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Miles to Go: The Prince and the Pauper in Film and Television 《漫漫长路:影视中的王子与乞丐
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0155
Hugh H. Davis
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引用次数: 0
Ornithorhyncus Platypus Extraordinariensis: Modernist Metafiction and the Assault on the Reader in Melville’s The Confidence-Man and Twain’s The Mysterious Stranger 非凡鸭嘴兽:现代主义元小说与梅尔维尔《自信的人》和吐温《神秘的陌生人》中对读者的攻击
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0124
G. Thompson
{"title":"Ornithorhyncus Platypus Extraordinariensis: Modernist Metafiction and the Assault on the Reader in Melville’s The Confidence-Man and Twain’s The Mysterious Stranger","authors":"G. Thompson","doi":"10.5325/MARKTWAIJ.16.1.0124","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0124","url":null,"abstract":"Abstract:Mark Twain’s No. 44, The Mysterious Stranger (ca. 1905ca. 1908ca. 1909) has striking similarities to Herman Melville’s The Confidence-Man (1857). These two books mark the evolution of American modernism to an early form of postmodernism— most notably in their similarly complex treatments of novel and romance genres, the nature of identity, disrupted narrative techniques, metafictional elements, and speculation on the relation of fiction and reality. In both works, the presumption of a single unitary self is under assault, along with moral, religious, and existential concepts of selfhood. Melville’s and Twain’s criticisms of the concept of the single self not only recognize multiple selves in general, but also focus on author/reader mutual identities. Twain’s book becomes an ironic indictment of any reader who reads it.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49122996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Populist in King Arthur’s Court 亚瑟王宫廷中的民粹主义者
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0077
Andrew Alquesta
{"title":"A Populist in King Arthur’s Court","authors":"Andrew Alquesta","doi":"10.5325/MARKTWAIJ.16.1.0077","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0077","url":null,"abstract":"Abstract:Connecticut Yankee stands as one of Twain’s most overtly political novels. Critics have read its protagonist, Hank Morgan, as anything from a progressive reformer to an authoritarian oppressor. This article attempts to explain some of Hank’s contradictions by reading him as a populist in two intersecting ways. First, he serves as a figure for the workingman that was valorized by the late nineteenth-century People’s Party. Second, his rhetoric suggests the lowercase-p populism that splits the political sphere into an insurgent form of “the people” and its elite “other.” Critics of populism argue that this structure is necessarily anti-democratic, and contemporary commentators often use populism as little more than a dirty word; however, this article argues that Connecticut Yankee offers further support to the claim that, at the very least, populism is an element of democracy and, at its best, can disrupt the political status quo in ways that help assert popular sovereignty.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47900295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Art of Judicious Lying 《明智说谎的艺术
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0105
Gregg Camfield
{"title":"The Art of Judicious Lying","authors":"Gregg Camfield","doi":"10.5325/MARKTWAIJ.16.1.0105","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0105","url":null,"abstract":"Abstract:When he began writing Adventures of Huckleberry Finn, Mark Twain believed in an Enlightenment idea of progress and focused much of his satirical energy attacking literalist religion as a vestige of a more primitive state of human civilization. He called these vestiges lies. By the time he shifted his focus to the problem of racism, he began to doubt the idea of progress, wondering instead whether all cultures are fundamentally based on lies and therefore impervious to direct efforts to promote progress. He postulated instead that judicious lying is the best tool to improve humankind.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47023267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rhetorical Listening, Silence, and Cultural (Dis)identifications in Adventures of Huckleberry Finn: Revisiting the “Raft Episode” Again, Ugh! 《哈克贝利历险记》中的修辞倾听、沉默和文化（Dis）认同：再次重温“漂流记”，啊！
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/marktwaij.16.1.0011
Ben Click
{"title":"Rhetorical Listening, Silence, and Cultural (Dis)identifications in Adventures of Huckleberry Finn: Revisiting the “Raft Episode” Again, Ugh!","authors":"Ben Click","doi":"10.5325/marktwaij.16.1.0011","DOIUrl":"https://doi.org/10.5325/marktwaij.16.1.0011","url":null,"abstract":"Abstract:This article offers a new interpretation of the thirteen-page “raft episode,” originally intended as part of Adventures of Huckleberry Finn yet never appearing in any edition during Twain’s lifetime. The episode has been problematic for both editors and readers, to say the least. Editors must decide whether to include it or not, and readers must decide how to interpret it if it is included. This article focuses on the episode as the longest stretch of Huck’s silence in the book and argues that it models the kind of work silence performs in achieving a basic coherence for the narrative. More broadly, it shows how Twain imbues the book with silences wherein the trope of rhetorical listening, as witnessed through and practiced by Huck, enacts a stance of openness for Huck and engenders that stance for the reader in order to encounter and make sense of the cross-cultural exchanges that occur in Huck’s silent dialectics. The argument briefly contextualizes the editorial problem and the episode’s rhetorical exigence for both Life on the Mississippi and Adventures of Huckleberry Finn. It then clarifies the theoretical uses of silence, rhetorical listening, and identification. And, finally, it analyzes how silence and rhetorical listening function before, during, and after the raft episode.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43643009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Editor’s Re: Marks 编辑回复：Marks
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/marktwaij.17.1.v
Chad Rohman
{"title":"Editor’s Re: Marks","authors":"Chad Rohman","doi":"10.5325/marktwaij.17.1.v","DOIUrl":"https://doi.org/10.5325/marktwaij.17.1.v","url":null,"abstract":"","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43265857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Filmography of The Prince and the Pauper 《王子与乞丐》的电影记录
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0190
Hugh H. Davis
{"title":"Filmography of The Prince and the Pauper","authors":"Hugh H. Davis","doi":"10.5325/MARKTWAIJ.16.1.0190","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0190","url":null,"abstract":"Abstract:The subject of filmed Mark Twain has only begun to be examined by scholars. Adaptations vary in format, production values, quality, and fidelity to the source material widely. Film versions of Adventures of Huckleberry Finn have received the bulk of critical attention, and A Connecticut Yankee in King Arthur’s Court seems to have inspired many filmmakers, but the Mark Twain work that appears to have produced the most adaptations is The Prince and the Pauper. In the almost 110 years since the first silent version premiered, ninety-five variations on the Tudor tale have been released, with these adaptations varying from traditional and highly faithful renditions to versions that connect by very slim similarities. The novel’s plot has often been borrowed for episodes of television series, with stories involving previously unknown doubles and the switching of identities. This filmography traces and catalogs those adaptations that based on Mark Twain’s novel.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41514834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 37
Mark Twain Explains the Trump Presidency: Mark Twain’s Political Commentary Remains Relevant Today 马克·吐温解释特朗普的总统任期:马克·吐温的政治评论今天仍然有意义
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0096
D. Bliss
{"title":"Mark Twain Explains the Trump Presidency: Mark Twain’s Political Commentary Remains Relevant Today","authors":"D. Bliss","doi":"10.5325/MARKTWAIJ.16.1.0096","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0096","url":null,"abstract":"Abstract:Among the many reasons the often-quoted (and misquoted) Mark Twain remains such an important figure in American culture today is the continuing relevance of his commentary on American politics and public policy. Twain wrote in 1908, “History repeats itself; whatever has been the rule in history may be depended upon to be the rule.” The author does not, and will not, attempt to say what Twain might think or say about President Trump. That speculation is left to the reader, but what Twain had to say about American politics and governance helps explain how and why Trump was elected and offers guidance in critiquing his presidency.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45593753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mark Twain’s “Assault of Laughter”: Reflections on the Perplexing History of an Appealing Idea 马克·吐温的《笑声的袭击》:对一个吸引人的思想的复杂历史的反思
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0064
H. Kersten
{"title":"Mark Twain’s “Assault of Laughter”: Reflections on the Perplexing History of an Appealing Idea","authors":"H. Kersten","doi":"10.5325/MARKTWAIJ.16.1.0064","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0064","url":null,"abstract":"Abstract:“Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, propounds the idea that humor can serve as a social corrective in American political life. Mark Twain scholars and the general public have tended to regard these words as a condensed version of the writer’s credo as a humorist. By retracing the history of the phrase, which first appeared in The Mysterious Stranger, six years after Mark Twain’s death, and by placing it in the context of nineteenth-century American political humor, this article draws attention to the tensions between the original meaning and its popular interpretation. At the same time, it illustrates the difficulties and complexities involved in the attempt to portray Mark Twain’s concept of humor.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46144451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Colorless History of That Dull Country Town: Color-Blind Racism in Pudd’nhead Wilson 那座沉闷乡村小镇的无色历史：Pudd'nhead Wilson的色盲种族主义
IF 0.7
Mark Twain Annual Pub Date : 2018-09-20 DOI: 10.5325/MARKTWAIJ.16.1.0029
Virginia Maresca
{"title":"The Colorless History of That Dull Country Town: Color-Blind Racism in Pudd’nhead Wilson","authors":"Virginia Maresca","doi":"10.5325/MARKTWAIJ.16.1.0029","DOIUrl":"https://doi.org/10.5325/MARKTWAIJ.16.1.0029","url":null,"abstract":"Abstract:This article draws parallels between Twain's critique of racial ideology in Pudd’nhead Wilson and the modern concept of color-blind racism to argue that Twain’s seeming avoidance of racial issues actually highlights a new, burgeoning racial ideology. Using Eduardo Bonilla-Silva’s four classifications of color-blind racism, the article explores how Twain’s characters, narrator, and setting exhibit the frames of naturalization, minimization, cultural racism, and abstract liberalism that enable this ideological bias. Twain diagnoses a social evil that takes shape in the Jim Crow era but continues today, outlining how our institutions not only create and reinforce systemic racism but also our blindness to it.","PeriodicalId":41060,"journal":{"name":"Mark Twain Annual","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2018-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43814375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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