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Marjorie Kreilick Papers Marjorie Kreilick论文
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-09-01 DOI: 10.1086/722918
Josh Franco
{"title":"Marjorie Kreilick Papers","authors":"Josh Franco","doi":"10.1086/722918","DOIUrl":"https://doi.org/10.1086/722918","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"24 1","pages":"88 - 89"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84613982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intertainment Value: The Cauliflower Alley Tapes 娱乐价值:花椰菜巷录音带
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-09-01 DOI: 10.1086/722915
Jacob Stewart-Halevy
{"title":"Intertainment Value: The Cauliflower Alley Tapes","authors":"Jacob Stewart-Halevy","doi":"10.1086/722915","DOIUrl":"https://doi.org/10.1086/722915","url":null,"abstract":"This essay discusses Ilene Segalove and Lowell Darling’s fifty-minute video essay The Cauliflower Alley Tapes (1976), which treats the lives of ex-wrestlers and boxers who played the role of the “heavy” in Hollywood films and formed the Cauliflower Alley Club upon retirement. Particular attention is devoted to the research, preparation, and reception of the video’s exhibition at the Long Beach Museum of Art. The article looks at how Segalove and Darling became “Hollywood anthropologists” in order to gain access to the fighters-turned-actors and explores how the club’s activities interdiscursively resonated with their own position as video artists working on the margins of the entertainment industry. Cauliflower Alley creates an axis of differentiation between the artists’ world and that of the club, revealing their common investment in the uptake of media fragments as they circulated between Hollywood’s centers and peripheries—a process the artists aptly dubbed “intertainment.”","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"61 1","pages":"48 - 69"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87729722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Evoking Place: María Luisa Pacheco’s Abstract Paintings 唤起的地方:María路易莎帕切科的抽象绘画
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-09-01 DOI: 10.1086/722914
M. Greet
{"title":"Evoking Place: María Luisa Pacheco’s Abstract Paintings","authors":"M. Greet","doi":"10.1086/722914","DOIUrl":"https://doi.org/10.1086/722914","url":null,"abstract":"This essay examines the work of New York-based Bolivian artist María Luisa Pacheco, whose groundbreaking exhibition of abstract paintings in La Paz in 1962 helped validate abstraction as a legitimate form of artistic expression in Bolivia, where socially oriented figural painting still reigned supreme. The Pacheco Papers at the Archives of American Art illuminate the shifting circumstances and conflicting expectations the artist faced while exhibiting in different contexts throughout the Americas and bring to light the unique strategy—informed by her residence in both Bolivia and the United States—Pacheco developed to connect notions of the local to a style critics deemed “universal.” While many midcentury Latin American artists explored means of infusing abstraction with markers of local identity, Pacheco invented an innovative visual language that evoked the Bolivian landscape through shape, color, and texture, resonating across hemispheres.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"25 1","pages":"26 - 47"},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90426126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William C. Seitz and the Experience of Impressionism 威廉·塞茨和印象派的经验
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719873
A. Clark
{"title":"William C. Seitz and the Experience of Impressionism","authors":"A. Clark","doi":"10.1086/719873","DOIUrl":"https://doi.org/10.1086/719873","url":null,"abstract":"With Claude Monet: Seasons and Moments (1960), art historian William C. Seitz presented a new curatorial vision of Claude Monet’s late impressionist paintings. The exhibition, mounted at the Museum of Modern Art, New York, and the Los Angeles County Museum of Art, included walls dedicated to the impressionist’s series and thematic paintings, including the Water Lilies. Seasons and Moments accomplished more than stoking the US public’s admiration for these works. Seitz used the exhibition to argue that Monet’s impressionism shifted from representing an optical reality to portraying a more abstracted and metaphysical one. Seitz analyzed Monet’s paintings through fin-de-siècle French thinker Henri Bergson’s conceptions of intuition, sensation, and duration.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"33 1","pages":"4 - 23"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75202156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oral History 口述历史
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719881
B. Gillespie
{"title":"Oral History","authors":"B. Gillespie","doi":"10.1086/719881","DOIUrl":"https://doi.org/10.1086/719881","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"7 1","pages":"95 - 95"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82177840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Envisioning Nonbinary Gender: The Art of Forrest Bess 设想非二元性别:福雷斯特·贝斯的艺术
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719874
Cyle Metzger
{"title":"Envisioning Nonbinary Gender: The Art of Forrest Bess","authors":"Cyle Metzger","doi":"10.1086/719874","DOIUrl":"https://doi.org/10.1086/719874","url":null,"abstract":"Forrest Bess’s paintings advance the artist’s belief that “hermaphroditism” is an ideal state of human embodiment. The works’ shapes and colors express the theory and method he devised for unifying binary sexes into a single human body. Despite Bess’s direct appeals, the artist’s gallerist Betty Parsons refused to display his research along with his artwork, and American sexologists of the time did not recognize his theories, rightfully finding his ideas incoherent and his methods misguided. Nevertheless, when read through his writing and correspondence in the collections of the Archives of American Art as well as histories of sexology. Bess’s paintings recall nonbinary approaches to sex in early twentieth-century European sexology, forecast contemporary nonbinary approaches to sex within transgender and intersex medicine, and mark a significant point of intersection between histories of homosexuality, transsexuality, and intersex medicine in American art.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"19 1","pages":"24 - 43"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79364471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Art of Commercial Archives 商业档案的艺术
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719877
J. Greenhill
{"title":"The Art of Commercial Archives","authors":"J. Greenhill","doi":"10.1086/719877","DOIUrl":"https://doi.org/10.1086/719877","url":null,"abstract":"Drawing on the archives of the electrical spectacular designer Douglas Leigh, this essay demonstrates the benefits of approaching the papers of commercial artists and advertisers from an art-historical perspective. Leigh’s substantial archive documenting decades of production in New York City would arguably be better placed in a collection like the National Museum of American History, which has strengths in the history of advertising. But what might this change of context render invisible in a collection like the Douglas Leigh Papers?","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"113 1","pages":"78 - 87"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80626657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Michèle C. Cone Papers 米歇尔·c·科恩论文
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719878
J. Proctor
{"title":"Michèle C. Cone Papers","authors":"J. Proctor","doi":"10.1086/719878","DOIUrl":"https://doi.org/10.1086/719878","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"53 1","pages":"90 - 91"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86991858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bricozaje: Between Contested Terrains and Aesthetic Borderlands Bricozaje:在有争议的地形和美学边缘地带之间
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719875
M. Thomas
{"title":"Bricozaje: Between Contested Terrains and Aesthetic Borderlands","authors":"M. Thomas","doi":"10.1086/719875","DOIUrl":"https://doi.org/10.1086/719875","url":null,"abstract":"This essay examines public artworks by Jari “WERC” Alvarez and Geraldine “Gera” Lozano in San Diego, California, and El Paso, Texas. It theorizes “bricozaje,” a concept that combines the terms “bricolage” and “mestizaje,” to argue that the artists enact a reparative relationship to the works’ sites through their use of imagery. The essay first looks at Alvarez’s and Lozano’s sketchbooks to trace bricozaje’s valences as a material practice and critique of bricolage. It proceeds to examine bricozaje as a collaborative practice through the creation of La Entrada (2009), a mural project in San Diego. It then contextualizes the public art project Bright Women (2011) in relation to representations of the US-Mexico border, and concludes by articulating how bricozaje acts as a formal strategy through Lozano’s engagement with gendered iconography.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"1 1","pages":"44 - 63"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78890484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Emanuel Martínez Papers 伊曼纽尔Martínez论文
IF 0.1 3区 艺术学
ARCHIVES OF AMERICAN ART JOURNAL Pub Date : 2022-03-01 DOI: 10.1086/719879
Josh Franco
{"title":"Emanuel Martínez Papers","authors":"Josh Franco","doi":"10.1086/719879","DOIUrl":"https://doi.org/10.1086/719879","url":null,"abstract":"","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"31 1","pages":"91 - 92"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86121255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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