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Journal of Contemporary Drama in English最新文献

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“You Don’t Know Who This Man Is”: Hospitality and Trauma in Alexandra Wood’s The Human Ear “你不知道这个人是谁”:亚历山德拉·伍德的《人耳》中的好客与创伤
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0021
Büşra Erdurucan
{"title":"“You Don’t Know Who This Man Is”: Hospitality and Trauma in Alexandra Wood’s The Human Ear","authors":"Büşra Erdurucan","doi":"10.1515/jcde-2021-0021","DOIUrl":"https://doi.org/10.1515/jcde-2021-0021","url":null,"abstract":"Abstract This paper explores the themes of hospitality and trauma in Alexandra Wood’s The Human Ear (2015) by focusing on the modes of encounter with the Other in the play. As Lucy, a woman in her twenties, tries to come to terms with the death of her mother as a result of an unspecified bomb attack, she finds out that her estranged brother, Jason, killed himself. In the meantime, however, a man who claims to be her brother keeps turning up at her door, and through these encounters we can trace the possibilities and limits of hospitality. By referring to the theories of Emmanuel Levinas, Jacques Derrida, and Sara Ahmed on home and hospitality, this paper argues that in The Human Ear, the redefinition of the relationship with the Other is represented as a means to come to terms with trauma as Lucy’s process of welcoming the stranger is connected to her process of healing from trauma.","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"233 - 249"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47375530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Daphne P. Lei and Charlotte McIvor, ed. The Methuen Drama Handbook of Interculturalism and Performance. London: Methuen Drama, 2020, 280 pp., $157.00 (hardback), $126.00 (PDF ebook), $126.00 (EPUB/MOBI ebook). 雷、麦主编：《梅休恩戏剧跨文化与表演手册》。伦敦：Methuen Drama，2020，280页，157.00美元（精装本），126.00美元（PDF电子书），1260.00美元（EPUB/MOBI电子书）。
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0038
Markus Wessendorf
{"title":"Daphne P. Lei and Charlotte McIvor, ed. The Methuen Drama Handbook of Interculturalism and Performance. London: Methuen Drama, 2020, 280 pp., $157.00 (hardback), $126.00 (PDF ebook), $126.00 (EPUB/MOBI ebook).","authors":"Markus Wessendorf","doi":"10.1515/jcde-2021-0038","DOIUrl":"https://doi.org/10.1515/jcde-2021-0038","url":null,"abstract":"","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"374 - 378"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43205785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Roxanne Rimstead and Domenico A. Beneventi, ed. Contested Spaces, Counter-Narratives, and Culture from Below in Quebec and Canada. Toronto: U of Toronto P, 2019, 348 pp., $71.25 (hardback), $71.25 (ebook).
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0033
J. Koustas
{"title":"Roxanne Rimstead and Domenico A. Beneventi, ed. Contested Spaces, Counter-Narratives, and Culture from Below in Quebec and Canada. Toronto: U of Toronto P, 2019, 348 pp., $71.25 (hardback), $71.25 (ebook).","authors":"J. Koustas","doi":"10.1515/jcde-2021-0033","DOIUrl":"https://doi.org/10.1515/jcde-2021-0033","url":null,"abstract":"","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"354 - 358"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43438805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“My Skin Is Not Me”: The Transformations of William Shakespeare’s Othello in Ann-Marie MacDonald’s Goodnight Desdemona (Good Morning Juliet) and Djanet Sears’s Harlem Duet “我的皮肤不是我”:威廉·莎士比亚的奥赛罗在安-玛丽·麦克唐纳的《晚安，苔丝狄蒙娜》和珍妮特·西尔斯的《哈莱姆二重唱》中的转变
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0020
I. Sassi
{"title":"“My Skin Is Not Me”: The Transformations of William Shakespeare’s Othello in Ann-Marie MacDonald’s Goodnight Desdemona (Good Morning Juliet) and Djanet Sears’s Harlem Duet","authors":"I. Sassi","doi":"10.1515/jcde-2021-0020","DOIUrl":"https://doi.org/10.1515/jcde-2021-0020","url":null,"abstract":"Abstract Both Goodnight Desdemona (Good Morning Juliet) (1990) and Harlem Duet (1997) are Canadian feminist appropriations of William Shakespeare. Both deal, at least partly, with Othello, and both can be considered subversive re-visions of Shakespeare’s play which aim to articulate oppositional intervention in the canon. These similarities notwithstanding, the plays have not often been studied concurrently. Also, while several critics have explored them, mostly separately, in terms of their adaptation/appropriation of Shakespeare, seeking to spell out the transformations they have brought to the “original” text, little has been said about how the iconic figure of Shakespeare still holds sway in these new dramas, albeit in different ways and to varying degrees. Likewise, their dramatization of the character of Othello remains rather understudied. This essay explores the “new” Othellos of the two plays, contending that their positioning in the two texts evinces some similarities while their characterization differs widely, given the plays’ generic difference, but mostly the two playwrights’ rather divergent feminist perspectives which, in turn, substantially shape the plays’ respective appropriation techniques.","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"215 - 232"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43347102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William C. Boles, ed. After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. London: Palgrave Macmillan, 2020, xvi + 251 pp., £79.99 (hardback), £63.99 (ebook). 威廉·C·博莱斯主编：《面对面剧院之后：戏剧革命的残余》。伦敦：Palgrave Macmillan，2020，xvi+251页，79.99英镑（精装本），63.99英镑（电子书）。
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0036
Aleks Sierz
{"title":"William C. Boles, ed. After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. London: Palgrave Macmillan, 2020, xvi + 251 pp., £79.99 (hardback), £63.99 (ebook).","authors":"Aleks Sierz","doi":"10.1515/jcde-2021-0036","DOIUrl":"https://doi.org/10.1515/jcde-2021-0036","url":null,"abstract":"","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"369 - 373"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45163952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jenn Stephenson. Insecurity: Perils and Products of Theatres of the Real. Toronto, Buffalo, and London: U of Toronto P, 2019, viii + 286 pp., $75.75 (hardback), $57.75 (ebook). 詹·斯蒂芬森。不安全：真实剧场的危险和产品。多伦多、布法罗和伦敦：多伦多大学出版社，2019，viii+286页，75.75美元（精装本），57.75美元（电子书）。
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0034
C. Megson
{"title":"Jenn Stephenson. Insecurity: Perils and Products of Theatres of the Real. Toronto, Buffalo, and London: U of Toronto P, 2019, viii + 286 pp., $75.75 (hardback), $57.75 (ebook).","authors":"C. Megson","doi":"10.1515/jcde-2021-0034","DOIUrl":"https://doi.org/10.1515/jcde-2021-0034","url":null,"abstract":"","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"359 - 363"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47203298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Michael Shane Boyle, Matt Cornish, and Brandon Woolf, ed. Postdramatic Theatre and Form. London: Methuen, 2019, xii + 266 pp., £52.50 (hardback), £26.09 (paperback), £37.12 (PDF ebook). Michael Shane Boyle、Matt Cornish和Brandon Woolf主编，《后戏剧戏剧与形式》。伦敦：Methuen，2019，xii+266页，52.50英镑（精装本），26.09英镑（平装本），37.12英镑（PDF电子书）。
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0027
Piet Defraeye
{"title":"Michael Shane Boyle, Matt Cornish, and Brandon Woolf, ed. Postdramatic Theatre and Form. London: Methuen, 2019, xii + 266 pp., £52.50 (hardback), £26.09 (paperback), £37.12 (PDF ebook).","authors":"Piet Defraeye","doi":"10.1515/jcde-2021-0027","DOIUrl":"https://doi.org/10.1515/jcde-2021-0027","url":null,"abstract":"","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"325 - 329"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43650518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memory, National Identity Formation, and (Neo)Colonialism in Hannah Khalil’s A Museum in Baghdad 汉娜·哈利勒的巴格达A博物馆中的记忆、民族认同形成和(新)殖民主义
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-0025
M. Midhin, David Clare, N. Abed
{"title":"Memory, National Identity Formation, and (Neo)Colonialism in Hannah Khalil’s A Museum in Baghdad","authors":"M. Midhin, David Clare, N. Abed","doi":"10.1515/jcde-2021-0025","DOIUrl":"https://doi.org/10.1515/jcde-2021-0025","url":null,"abstract":"Abstract According to Ernest Renan, a nation is formed by its collective memory; it is a country’s shared experiences which enable it to become (in Benedict Anderson’s much later coinage) an “imagined community.” Building on these ideas, commentators such as Kavita Singh and Lianne McTavish et al. have shown how museums play a key role in helping nations to form an identity and understand their past. However, as these critics and those from other disciplines (including postcolonial studies) have noted, museums can also reflect and reinforce the unequal power dynamics between nations which result from colonialism and neocolonialism. This article demonstrates that these ideas are directly relevant to the 2019 play A Museum in Baghdad by the Palestinian-Irish playwright Hannah Khalil. This play is set in the Museum of Iraq in three different time periods: “Then (1926), Now (2006), and Later” (an unspecified future date) (3). Khalil uses specific characters – most notably, Gertrude Bell during the “Then” sections, the Iraqi archaeologists Ghalia and Layla during the “Now” sections, and a “timeless” character called Nasiya who appears across the time periods – to question the degree to which the museum is perpetuating Western views of Iraq.","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"304 - 319"},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46642692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-10-23 DOI: 10.1515/jcde-2021-frontmatter2
{"title":"Frontmatter","authors":"","doi":"10.1515/jcde-2021-frontmatter2","DOIUrl":"https://doi.org/10.1515/jcde-2021-frontmatter2","url":null,"abstract":"","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42161547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Travel Beyond Stars: Trauma and Future in Mojisola Adebayo’s STARS 超越星星的旅行：莫吉索拉·阿德巴约《星星》中的创伤与未来
IF 0.5
Journal of Contemporary Drama in English Pub Date : 2021-05-01 DOI: 10.1515/jcde-2021-0007
Renzo Baas
{"title":"Travel Beyond Stars: Trauma and Future in Mojisola Adebayo’s STARS","authors":"Renzo Baas","doi":"10.1515/jcde-2021-0007","DOIUrl":"https://doi.org/10.1515/jcde-2021-0007","url":null,"abstract":"Abstract The article explores Mojisola Adebayo’s two-hander STARS (preliminary workshop performance, Ovalhouse, 2018) through the lens of Afrofuturism. The play will be discussed in regard to future-making technologies. By analysing the overt as well as subtle references to science fiction and its tropes, this article lays out how Afrofuturism informs the play and how it is formative in liberating the main character. Furthermore, questions of violence against women, forms of resistance, and the function of the imagination will be examined. Adebayo deftly weaves Afrofuturist concerns into the everyday experiences of marginalised groups who face discrimination and exclusion, irrespective of whether their marginalisation is based on culture, gender, or age. Through this, the play offers ways of dealing with bodily and historical trauma and exclusion, while simultaneously addressing violent and harmful practices and power relations. The play may be set in the present and deals with current issues, but its performance of the future – in regard to resistance and liberation – proves to be its central feature.","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"9 1","pages":"95 - 113"},"PeriodicalIF":0.5,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/jcde-2021-0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43849340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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