{"title":"Introduction Displacement, Memory and the Visual Arts","authors":"Imogen Wiltshire, Fransiska Louwagie","doi":"10.3167/ej.2023.560102","DOIUrl":"https://doi.org/10.3167/ej.2023.560102","url":null,"abstract":"\u0000This introduction explains the origins, aims and scope of this thematic issue on Displacement, Memory and the Visual Arts: Second-Generation (Jewish) Artists, which builds on a symposium held at the University of Leicester in May 2021. It offers a discussion of key perspectives on the notions of ‘second generation’ and ‘postmemory’ within the visual arts, followed by an overview of the contributions to the publication. The article then identifies and analyses a number of key threads and themes in the volume, including issues of belated memory, the uses by artists of archival images and documents, their engagement with space and embodiment, and the role of art in memory transmission. These discussions serve as a basis for an examination of how postmemory in the visual arts opens up possibilities for considering the relationships of second-generation artists to the past, and, more widely, revisiting contemporary understanding and remembrances of the Holocaust and its aftermath.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45719194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Search of a Lost Childhood","authors":"Eliad Moreh-Rosenberg","doi":"10.3167/ej.2023.560110","DOIUrl":"https://doi.org/10.3167/ej.2023.560110","url":null,"abstract":"\u0000Sigalit Landau is an internationally recognised artist born in Jerusalem whose works have been exhibited in major museums worldwide. This article seeks to analyse the sculpture Father and Tufik (2014), in which the artist relates for the first time to the story of her father, a Holocaust survivor from Transnistria. Starting with the creative process that led to the sculpture and examining unpublished sketches, the study shows how the work involves a multigenerational tale and a desire for communication and transmission which is further developed in a series of large-sized sculptures. Furthermore, elements of play, which Ernst van Alphen identifies as a means used by younger generations of artists to confront Holocaust remembrance, can be found in this sculpture and in other key works including Barbed Hula (2000) and One Man's Floor Is Another Man's Feelings (2011) which can thus be interpreted in the context of the Shoah.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44104490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chasing Shadows","authors":"Monica Bohm-Duchen","doi":"10.3167/ej.2023.560103","DOIUrl":"https://doi.org/10.3167/ej.2023.560103","url":null,"abstract":"\u0000Drawing on the influential concept of postmemory first mooted by Marianne Hirsch, and on the links between photography and mortality first explored by Susan Sontag and Roland Barthes, this article analyses the work of ten largely UK-based visual artists who, as members of the so-called second generation (namely, the descendants of Holocaust survivors and refugees), make use of the photographic medium to engage creatively and conceptually – and often in a conspicuously gendered way – with the legacy of their families’ traumatic histories. Some of the artists (Halter, Tucker) base their handcrafted imagery directly on pre-war family photographs; others (Winckler, Brunstein, Petzal, Gorney, Kerr, Davidmann) incorporate actual photographs, past and present, into mixed media artworks, frequently manipulating and even doing violence to them. Others again (Garbasz) use photographs taken in the present to reach out to an inaccessible past, while yet others (Markiewicz) employ a more abstract and allusive approach to the medium.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47608848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Jewish Enough for You?’","authors":"D. Herman","doi":"10.3167/ej.2022.550203","DOIUrl":"https://doi.org/10.3167/ej.2022.550203","url":null,"abstract":"Howard Jacobson is one of the leading Anglo-Jewish writers of the past forty years. He has received considerable acclaim but articles about Jacobson have rarely featured his career as a broadcaster, on British television and radio. Since the 1980s he has regularly appeared as a subject of TV documentaries, including Arena (BBC2) and The South Bank Show (ITV), a presenter of individual programmes such as Sorry, Judas and The South Bank Show: Why the Novel Matters to Roots Schmoots and Seriously Funny and a number of discussion programmes, including Start the Week (Radio 4), The Sundays (Channel 4) and The Late Show (BBC2).","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45762345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"COVID-19 and Its Implications for the Practice of Psychotherapy on Zoom during the Pandemic","authors":"J. Haynes","doi":"10.3167/ej.2022.550210","DOIUrl":"https://doi.org/10.3167/ej.2022.550210","url":null,"abstract":"As a result of the pandemic, I am a fugitive from my Marylebone consulting rooms. I have had to adapt my ‘technique’ to both the limitations and extended possibilities of Zoom. To mirror back a patient’s psyche in an accelerating emotional climate of existential anxiety and increased irritability. I refer to the ‘democratisation’ of therapy brought about by the increased autonomy of the patient to control their environment and access to intimacy during Zoom sessions. One of the most painful realities of being controlled by technology is its crudity, its totalitarianism in comparison to mediated physical contact engaged in face-to-face work. Clinical vignettes (always with the patient’s written consent) are provided to demonstrate clinical phenomena unique to the Zoom setting.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46439717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A UK Psychologist’s Reflections on the First Year of the COVID-19 Lockdown","authors":"Nikki Scheiner","doi":"10.3167/ej.2022.550211","DOIUrl":"https://doi.org/10.3167/ej.2022.550211","url":null,"abstract":"This article explores the impact of the first year of lockdown on the UK nations. It highlights the impact of the social determinants of health before exploring other areas where the virus affected large numbers of the population. Discussion of economic and psycho-social phenomena indicates that there are no obvious conclusions and that it may be many years before we understand the true consequences of lockdown. Particular attention is given to the experience of the Jewish community.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46268485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Being Howard Jacobson","authors":"Bryan Cheyette","doi":"10.3167/ej.2022.550202","DOIUrl":"https://doi.org/10.3167/ej.2022.550202","url":null,"abstract":"Howard Jacobson (1942–) has been the leading Jewish writer in Britain for nearly four decades. He remains at the height of his powers with the recent publication of his memoir, Mother’s Boy: A Writer’s Beginnings (2022) which is referred to throughout this introduction. I will return to Jacobson’s first novel, Coming from Behind (1983), to show how it relates to his ‘golden’ period which is the focus of the articles in this Special Issue. Novels produced during this period include: The Mighty Walzer (1999), Kalooki Nights (2006), The Finkler Question (2010), J: A Novel (2014) and Shylock Is My Name (2016). Jacobson’s growing confidence – moving between the individual and the collective, between comedy and tragedy, and between realism and experimentalism – will be at the heart of the introduction.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41842487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Mighty Walzer","authors":"Aída Díaz Bild","doi":"10.3167/ej.2022.550204","DOIUrl":"https://doi.org/10.3167/ej.2022.550204","url":null,"abstract":"Howard Jacobson is a British author who is proud of being labelled a Jewish writer and does not hesitate to describe himself as ‘entirely and completely Jewish’. He believes that English-Jewish writers should address directly the challenge of being Jewish, which is precisely what he does in The Mighty Walzer (1999). The novel shows once again Jacobson’s greatness as a comic novelist and thus reinforces his assumption that the ingenious, joking Jew is the Jew in essence. Like many scholars, Jacobson believes that self-aimed humour has allowed Jewish people to cope with the paradoxical nature of their culture and historical situation. In The Mighty Walzer Jacobson proves to be the Jew par excellence by joking about everything from religion to food, making fun of the contradictions and incongruities of Jewish life.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69576821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Howard Jacobson’s J: A Novel and the Counterfactual Imagination","authors":"Sue Vice","doi":"10.3167/ej.2022.550207","DOIUrl":"https://doi.org/10.3167/ej.2022.550207","url":null,"abstract":"This article analyses Howard Jacobson’s 2014 novel J, which depicts the aftermath of an imagined genocide of the Jews in Britain, and explores its connections to other examples of British-set counterfactual Holocaust fiction. The representation of mass murder on British soil in Jacobson’s novel is achieved despite its omission of such crucial words as ‘Jew’, making the task of identifying these events and their victims into one shared by the novel’s protagonists and the reader. This article identifies the varied targets of J’s satire, which include that of increasing British insularity and its basis in assumptions of moral superiority in relation to the commission of wartime atrocities in Europe. Yet the novel also critiques in more general terms those aspects of contemporary life’s dependence on conformity-inducing technologies, to suggest that the figure of the Jew, and responses to the Jewish presence, offer a more vital alternative.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41377729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Howard Jacobson","authors":"D. Brauner","doi":"10.3167/ej.2022.550208","DOIUrl":"https://doi.org/10.3167/ej.2022.550208","url":null,"abstract":"This is a detailed, wide-ranging interview with the Booker-Prize-winning novelist, broadcaster and public intellectual Howard Jacobson, conducted by the author of the only monograph on his work. On the eve of the publication of his memoir, Mother’s Boy, Jacobson discusses that work, his relationship with his parents, his attitude towards other novelists, and his views on, among other things, Jewishness, antisemitism, poetry, art, television and Trump.","PeriodicalId":41193,"journal":{"name":"European Judaism-A Journal for the New Europe","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44931446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}