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Journal of the Musical Arts in Africa最新文献

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Musical responses from lockdown: adaptations in foregrounding remote performances in Lagos, Nigeria 封锁中的音乐反应:尼日利亚拉各斯前景偏远表演的改编
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1851460
J. Kunnuji
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引用次数: 1
Rhythmic idioms in Igbo hip hop music: Phyno as exemplar 伊博嘻哈音乐中的节奏习语:以菲诺舞曲为例
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1851458
I. Forchu
{"title":"Rhythmic idioms in Igbo hip hop music: Phyno as exemplar","authors":"I. Forchu","doi":"10.2989/18121004.2020.1851458","DOIUrl":"https://doi.org/10.2989/18121004.2020.1851458","url":null,"abstract":"Abstract Contemporary Nigerian pop musicians draw from and build upon a treasure trove of indigenous musical idioms and performance practices, including call-and-response techniques, extemporisation, and specific melodic, rhythmic and harmonic vocabularies. It is necessary to understand how, for example, an Igbo hip hop musician like Chibuzor Nelson Azubuike (popularly known as Phyno) is influenced by aspects of traditional Igbo musical and language practices. This article explores how rhythm is both appropriated and expropriated in Igbo hip hop music. Employing an analytical and interpretative approach, it examines Phyno’s rhythmic permutations and investigates how he weaves indigenous Igbo rhythmic techniques into contemporary hip hop music. The concept of a pervasive presence of the density referent is examined, and it is argued that this rhythmic idiom is not only derived from Igbo speech rhythms, but also and even more so accountable for the polymetric and polyrhythmic patterns that characterise Phyno’s music. The article offers unique insights into the sonic qualities and characteristics of contemporary Igbo hip hop music.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"1 1","pages":"19 - 40"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90304544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Nani idi-nma n’ebere (2007) for soprano solo and SATB chorus 女高音索罗和SATB合唱
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1864904
Jude Nwankwo
{"title":"Nani idi-nma n’ebere (2007) for soprano solo and SATB chorus","authors":"Jude Nwankwo","doi":"10.2989/18121004.2020.1864904","DOIUrl":"https://doi.org/10.2989/18121004.2020.1864904","url":null,"abstract":"Abstract Nani idi-nma n’ebere (2007) is a choral art music composition in the Igbo language for solo soprano and choir based on the last verse of Psalm 23. It displays a number of musical aesthetic features associated with the Nsukka Choral School (NCS), including percussive vocalisation and ostinato techniques. During the ostinato section, the chorus simulate indigenous Igbo musical instruments in polyrhythmic textures. The piece observes the tonal inflections inherent in Igbo traditional music, which are blended with Western harmonies typical of the First Viennese School. Together these characteristics create a hybrid piece of music that demonstrates the influence of these two different musical cultures.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"64 1","pages":"101 - 106"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84018655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music and Social Dynamics in Nigeria 尼日利亚的音乐和社会动态
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1864905
M. Nzewi
{"title":"Music and Social Dynamics in Nigeria","authors":"M. Nzewi","doi":"10.2989/18121004.2020.1864905","DOIUrl":"https://doi.org/10.2989/18121004.2020.1864905","url":null,"abstract":"","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"12 1","pages":"129 - 139"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78690666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Glocalisation of Nigerian contemporary hip hop music 尼日利亚当代嘻哈音乐的全球化
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1851457
S. Eze
{"title":"Glocalisation of Nigerian contemporary hip hop music","authors":"S. Eze","doi":"10.2989/18121004.2020.1851457","DOIUrl":"https://doi.org/10.2989/18121004.2020.1851457","url":null,"abstract":"Abstract This paper discusses the glocal trends in Nigerian hip hop music production in the age of digital communication technology. The concept of music glocalisation explains the local consciousness in music production, dissemination and consumption amid the forces of globalisation. Following the adoption of American hip hop in Nigeria in the 1990s, a renegotiation of hip hop’s cultural authenticity led to the production of localised hip hop with features of preceding popular music genres, especially highlife music. Although highlife was the most favoured popular music in Nigeria before the 1990s, it did not receive immediate global distribution and appreciation as localised hip hop did during the internet era from around 2004 to date. Increased internet access in Nigeria largely strengthened the access to global hip hop production and consumption. By focusing on the music of two Nigerian hip hop artists, 2face and Flavour, this discussion explores the production and transnational projection of transcultural hip hop identities amid global hip hop music flows. The paper contends that hip hop glocalisation promotes blending of hip hop practices of diverse locales, transcultural communication and global appreciation of Nigerian hip hop culture.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"12 1","pages":"1 - 18"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73163673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Author biographies 作者传记
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1869893
{"title":"Author biographies","authors":"","doi":"10.2989/18121004.2020.1869893","DOIUrl":"https://doi.org/10.2989/18121004.2020.1869893","url":null,"abstract":"","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"13 1","pages":"v - vii"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74430748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kete – Piano Music of Africa and the African Diaspora 非洲钢琴音乐和散居的非洲人
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1854534
Franklin Larey
{"title":"Kete – Piano Music of Africa and the African Diaspora","authors":"Franklin Larey","doi":"10.2989/18121004.2020.1854534","DOIUrl":"https://doi.org/10.2989/18121004.2020.1854534","url":null,"abstract":"","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"34 1","pages":"125 - 127"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85203567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The use of symbols in the praise-naming of chiefs in selected Igbo folk music 伊博族民间音乐中对首领的褒奖中符号的使用
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1864887
E. Igwebuike
{"title":"The use of symbols in the praise-naming of chiefs in selected Igbo folk music","authors":"E. Igwebuike","doi":"10.2989/18121004.2020.1864887","DOIUrl":"https://doi.org/10.2989/18121004.2020.1864887","url":null,"abstract":"Abstract Praise names are repositories and means through which ideologies and socio-cultural identities are transmitted in Igbo culture. In ‘praise naming’, symbols with socio-cultural meanings are deployed to represent ideological realities of Igbo naming in communities. The symbols which are infused with the Igbo beliefs of philanthropy and display levels of stratification have not been subjected to adequate linguistic studies. This study, therefore, undertakes a critical appraisal of the strategic deployment of symbols in praise naming chiefs in selected folk songs of two popular and foremost Igbo folk musicians with a view to uncovering the underlying ideological meanings and significance of the symbols. Analysing the data through the lens of Martin and White’s appraisal theory reveals that symbols derived from five sources – plants, animals, nature, body parts and deities – construct the chiefs in terms of five images of God as protector, benefactor, saviour, dreaded being and as the almighty. While the plant symbols conceptualise chiefs as impartial and all-round providers, the animal and god symbols represent them as supreme and as inspiring dread. The nature symbols depict them as unquantifiable, while body parts represent them as rescuers. These culturally-based symbols, which have both positive and negative connotations, have generally reconstructed the rich as gods of the poor in the songs.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"21 1","pages":"41 - 60"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75949335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Abigbo music and the ever-evolving present: processing indigenous music as an indicator of communal experience among the Mbaise, Igbo 阿比博音乐和不断发展的现在:处理土著音乐作为姆拜斯，伊博的公共经验的一个指标
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1851462
C. Onyeji, E. Onyeji
{"title":"Abigbo music and the ever-evolving present: processing indigenous music as an indicator of communal experience among the Mbaise, Igbo","authors":"C. Onyeji, E. Onyeji","doi":"10.2989/18121004.2020.1851462","DOIUrl":"https://doi.org/10.2989/18121004.2020.1851462","url":null,"abstract":"Abstract This paper on abigbo music of the Mbaise, Igbo argues that indigenous music could be processed beyond its value as a purveyor of historical facts to gain insights into the nature of experiences, trajectories, concerns, fears and projections of a society. The discourse is anchored on the Igbo philosophy of the convergence of the distant past and the distant future at the ever-evolving present, and encapsulated in the theory of cyclic integration presented here. According to this theory, abigbo music not only shows influences from the distant past in the present, but foresees the distant future through occurrences in the past. This is apparent in abigbo song texts, which reveal the perspectives of communities regarding their early encounters with missionaries and the enduring impact these groups had on the Igbo until the present day. A transcription of the abigbo song ‘Ndi Amuma Ugha’ (‘False Prophets’) is discussed to highlight some of the conclusions drawn.","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"18 1","pages":"81 - 99"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73445574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decolonising the musical arts in Nigeria: An overview of the 5th Biennial National Conference of Music and the Performing Arts (Nacompa) 尼日利亚音乐艺术的非殖民化:第五届全国音乐与表演艺术双年展(Nacompa)综述
IF 0.1 4区 艺术学
Journal of the Musical Arts in Africa Pub Date : 2020-01-02 DOI: 10.2989/18121004.2020.1864901
J. Mokwunyei
{"title":"Decolonising the musical arts in Nigeria: An overview of the 5th Biennial National Conference of Music and the Performing Arts (Nacompa)","authors":"J. Mokwunyei","doi":"10.2989/18121004.2020.1864901","DOIUrl":"https://doi.org/10.2989/18121004.2020.1864901","url":null,"abstract":"","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"7 1","pages":"145 - 154"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90569553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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