Journal of Science and Technology of the Arts最新文献_第4页

Folk Dancing Documentation as a Creative Tool for Video Art 民间舞蹈文献作为影像艺术的创作工具

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2020-07-01 DOI: 10.34632/JSTA.2020.8533

Yiannis Christidis, Nicos Synnos

引用次数: 0

Hallucinating Gonçalo M. Tavares’ "Short Movies" Gonçalo M.Tavares的“短片”

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2020-07-01 DOI: 10.34632/JSTA.2020.8530

Pedro Eiras

引用次数: 0

Interspecies Artistic Research Strategies: Biosemiotic Methods and Open-Source Network Technologies 跨物种艺术研究策略:生物符号学方法与开源网络技术

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2020-04-23 DOI: 10.34632/JSTA.2020.8205

Fabricio Lamoncha

{"title":"Interspecies Artistic Research Strategies: Biosemiotic Methods and Open-Source Network Technologies","authors":"Fabricio Lamoncha","doi":"10.34632/JSTA.2020.8205","DOIUrl":"https://doi.org/10.34632/JSTA.2020.8205","url":null,"abstract":"Today, most people spend their lives online: browsing social media, watching cat videos, etc. Some consider this a parallel activity—not part of their ‘real’ life. But the truth is that today those whose brains have been rewired through their interaction with these technologies are in fact constructing their reality through these systems of representation. One could argue that they seem so intimately attached to those images that even their reality seems post-produced (Steyerl, 2017). On the other hand, this new collective subjectivity offers new possibilities, as they promote the idea that today—as Joseph Beuys predicted—everyone can be an artist (2004), thus assigning a new role to internet shared images and their producers. The challenges that arise from these scenarios are: Can we embrace the creative potential of these apparently meaningless daily activities as the rich material for new collaborative narratives? Can we benefit from these collective productions to promote new bioethical discourses, or might this perhaps add another footstep towards a new becoming media? This paper will develop these arguments and present the results of the author’s formal artistic research based on open-source network technologies as the material-discursive tool for the articulation, promotion and distribution of collective singular intimate interspecies explorations in a 'new aesthetic' paradigm.","PeriodicalId":41151,"journal":{"name":"Journal of Science and Technology of the Arts","volume":"12 1","pages":"27-32"},"PeriodicalIF":0.2,"publicationDate":"2020-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45841316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Digital Image as a Semiotic Agent 数字图像作为符号代理人

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2020-04-22 DOI: 10.34632/JSTA.2020.8195

Camila Mangueira, Fabrício Fava, Miguel Carvalhais

引用次数: 0

Editorial: Consciousness Reframed 社论:意识重塑

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2020-04-01 DOI: 10.34632/JSTA.2020.8212

Cristina Sá, A. Baltazar, R. Torres

引用次数: 0

Bio Mind and Techno Nature in the Performance of Memory: Arts-Based-Research and Human Enhancement 记忆表现中的生物心理与技术本质：基于艺术的研究与人的增强

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2020-04-01 DOI: 10.34632/JSTA.2020.8211

Maria Manuela Lopes

{"title":"Bio Mind and Techno Nature in the Performance of Memory: Arts-Based-Research and Human Enhancement","authors":"Maria Manuela Lopes","doi":"10.34632/JSTA.2020.8211","DOIUrl":"https://doi.org/10.34632/JSTA.2020.8211","url":null,"abstract":"-----ABSTRACT This paper intends to examine two recent projects Enhancing the Mind’s I and Emerging Self that address notions of self-identity, the desire for freedom of form and the greater cognitive capacities promised by neuro-enhancement technologies. It is a bid on critical evaluation of the production of the artworks; departing from an understanding that the observer is not independent of reality and that observation and experience are constructed. Consciousness is considered as resulting from the organism capacities to understand its emotions and interacting context, thus the research explores the possibilities that memory and knowledge do not reflect a real exterior world, but a concrete interior world attempting to play with possibilities to generate affect and empathy in the audiences. The text reflects on the ethical side of Human Enhancement (i.e. the potentiation of biological characteristics of Human Body) and the technologies, such as Brain Computer Interaction (BCI) or digital tattoos (tattoos that have technological interactive properties), promising a refinement of nature by technology. It raises questions surrounding memory and identity through art installation. It explores whether is it possible to translate one’s emotions directly into matter, as a memory. The result is the opening of a critical gap between the way sciences produce knowledge about the subject and the affect produced by the experience of the viewer on the installation artworks.","PeriodicalId":41151,"journal":{"name":"Journal of Science and Technology of the Arts","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42495722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

CITAR Journal - xCoAx Special Issue 2019 Editorial CITAR Journal - xCoAx Special Issue 2019编辑部

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2019-12-29 DOI: 10.7559/citarj.v11i2.678

André Rangel, Miguel Carvalhais, Luísa Ribas, Mario Verdicchio

引用次数: 0

Intersectional AI Is Essential 交叉AI至关重要

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2019-12-29 DOI: 10.7559/citarj.v11i2.665

Sarah Ciston

引用次数: 10

On False Augmented Agency and What Surveillance Capitalism and User-Centered Design Have to Do With It 论虚假的增强代理以及监控资本主义和以用户为中心的设计与之的关系

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2019-12-29 DOI: 10.7559/citarj.v11i2.667

Rodrigo Hernández-Ramírez

引用次数: 1

Uncertainties in the Algorithmic Image, xCoAx Special Issue 2019 算法图像中的不确定性，2019年xCoAx特刊

IF 0.2

Journal of Science and Technology of the Arts Pub Date : 2019-12-29 DOI: 10.7559/citarj.v11i2.661

Rosemary Lee

{"title":"Uncertainties in the Algorithmic Image, xCoAx Special Issue 2019","authors":"Rosemary Lee","doi":"10.7559/citarj.v11i2.661","DOIUrl":"https://doi.org/10.7559/citarj.v11i2.661","url":null,"abstract":"The incorporation of algorithmic procedures into the automation of image production has been gradual, but has reached critical mass over the past century, especially with the advent of photography, the introduction of digital computers and the use of artificial intelligence (AI) and machine learning (ML). Due to the increasingly significant influence algorithmic processes have on visual media, there has been an expansion of the possibilities as to how images may behave, and a consequent struggle to define them. This algorithmic turnhighlights inner tensions within existing notions of the image, namely raising questions regarding the autonomy of machines, author- and viewer- ship, and the veracity of representations. In this sense, algorithmic images hover uncertainly between human and machine as producers and interpreters of visual information, between representational and non-representational, and between visible surface and the processes behind it. This paper gives an introduction to fundamental internal discrepancies which arise within algorithmically produced images, examined through a selection of relevant artistic examples. Focusing on the theme of uncertainty, this investigation considers how algorithmic images contain aspects which conflict with the certitude of computation, and how this contributes to a difficulty in defining images.","PeriodicalId":41151,"journal":{"name":"Journal of Science and Technology of the Arts","volume":"11 1","pages":"36-40"},"PeriodicalIF":0.2,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47580888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0