,"abstract":"Review of: Il brand Gomorra: Dal romanzo alla serie TV, Giuliana Benvenuti (2018)\u0000Bologna: Il Mulino, 208 pp.,\u0000ISBN 978-8-81527-433-5, p/bk, €19.00","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88404281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Remaking national identity: Postcolonial discourses at the intersection of gender and race in Tutto può succedere 重建国家认同:图图中性别与种族交叉点上的后殖民话语può成功
IF 0.2
Journal of Italian Cinema and Media Studies Pub Date : 2020-06-01 DOI: 10.1386/jicms_00025_1
E. Sammartino
{"title":"Remaking national identity: Postcolonial discourses at the intersection of gender and race in Tutto può succedere","authors":"E. Sammartino","doi":"10.1386/jicms_00025_1","DOIUrl":"https://doi.org/10.1386/jicms_00025_1","url":null,"abstract":"In the context of global migrations, ‘new Italians’ have emerged in a group of mainstream TV series, among which Tutto può succedere (‘Anything can happen’) (RAI 1, 2015–18) stands out as the remake of the American Parenthood. This article argues that this process of cultural translation reveals tensions over the negotiation of national identity in Italian society, due to recent migrations and the submerged colonial past. Through the adoption of an intersectional approach, the analysis of the interracial relationship between Feven, an Eritrean-born woman, and Carlo will highlight that the postracial discourses underlying Parenthood are superseded by postcolonial ones in the remake. I demonstrate that the Othering of Feven through sexualization and exoticization exposes the persistence of colonial stereotypes. However, the displacement of race onto gender preoccupations through the prism of postfeminism highlights the attempted ‘normalization’ of the Other, further engaging with the specificities of the Italian context through its association with religion.","PeriodicalId":41388,"journal":{"name":"Journal of Italian Cinema and Media Studies","volume":"238 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75845972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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