6. The afterlife of noir

James Naremore
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Abstract

Noir continues to be an unusually flexible, pervasive, and durable mood or narrative tendency, embracing different media and different national cultures. Its moods and imagery have been appropriated across the range of filmmaking practice. Will film noir—or indeed any film—survive in the decades to come? ‘The afterlife of noir’ explains that feature-length noir hasn’t disappeared, but the new digital media environment may impact the genre. It considers the problems with creating lists of film noirs and sub-categorization. Depending on how we use the term noir, we can make it stand for a dead period, a nostalgia for something that never quite existed, or an ongoing form.
6. 黑色小说的来世
黑色仍然是一种不同寻常的灵活,普遍和持久的情绪或叙事倾向,包括不同的媒体和不同的民族文化。它的情绪和意象已经在电影制作实践的范围内被挪用。黑色电影——或者任何电影——会在未来几十年存活下来吗?《黑色电影的来世》解释说,长片黑色电影并没有消失,但新的数字媒体环境可能会影响这一类型。它考虑了创建黑色电影列表和子分类的问题。根据我们如何使用“黑色”这个词,我们可以让它代表一个死去的时代,一种对从未存在过的东西的怀旧,或者一种正在进行的形式。
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