{"title":"The Word Made Flesh: On John Bentley Mays’s “Miracles of Emanuel Jaques”","authors":"Jon Davies","doi":"10.7202/1106654ar","DOIUrl":"https://doi.org/10.7202/1106654ar","url":null,"abstract":"Cet article analyse « Miracles of Emanuel Jaques », un essai percutant de feu le critique d’art John Bentley Mays publié dans C Magazine en 1984. Jaques est le jeune Canadien d’origine portugaise dont le viol brutal et le meurtre en 1977 ont conduit, d’une part, au « nettoyage » du quartier des spectacles pour adultes de Yonge Street à Toronto et, d’autre part, à une réaction hostile envers la communauté homosexuelle de la ville. L’histoire de Jaques est certes au coeur de l’histoire et de la mythologie de Toronto, reste que Mays a fait un grand pas en avant en se servant de la destruction du garçon et de ses effets pour discuter des changements survenus dans la production artistique locale au cours des sept années qui se sont écoulées après l’événement. Bien que le collectif General Idea soit à peine mentionné dans l’essai de Mays, on peut dire qu’il le hante. En outre, le collectif – et d’autres artistes torontois – vivait et travaillait sur Yonge Street à cette époque, ce qui me permet d’examiner l’étroite imbrication des sous-cultures artistiques et sexuelles dans la ville lors de cette panique morale historique.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135758396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Facing Claude Cahun & Marcel Moore","authors":"Michelle Gewurtz","doi":"10.7202/1106663ar","DOIUrl":"https://doi.org/10.7202/1106663ar","url":null,"abstract":"Facing Claude Cahun & Marcel Moore: Featuring the Work of Cara Tierney, Claude Cahun, Dayna Danger, Laura Taler, Marcel Moore, August Klintberg, Sarah Pucill, and Zanele Muholi. Un article de la revue RACAR : Revue d'art canadienne / Canadian Art Review (Volume 48, numéro 1, 2023, p. 3-147) diffusée par la plateforme Érudit.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135758417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"[ Sans Titre - No Title ]Erin Benay, Italy by Way of India: Translating Art and Devotion in the Early Modern World, Turnjout: Harvey Miller Publishers, 2021, 202 pp. + iv, 120 illus. couleurs, 2 cartes n&b, € 100 (relié) ISBN 9781912554775","authors":"Itay Sapir","doi":"10.7202/1106671ar","DOIUrl":"https://doi.org/10.7202/1106671ar","url":null,"abstract":"Erin Benay, Italy by Way of India: Translating Art and Devotion in the Early Modern World, Turnjout: Harvey Miller Publishers, 2021, 202 pp. + iv, 120 illus. couleurs, 2 cartes n&b, € 100 (relié) ISBN 9781912554775. Un article de la revue RACAR : Revue d'art canadienne / Canadian Art Review (Volume 48, numéro 1, 2023, p. 3-147) diffusée par la plateforme Érudit.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"UAAC AWARDS 2022","authors":"Mitchell B. Frank, Erin Silver","doi":"10.7202/1106652ar","DOIUrl":"https://doi.org/10.7202/1106652ar","url":null,"abstract":"","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135758423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"[ Sans Titre - No Title ]Boris Groys, Philosophy of Care, London and New York: Verso, 2022, 112 pp., $25.95 (hardcover) ISBN 9781839764929","authors":"Mirra-Margarita Ianeva","doi":"10.7202/1106666ar","DOIUrl":"https://doi.org/10.7202/1106666ar","url":null,"abstract":"Boris Groys, Philosophy of Care, London and New York: Verso, 2022, 112 pp., $25.95 (hardcover) ISBN 9781839764929. Un article de la revue RACAR : Revue d'art canadienne / Canadian Art Review (Volume 48, numéro 1, 2023, p. 3-147) diffusée par la plateforme Érudit.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135758425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prix de l’AAUC 2022","authors":"Mitchell B. Frank, Erin Silver","doi":"10.7202/1106653ar","DOIUrl":"https://doi.org/10.7202/1106653ar","url":null,"abstract":"","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing a Future Otherwise: Optimism for Post-Extractive Site Rehabilitation","authors":"Zannah Matson","doi":"10.7202/1106661ar","DOIUrl":"https://doi.org/10.7202/1106661ar","url":null,"abstract":"Designing a Future Otherwise: Optimism for Post-Extractive Site Rehabilitation. Un article de la revue RACAR : Revue d'art canadienne / Canadian Art Review (Volume 48, numéro 1, 2023, p. 3-147) diffusée par la plateforme Érudit.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Daniel Roehr and Stephanie Braconnier’s Multisensory Garden","authors":"Heather Braiden, Daniel Roehr","doi":"10.7202/1106659ar","DOIUrl":"https://doi.org/10.7202/1106659ar","url":null,"abstract":"Daniel Roehr and Stephanie Braconnier’s Multisensory Garden. Un article de la revue RACAR : Revue d'art canadienne / Canadian Art Review (Volume 48, numéro 1, 2023, p. 3-147) diffusée par la plateforme Érudit.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designer l’optimisme : atelier de projet","authors":"Nicole Valois","doi":"10.7202/1106662ar","DOIUrl":"https://doi.org/10.7202/1106662ar","url":null,"abstract":"","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Threatening Presence: Monumentality and Embodiment in Regina José Galindo’s Aparición","authors":"Georgia Phillips-Amos","doi":"10.7202/1106656ar","DOIUrl":"https://doi.org/10.7202/1106656ar","url":null,"abstract":"Avec Aparición (2020-), l’artiste de performance guatémaltèque, Regina José Galindo, interprète des personnages masqués au sein de chorégraphies mises en scène dans des espaces publics, en hommage à des femmes disparues.Chaque performance est spécifique à un site, le nombre de figures correspondant à la fréquence des féminicides survenus dans chaque lieu. Aparición est souvent le fruit d’une collaboration : Galindo a développé le concept depuis la capitale de Guatémala, tandis que des artistes locaux l’ont concrétisé dans des villes situées entre Buenos Aires et Berlin. Cet article examine le potentiel de la performance collaborative de Galindo et de sa documentation pour combler des fossés géopolitiques et temporels imaginaires ainsi que pour remettre en question les modalités traditionnelles de la monumentalité.","PeriodicalId":41308,"journal":{"name":"RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}