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Film Noir: A Very Short Introduction最新文献

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4. Money, critics, and the art of noir 4. 金钱，评论家，黑色艺术
Film Noir: A Very Short Introduction Pub Date : 2019-02-28 DOI: 10.1093/actrade/9780198791744.003.0004
James Naremore
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引用次数: 0
5. Styles of film noir 5. 黑色电影的风格
Film Noir: A Very Short Introduction Pub Date : 2019-02-28 DOI: 10.1093/actrade/9780198791744.003.0005
James Naremore
{"title":"5. Styles of film noir","authors":"James Naremore","doi":"10.1093/actrade/9780198791744.003.0005","DOIUrl":"https://doi.org/10.1093/actrade/9780198791744.003.0005","url":null,"abstract":"Contrary to what has sometimes been said, there never was a single narrative or visual style of film noir, even in the 1940s. The major directors played the movie game in slightly different ways and each of the studios also had something of their own style because of the photographers, designers, and musical composers they employed. ‘Styles of film noir’ explains that classic film noirs were as stylistically heterogeneous as any other kind of picture, but they were governed by a generally agreed upon ‘mysterious’ look. Film noir has persisted, but it doesn’t look the same in different periods. The shift from black and white to color is discussed along with parody, pastiche, and postmodern noir.","PeriodicalId":412056,"journal":{"name":"Film Noir: A Very Short Introduction","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127824612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
3. Censorship and politics in Hollywood noir 3.好莱坞黑色电影中的审查制度和政治
Film Noir: A Very Short Introduction Pub Date : 2019-02-28 DOI: 10.1093/ACTRADE/9780198791744.003.0003
James Naremore
{"title":"3. Censorship and politics in Hollywood noir","authors":"James Naremore","doi":"10.1093/ACTRADE/9780198791744.003.0003","DOIUrl":"https://doi.org/10.1093/ACTRADE/9780198791744.003.0003","url":null,"abstract":"During the period when American film noir was at its zenith, Hollywood’s self-appointed censorship agency, the Production Code Administration (PCA), exercised control over the movie studios. The PCA’s standard report form of the 1940s was manifestly puritanical and ideological. ‘Censorship and politics in Hollywood noir’ explains the strategies used to get past the strict censorship rules and considers the impact of political censorship, especially the concern with communism, and the general culture’s treatment of women and minorities on Hollywood noir through the 1940s and 1950s, a period of time that saw probably the most regulated, censored, and morally scrutinized pictures of the kind in American history.","PeriodicalId":412056,"journal":{"name":"Film Noir: A Very Short Introduction","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131305289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
1. The idea of film noir 1. 黑色电影的概念
Film Noir: A Very Short Introduction Pub Date : 2019-02-28 DOI: 10.1093/actrade/9780198791744.003.0001
James Naremore
{"title":"1. The idea of film noir","authors":"James Naremore","doi":"10.1093/actrade/9780198791744.003.0001","DOIUrl":"https://doi.org/10.1093/actrade/9780198791744.003.0001","url":null,"abstract":"The term ‘film noir’ originated with French film critics during the 1930s, but it soon became associated with American films in the mid-1940s. ‘The idea of film noir’ explains the strong influence of the Surrealists on French attitudes toward the new American films. The first and most important book on film noir was A Panorama of the American Film Noir: 1941–1953, compiled by Raymond Borde and Etienne Chaumeton. They define noir in terms of five affective qualities typical of Surrealist art: oneiric, strange, erotic, ambivalent, and cruel. Film noir continued through the 1950s, 1960s, and 1970s, and forms of the genre have spread all around the world.","PeriodicalId":412056,"journal":{"name":"Film Noir: A Very Short Introduction","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121211316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
6. The afterlife of noir 6. 黑色小说的来世
Film Noir: A Very Short Introduction Pub Date : 2019-02-28 DOI: 10.1093/actrade/9780198791744.003.0006
James Naremore
{"title":"6. The afterlife of noir","authors":"James Naremore","doi":"10.1093/actrade/9780198791744.003.0006","DOIUrl":"https://doi.org/10.1093/actrade/9780198791744.003.0006","url":null,"abstract":"Noir continues to be an unusually flexible, pervasive, and durable mood or narrative tendency, embracing different media and different national cultures. Its moods and imagery have been appropriated across the range of filmmaking practice. Will film noir—or indeed any film—survive in the decades to come? ‘The afterlife of noir’ explains that feature-length noir hasn’t disappeared, but the new digital media environment may impact the genre. It considers the problems with creating lists of film noirs and sub-categorization. Depending on how we use the term noir, we can make it stand for a dead period, a nostalgia for something that never quite existed, or an ongoing form.","PeriodicalId":412056,"journal":{"name":"Film Noir: A Very Short Introduction","volume":"16 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133487973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
2. The modernist crime novel and Hollywood noir 2. 现代主义犯罪小说和好莱坞黑色小说
Film Noir: A Very Short Introduction Pub Date : 2019-02-28 DOI: 10.1093/actrade/9780198791744.003.0002
James Naremore
{"title":"2. The modernist crime novel and Hollywood noir","authors":"James Naremore","doi":"10.1093/actrade/9780198791744.003.0002","DOIUrl":"https://doi.org/10.1093/actrade/9780198791744.003.0002","url":null,"abstract":"‘The modernist crime novel and Hollywood noir’ considers how an atmosphere of ‘modernism’ in 1940s American film noir is largely due to the ‘thriller genre’ in literature. Many aspects of modernity—the interest in subjectivity and multiple points of view, the unorthodox handling of time, the stripping away of genteel rhetoric, the critique of modernity, explicit sex, and fears of women—came together in film noir, but were a potential threat to the entertainment industry. The tension was evident in Hollywood adaptations of four influential crime writers and major contributors to film noir—Samuel Dashiell Hammett, Graham Greene, James M. Cain, and Raymond Chandler—whose work needed to be lightened or ameliorated.","PeriodicalId":412056,"journal":{"name":"Film Noir: A Very Short Introduction","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120957071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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