{"title":"Facing Others","authors":"Miriam Kienle","doi":"10.1086/711971","DOIUrl":"https://doi.org/10.1086/711971","url":null,"abstract":"Samuel J. Wagstaff which, in Johnson’s words, came to bear “no definite image.”1 Johnson’s process of making, remaking, and unmaking this portrait engaged new desubjectivizing trends in art, particularly minimalism, which Wagstaff helped bring to prominence with his exhibition Black, White, and Grey (1964) at the Wadsworth Atheneum in Hartford, Connecticut. In his deconstruction and dispersal of Wagstaff’s portrait, Johnson deployed various forms of art-world communication (interpersonal, commercial, and organizational) to unwork a singular, unified image of the curator and claim identity as fluid within networks of association. In doing so, Johnson challenged portraiture’s traditional role as a means of consolidating and revealing the subjectivity of both artist and sitter.2 Because Johnson became renowned in the early 1960s for creating one of the most important mail art networks, wherein participants connected with one another through the circulation of collaged correspondence, the posted material surrounding the production of Wagstaff’s portrait must be considered part of the portrait itself. By closely examining the extensive correspondence between Johnson and Wagstaff housed at the Archives of American Art, this essay considers how Johnson’s portrait reassembles social identity. It also Miriam Kienle Ray Johnson’s Portrait of a Curator as a Network Facing Others 24 ARCHIVES o f AMERICAN ART JOURNAL | 59. 2","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"107 1","pages":"24 - 45"},"PeriodicalIF":0.1,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76250907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fred Truck Papers","authors":"Josh Franco","doi":"10.1086/711975","DOIUrl":"https://doi.org/10.1086/711975","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"13 1","pages":"90 - 91"},"PeriodicalIF":0.1,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86657596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Archiving for Reckoning","authors":"Shipu Wang","doi":"10.1086/711972","DOIUrl":"https://doi.org/10.1086/711972","url":null,"abstract":"Between April 1942 and May 1943, Chiura Obata produced more than one hundred drawings and paintings that document the US government’s forced removal and incarceration of Japanese Americans. Fluid a...","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"24 1","pages":"46 - 65"},"PeriodicalIF":0.1,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87453735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oil Field Art and Alexandre Hogue’s Land Ethic","authors":"M. Rife","doi":"10.1086/709260","DOIUrl":"https://doi.org/10.1086/709260","url":null,"abstract":"In 1937 Alexandre Hogue was commissioned to paint oil operations in West Texas, and over the next seven years he created a series of paintings, murals, and lithographs picturing petroleum. This essay uses Hogue’s archive and environmental histories of oil to understand the artist’s ambivalent conceptualization of the industry’s place in his beloved landscape.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"53 1","pages":"24 - 43"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89815603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gene Swenson Papers","authors":"Josh Franco","doi":"10.1086/709265","DOIUrl":"https://doi.org/10.1086/709265","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"46 1","pages":"104 - 105"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90799518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Allen Tupper True and the Politics of Aesthetic Harmony","authors":"Lauren Kroiz","doi":"10.1086/709261","DOIUrl":"https://doi.org/10.1086/709261","url":null,"abstract":"In his role as consulting artist at the Hoover Dam, Allen Tupper True aimed to harmonize the monumental structure with its desert environment. To do so, he employed colors and patterns that he claimed to have abstracted from the traditions of local Native American tribes who had been displaced by dam construction. This essay uses True’s correspondence and design concept documentation, much of which is in the collection of the Archives of American Art, to analyze the entirety of his proposed decorative scheme for the dam and explore the ecological, aesthetic, and political implications of the project.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"109 1","pages":"44 - 61"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77390036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chiura Obata Papers","authors":"M. Simms","doi":"10.1086/709268","DOIUrl":"https://doi.org/10.1086/709268","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"5 1","pages":"110 - 111"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74824631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Public Defenders","authors":"A. Wasserman","doi":"10.1086/709262","DOIUrl":"https://doi.org/10.1086/709262","url":null,"abstract":"In 1981–82, Alan Gussow organized the first of a series of collaborative public works that he called LifeYards. He invited artists and designers to transform highway infrastructure materials into totems displaying aspects of life threatened by nuclear war. By calling these projects yards, the artist designated them places of care, with participants and audiences assuming the role of caretakers. This essay considers Gussow’s decades-long analysis of the relationship between artists and nature, exploring how he came to care about the planetary threat that nuclear war posed and how he mobilized others to recognize it.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"25 1","pages":"62 - 81"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89515572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pointless Vanishing Points","authors":"Kim Brandt","doi":"10.1086/709263","DOIUrl":"https://doi.org/10.1086/709263","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"1 1","pages":"82 - 91"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89029638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Charles W. and Frances White Letters and Photographs to Melvin and Lorraine Williamson","authors":"E. Gilbert","doi":"10.1086/709266","DOIUrl":"https://doi.org/10.1086/709266","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"84 1","pages":"106 - 107"},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83704743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}