Technoetic Arts最新文献_第5页

Aura & Transvestment1

Technoetic Arts Pub Date : 2021-11-01 DOI: 10.1386/tear_00075_1

Pablo Somonte Ruano

{"title":"Aura & Transvestment1","authors":"Pablo Somonte Ruano","doi":"10.1386/tear_00075_1","DOIUrl":"https://doi.org/10.1386/tear_00075_1","url":null,"abstract":"Aura & Transvestment is a transmedia project consisting of a series of generative images, an experimental form of cryptomedia and a video essay. By describing its own powers and contradictions, the work explores notions of value, ownership, authenticity, artificial scarcity and\u0000 abundance in the digital realm. The project is a critical analysis of non-fungible tokens used as proof of ownership for digital art, taking Walter Benjamin’s concept of aura as a starting point. It argues that, for tokenized art, cryptography serves as an artificial source of auratic\u0000 power that reverts the political potential of reproducibility falling back to a magical and ritual notion of aura. This time around the ritual performed is that of property, authenticity, ownership, markets and commodification. Finally, the article outlines alternative uses of cryptography\u0000 and distributed ledger technologies to support artistic labour and proposes transvestment as a temporary counter-action for the reallocation of value from capitalist forms of production and into commons-based models of social coordination. Submitted to this journal is an adaptation of the\u0000 script for the video essay, alongside other elements of the project. Please visit: https://aura-transvestment.art/.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44426033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

What happened to the subject? Mediated anticipation in neural painting 这个主题怎么了?神经绘画中的介导预期

Technoetic Arts Pub Date : 2021-11-01 DOI: 10.1386/tear_00071_1

Suk Kyoung Choi

{"title":"What happened to the subject? Mediated anticipation in neural painting","authors":"Suk Kyoung Choi","doi":"10.1386/tear_00071_1","DOIUrl":"https://doi.org/10.1386/tear_00071_1","url":null,"abstract":"This article presents a phenomenology of artistic painting as an anticipatory process. I propose that the artist seeks to establish a state of equilibrium in a model of self-awareness expressed and represented in a self-constituted physical artefact intended to communicate to others,\u0000 not representationally but affectively. ‘Neural painting’ is an arts-based research method employing a simple computational model of human aesthetic discrimination to study the creative realization of the artistic image. I use this method to explore the relationship of self and\u0000 ‘other’ in computationally mediated self-portraiture. I develop an image in an exchange with a neural network by reflecting on its output and inputting autographic modifications to those images, blending visceral gesture with the ‘black box’ of artificial intelligence.\u0000 Through this deeply personalized and perhaps agonistic interchange between organic self and algorithmic reflection, I seek to expose the tacit mediation implicit in the technical artefact, opening an understanding of the existential relations between natural systems (the artist) and technical\u0000 entities positioned as collaborators in an anticipatory aesthetics.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49234900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

On modes of participation 论参与模式

Technoetic Arts Pub Date : 2021-11-01 DOI: 10.1386/tear_00064_2

Ioannis Bardakos, D. Honorato, C. Jacques, Claudia Westermann, Primavera de Filippi

引用次数: 0

Garbo and cenacoli of Italian design in the 1960s: A second-order approach to innovation 嘉宝和20世纪60年代意大利设计的cenacoli:创新的二阶方法

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00053_1

Matteo Tonoli, R. Carradore

{"title":"Garbo and cenacoli of Italian design in the 1960s: A second-order approach to innovation","authors":"Matteo Tonoli, R. Carradore","doi":"10.1386/tear_00053_1","DOIUrl":"https://doi.org/10.1386/tear_00053_1","url":null,"abstract":"After the Second World War, Italy experienced an economic miracle accompanied by the emergence of a material culture highly dense with meaning. This article adopts a second-order approach, which focuses on two concepts that emphasize the component of invention contained within the innovation\u0000 process. Garbo indicates the peculiarly Italian way of solving a constrained optimization problem in the design of everyday objects. Meanwhile, the concept of cenacolo ‐ whose etymological roots indicate conviviality and good living ‐ made possible the study of\u0000 the peculiar social networks of the Milanese cultural landscape during the 1960s, which enabled important cross-fertilizations between industry, culture and art. To demonstrate the connections between invention and Garbo and cenacoli, the examples of Olivetti (key player in then-nascent\u0000 personal computer technology) and Bialetti (producer of the Moka coffee machine) are used as case studies of innovative solutions to constrained problems. Following an outline of elements promoting the success of each, the article identifies historically determined mechanisms, which enable\u0000 us to imagine and (potentially) establish the evolutionary conditions for new pathways of invention.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46327631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Entangled Speech: Semiotic sympoiesis for the posthuman commons 纠缠的话语：后人类公域的符号学共象

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00063_1

K. Spiess

{"title":"Entangled Speech: Semiotic sympoiesis for the posthuman commons","authors":"K. Spiess","doi":"10.1386/tear_00063_1","DOIUrl":"https://doi.org/10.1386/tear_00063_1","url":null,"abstract":"In our performance Entangled Speech, we connect the integration of microbial agency into a new complex ‘common good’ with the shared values of language. Drawing on a posthuman commons we aim for a hybrid language that not only processes formal symbols but also interacts\u0000 with the microbes in the speaker’s mouth. We argue that the metaphors historically used to frame the relationship between microbiomes and speech cannot account for the co-creative material relationship between human speech and posthuman microbial, environmental and biotechnological needs.\u0000 In our performances, first we harvest sensitized microbes from a speaker’s mouth who had repeated those phonemes, which lead to a deviation of pH of saliva. This makes the microbes sensitive for the further processing: via a spectrogram, phonemes repetitively spoken by the audience drive\u0000 pumps, which add pheromones to the microbes, the pheromones, which then are faded out. In the microbes, for some replication cycles, an ecological adaptation to the individual phonemes persists, which ‐ in our definition ‐ affirms some phonemes as ecological and others to be\u0000 deleted, thereby changing the alphabetical order of the input word. Although parts of the process are digitally animated, the major parts develop in real time. We propose ‘microbial speech’ as a category beyond semantic meaning, with ecological qualities such as a transcorporeal\u0000 mattering between words and the body. We aim at a language becoming a biological state in order to protect its own ecology. We propose a more entangled mode of microbes existing in common with language, affirming posthumanist transversal relations of all living and non-living matter.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42713623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Elliptical conversation: Alchemy and cybernetics 椭圆对话:炼金术和控制论

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00054_1

D.F. Silva

{"title":"Elliptical conversation: Alchemy and cybernetics","authors":"D.F. Silva","doi":"10.1386/tear_00054_1","DOIUrl":"https://doi.org/10.1386/tear_00054_1","url":null,"abstract":"This article presents and discusses alchemy and cybernetics as fields in interaction through a conversation model. The starting point for establishing this relationship is the distinction between communication and conversation as pointed out by authors such as Gordon Pask, Ranulph Glanville\u0000 and Vilém Flusser. Alchemy was the field of knowledge that best managed to unify Europe’s technological, philosophical and mystical world-view in the late Middle Ages. From an experimental basis, alchemy dealt with the transformation processes mirrored both in a particular understanding\u0000 of the dynamics of nature as in the connection between man and universe. Cybernetics, like alchemy, was a field developed from an interdisciplinary view of knowledge associated with a particular historical context, being, since its origin, the field that relates and operationalizes complexity\u0000 and unpredictability in mechanical, biological and social systems. Cybernetics and alchemy are, from a constructivist perspective, models for structuring the world and collective systems of communication within cultural processes. Both are taken here as co-participants in an elliptical dialogue\u0000 based on three main concepts: distinction, dialogue and emergence. The elliptical conversation model can be understood as a map of the complexity of the interactive field that is established between alchemy and cybernetics, generating a new entity while encapsulating two others, it is the\u0000 distinction that accommodates two others, a dialogue between black boxes.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46687082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cybernetics as disciplinary cross-pollination: Anthropology by data science 控制论作为学科交叉授粉:数据科学的人类学

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00055_1

S. Paff

引用次数: 0

A systemic view on sustainable consumption 关于可持续消费的系统观点

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00059_1

S. Majumdar

引用次数: 0

On globes, the Earth and the Cybernetics of Grace 关于地球仪，地球和恩典控制论

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00049_1

Claudia Westermann

引用次数: 0

Like real friends do: Communicating on social media with Sophia the robot 像真正的朋友一样：在社交媒体上与机器人索菲亚交流

Technoetic Arts Pub Date : 2021-06-01 DOI: 10.1386/tear_00060_1

Laida Limniati, D. Honorato, Andreas Giannakoulopoulos

{"title":"Like real friends do: Communicating on social media with Sophia the robot","authors":"Laida Limniati, D. Honorato, Andreas Giannakoulopoulos","doi":"10.1386/tear_00060_1","DOIUrl":"https://doi.org/10.1386/tear_00060_1","url":null,"abstract":"Human‐robot interaction (HRI) is the study focused on the relationship between humans and robots. HRI as a study combines elements from different fields such as computer science, artificial intelligence (AI), robotics, psychology and sociology. With the advancement in the field\u0000 of AI, HRI showed greater improvements and now, we have the first robot recognized as a citizen of a country: Sophia the robot. Sophia is a robot that has a humanoid form, first made her appearance in 2016 and, according to her creators, is a mix of technology, arts and robotics. Since then,\u0000 Sophia has made a lot of appearances in different TV shows, given interviews and participated in commercials. Sophia also has her own social media accounts. Our study focuses on Sophia’s presence on social media and the ways she communicates with people and the rhetorics she makes use\u0000 of. Hence, it studies the advances on HRI and the issues encountered in the field of communication. For our research, we used purposive sampling and content analysis in cases needed in order to study Sophia’s communication patterns and behaviour. At this point, we will delve into the\u0000 communication with the AI aspect of HRI.","PeriodicalId":41263,"journal":{"name":"Technoetic Arts","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44767430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0