Journal of Contemporary Drama in English最新文献_第3页

“Racism Isn’t Just Someone Shouting at You from a Passing Car”: Roy Williams in Conversation with Gemma Edwards “种族主义不仅仅是有人从过往的车上对你大喊大叫”：罗伊·威廉姆斯与杰玛·爱德华兹的对话

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0010

G. Edwards

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Place-Making, Identities, and the Politics of Urban Life: Theatre and the City. An Introduction 城市生活的场所营造、身份认同与政治：戏剧与城市。引言

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0001

Cyrielle Garson, Xavier Lemoine, Anna Street

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Dom O’Hanlon, ed. Theatre in Times of Crisis: 20 Scenes for the Stage in Troubled Times. With an Introduction by Edward Bond. London: Bloomsbury, 2020, xxii + 296 pp., $30.02 (paperback), $25.16 (ebook PDF and Epub). Dom O'Hanlon主编《危机时期的剧院：麻烦时期的20个舞台场景》。爱德华·邦德介绍。伦敦：Bloomsbury，2020，xxii+296页，30.02美元（平装本），25.16美元（电子书PDF和Epub）。

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0019

Avra Sidiropoulou

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Dramaturgy and Design: A Roundtable Discussion with Anne Hamburger, Cristiana Mazzoni, and Andrew Todd 戏剧与设计:与Anne Hamburger, Cristiana Mazzoni和Andrew Todd的圆桌讨论

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0014

Anne Hamburger, Cristiana Mazzoni, Andrew J. Todd

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Caridad Svich. Toward a Future Theatre: Conversations during a Pandemic. London: Bloomsbury, 245 pp., $26.95 (paperback), $90.00 (hardback), $24.25 (PDF ebook), $24.25 (Epub and Mobi ebook). 卡里达德·斯维奇。走向未来的剧院：大流行病期间的对话。伦敦：Bloomsbury出版社，245页，26.95美元（平装本），90.00美元（精装本），24.25美元（PDF电子书），2425美元（Epub和Mobi电子书）。

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0018

M. Pietrzak-Franger

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Jeanette R. Malkin, Eckart Voigts, and Sarah J. Ablett, eds. A Companion to British-Jewish Theatre since the 1950s. London: Methuen, 2021, x + 259 pp., £103.50 (hardback), £35.95 (paperback), £82.80 (ebook PDF and Epub). Jeanette R.Malkin、Eckart Voigts和Sarah J.Ablett编辑的《20世纪50年代以来英国犹太剧院的伙伴》。伦敦：Methuen，2021，x+259页，103.50英镑（精装本），35.95英镑（平装本），82.80英镑（电子书PDF和Epub）。

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0015

D. Brauner

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“Violence, Ritual, and Space”: Aleshea Harris in Conversation with Julie Vatain-Corfdir and Jaine Chemmachery “暴力、仪式和空间”:Aleshea Harris与Julie Vatain-Corfdir和Jaine Chemmachery对话

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0011

Julie Vatain-Corfdir, J. Chemmachery

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Peta Tait. Theory for Theatre Studies: Emotion. London: Bloomsbury Methuen Drama, 2021, vii + 188 pp., £45.00 (hardback), £12.99 (paperback), £9.35 (PDF ebook), £9.35 (Epub and Mobi). 佩塔·泰特。戏剧研究理论：情感。伦敦：Bloomsbury Methuen戏剧，2021，vii+188页，45.00英镑（精装本），12.99英镑（平装本），9.35英镑（PDF电子书），9.36英镑（Epub和Mobi）。

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0020

Bryony Taylor

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Performing the City: Space, Movement, and Memory in O Ben’Groes at Droed Amser 在Droed Amser的O Ben'Groes中表演城市：空间、运动和记忆

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0004

Francesca Forlini

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Place on Parade: Consumerism and Disidentification in the Parade Genre 游行场所：游行流派中的消费主义与不认同

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Journal of Contemporary Drama in English Pub Date : 2023-05-01 DOI: 10.1515/jcde-2023-0008

Andy Colpitts

{"title":"Place on Parade: Consumerism and Disidentification in the Parade Genre","authors":"Andy Colpitts","doi":"10.1515/jcde-2023-0008","DOIUrl":"https://doi.org/10.1515/jcde-2023-0008","url":null,"abstract":"Abstract The American parade has been investigated in terms of how it transforms urban streets into a place where collective memory and identity are consolidated along lines of class, race, ethnicity, and gender (Ryan; Roach). However, the role of the rural parade has heretofore seen little critical analysis. Since any conception of the urban relies on the rural as a foil, we wonder how the American parade, existing in both urban and rural landscapes, promotes and challenges the unchecked expansion of cosmopolitan culture and dominant ideology. This article examines how the parade genre functions as a civic ritual that seeks to unite individuals through nationalism and consumerism, yet may paradoxically become a stage for political dissent. By juxtaposing performances from the Bread and Puppet Theater at the Fourth of July Celebration in the rural town of Cabot, Vermont, and Tony Sarg’s “upside-down marionettes” in Macy’s Thanksgiving Day Parade, I theorize how conventions of the parade work to inculcate spectators with a sense of group identity. I argue that these same conventions lay the foundation for political dissent, via a process that José Muñoz calls disidentification, to propose (and at times enact) alternatives to dominant ideology.","PeriodicalId":41187,"journal":{"name":"Journal of Contemporary Drama in English","volume":"11 1","pages":"136 - 156"},"PeriodicalIF":0.5,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41898175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0