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Superhero as a Falling Figure: Based on the Character of Iron Man from Marvel Cinematic Universe 掉落的超级英雄:根据漫威电影宇宙中的钢铁侠角色改编
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.31
Do hoon Lee
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引用次数: 0
They Decide to Leave Because They Can’t Get Together: Sexual Difference and Discrepancy in a Movie 〈Decision to Leave〉 他们决定离开，因为他们不能在一起:电影中的性别差异和差异<决定离开>
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.67
Seong-Yi Son
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引用次数: 0
A Study on Genre of Bong Joon-ho’s Films: Focusing on Memories of Murder and The Host 奉俊昊电影类型研究——以《谋杀的回忆》和《怪物》为例
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.237
Kyoungwook Kim
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引用次数: 0
“Transnational Korean” Martial Arts Films Created by (Possible) Foreign Capital: Censorship and Martial Arts Films from 1966 - 1973 (可能的)外国资本创作的“跨国韩国”武侠片:1966 - 1973年的审查制度与武侠片
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.169
Arum Song
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引用次数: 0
A Study on Yorgos Lanthimos’ ‘Myth Variations Trilogy’ 〈Dogtooth〉〈The Lobster〉〈The Killing of a Sacred Deer〉 欧格斯·兰斯莫斯“神话变调三部曲”研究<狗牙b> <龙虾> <圣鹿之死>
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.105
Yeojeong Choi, Sangjun Bae
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引用次数: 0
Reconsideration of Kurosawa Akira’s Humanism: Focusing on the ‘Presupposed Question’ and ‘Holy Fool’ 黑泽明人文主义的再思考——以“预设问题”与“圣愚”为中心
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.207
C. Kim
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引用次数: 0
Ozu as Auteur: Reconstructing the Authorship through Media Discourses in Japan 作为导演的小津:在日本媒介话语中重构作者身份
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.135
Woojeong Joo
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引用次数: 0
〈The Son’s Room〉: On Mourning: Human Beings’ Most Fundamental and Universal Issue. 《儿子的房间》:论丧:人类最基本、最普遍的问题。
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.5
Chulkwon Kim
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引用次数: 0
A Study on Metaphor Expression in the Works of the Coen Brothers: Focusing on the Movie〈No Country for Old Men〉 科恩兄弟作品中的隐喻表达研究——以电影《老无所依》为例
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.267
Dooyoung Choi
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引用次数: 0
Irrationality of State Violence and Destruction of Mourning Community: Focusing the Documentary “The Remnants” 国家暴力的非理性与丧社群的破坏——以纪录片《残余物》为焦点
Film Studies Pub Date : 2022-12-31 DOI: 10.17947/fs.2022.12.94.287
Koksuk Seo
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引用次数: 0
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